two textbooks based on rediscovery of authentic baroque training methods and culminating in fugue writing

http://gen.lib.rus.ec/book/index.php?md5=054119E6B46A3AD43F60956AC2354A28

>Counterpoint in the Style of J.S. Bach - Thomas Benjamin

http://gen.lib.rus.ec/book/index.php?md5=55256EBA31F00130F0B612ED3690FD6F

>A Practical Approach to Eighteenth-Century Counterpoint - Robert Gauldin

piano exercises and advice:

http://imslp.org/wiki/Master_School_of_Piano_Playing_and_Virtuosity_%28Jon%C3%A1s%2C_Alberto%29

>Master School of Piano Playing and Virtuosity - Alberto Jonas and many other contributors (1922-29)

http://imslp.org/wiki/The_Virtuoso_Pianist_%28Hanon,_Charles-Louis%29

>The Virtuoso Pianist - Charles-Louis Hanon (60 basic exercises 1873)

http://gen.lib.rus.ec/book/index.php?md5=F25805B8A9CC05CE2E539EAC0FA80E1D

>Piano Technique - Walter Gieseking, Karl Leimer (1972)

http://gen.lib.rus.ec/book/index.php?md5=9114B7FF5837C8C51698D925E5C13368

>Natural fingering : a topographical approach to pianism - Jon Verbalis

>Though incomplete at the time of his death in 1849, Chopin's Projet de méthode was nonetheless revolutionary in many respects. But with his Fundamental Pattern, Chopin announced the recognition, if not discovery, of the keyboard's extraordinary topographical symmetry and postulated a core formulation for a new "pianistic" pedagogy. More than a hundred years later the now-legendary Heinrich Neuhaus would passionately plead for this pedagogy and a pianism rooted in it.