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All so-called leaks are intentional misinformation projects designed to promote the alien threat scenario while allowing for complete deniability on the part of government. The antics of Vicki (Cooper) Ecker (CIA), Donald Francis Ecker III (Dupe), William Moore, Jaime Shandera, Stanton T. Friedman, Bruce Maccabee (CIA, ONI), Barry Taff PhD.(Pneuropsychiatric Institute of UCLA worked with recently deceased Dr. Louis Jollyn "Jolly" West), Whitley Strieber, Bud Hopkins (CIA), John Lear (CIA), Linda Moulton Howe Order of the Eastern Star and American Federation of Human Rights (American co-masonry), Art Bell (Freemason), Glen Campbell, George Knapp (Freemason), Colonel Philip Corso (CIA, a monumental liar now Deceased), Richard Hoagland and his Face on Mars, the so-called alien autopsy film, NASA and the Apollo Moon Missions, the so-called Mars Meteorite which was fraudulently promoted as containing fossil evidence of life on Mars, the War Of The Worlds, and many other people and events are projects of this type. Some (very few) of these People are unwitting accomplices in the charade and truly believe in the extraterrestrial threat.
Most of those named, and others not named, are active, and with full knowledge, agents of illuminism/socialism. The most well known are active Fellow Travelers, communist agents of the KGB, the Central Intelligence Agency, or one of the many psychological warfare agencies founded by the Rhodes Round Table Group (The Group), the Royal Institute of International Affairs, and the Council On Foreign Relations.
Exhibit A
http://www.trudang.com/autopsy.html#CONTENTS
Exhibit B
http://www.uforeport.com/Shadow.html
Exhibit C
http://members.aol.com/TPrinty/rwell.html
Exhibit D
http://web.ukonline.co.uk/voyager/autopsy.htm
Exhibit E
http://web.ukonline.co.uk/voyager/aa_qa.htm
[use archive.org to see these links]
The plan to create an artificial extraterrestrial threat to the Earth was first mentioned by the Marxist, John Dewey.
"Some one remarked that the best way to unite all the nations on this globe would be an attack from some other planet. In the face of such an alien enemy, people would respond with a sense of their unity of interest and purpose." John Dewey, New York 1917.
The premise was tested for credibility with the CBS presentation of War Of The Worlds on the CBS Radio Network by Orson Welles and the Mercury Theatre. At 8:00 PM Eastern Standard Time, on the evening of October 30, 1938, the night before All Saints Day, now generally celebrated as Halloween, an estimated six million Americans listened to the famous Orson Welles broadcast, War Of The Worlds. The broadcast described an extraterrestrial invasion from Mars. An estimated one million sheople responded with sustained credulity and fear. Thousands responded with sheer panic.
The broadcast was a psychological warfare experiment conducted by The Princeton Radio Project. The Rockefeller Foundation funded the project in the fall of 1937. An Office of Radio Research was set up with Paul F. Lazarsfeld as director. Frank Stanton and Hadley Cantril were named associate directors. Cantril used a special grant from the General Education Board to study the effects of the broadcast. Cantril published the study as a book titled The Invasion From Mars - A Study In The Psychology Of Panic. It contains a complete script of the broadcast. The book is one of a series of studies sponsored by the Federal Radio Education Committee.
War Of The Worlds, was broadcast by Mercury Theater on the Air, from a microphone in a New York studio of the Columbia Broadcasting System. Council on Foreign Relations member Frank Stanton was a CBS executive. Stanton would later direct Radio Free Europe. Regarding the programs realism Cantril writes, "The sheer dramatic excellence of the broadcast must not be overlooked. The unusual realism of the performance may be attributed to the fact that the early parts of the broadcast fell within the existing standards of judgment of the listeners…"
A few short weeks before this broadcast, millions of listeners had kept their radios tuned for the latest news from a Europe apparently about to go to war. They had learned to expect that musical programs, dramas, broadcasts of all kinds would be cut off in a serious emergency to inform or warn an eager and anxious public. A large proportion of listeners, particularly those in the lower income and educational brackets, have grown to rely more on the radio than on the newspapers for news… On this particular night when the listener tuned to the Mercury Theater, he heard the music of "Ramon Raquello" and his orchestra coming from the "Meridian Room" in the "Park Plaza Hotel" of New York City. Soon after the first piece had begun an announcer broke in: "Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin from the Intercontinental Radio News."