IN 1919, Magnus Hirschfeld and Arthur Kronfeld, founded the “Institut für Sexualwissenschaft” (Institute for ‘Sexual Research’) in Berlin. Both were active in the German Communist Party and were prominent members of Berlin’s Jewish community.

A multitude of degenerate services were offered at the institute, including the first surgical sex changes in modern history, abortions, lectures and ‘sex counseling’, room rentals, a large library of pornography and erotic literature on every possible perversion (including bestiality and pedophilia), and a Museum of Sex featuring a wide array of homosexual fetish items, dildos, “masturbation machines”, etc.

The institute hosted tens of thousands of visitors each year, including school class field trips. Hirschfeld was a notorious sodomite, popularly known in the Berlin gay scene by his cross-dresser name Tante Magnesia.

He also founded a committee for gay rights and wrote and published many degenerate books and journals, including Jahrbuch für Sexuelle Zwischenstufen (Yearbook for Intermediate Sexual Types). In fact, he’s the sinister figure that coined the term ‘transvestite’. Hirschfeld campaigned to end the Berlin police department’s arrest of cross-dressers and prostitutes.

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In 1921, Hirschfeld organized the First Congress for Sexual Reform, which led to the formation of the World League for Sexual Reform, with conventions held in Copenhagen [1928], London [1929], Vienna [1930], and Brno [1932].

In short, Hirschfeld was the quintessential Hebraic culture-killer who Adolf Hitler explained thus: “And in what mighty doses this poison was manufactured and distributed. Naturally, the lower the moral and intellectual level of such an author of artistic products the more inexhaustible his fecundity.

“ Sometimes it went so far that one of these fellows, acting like a sewage pump, would shoot his filth directly in the face of other members of the human race. It was a terrible thought, and yet it could not be avoided, that the greater number of Jews seemed specially designed by Nature to play this shameful part.” — Mein Kampf. ibid. 42. Adolf Hitler referred to Hirschfeld as the most dangerous Jew in Germany.

Hirschfeld’s institute was a monument to moral sickness and represented everything the NSDAP stood against. In May 1933, the Deutsche Studentenschaft (German Students Union) stormed this den of debauchery shouting Brenne Hirschfeld (Burn Hirschfeld) and began beating the staff and smashing the premises. The Institute was permanently closed and its extensive lists of names and addresses were seized.

A few days later the entire library was famously burned in the streets, some 20,000 books and images, along with Marxist literature and other subversive material. Ever since, without background or explanation, corporate media and palace publishers have protested against the German students emptying their swamp.

At the time, Hirschfeld was on an international speaking tour lecturing on sexuality. He never returned to Germany and died in exile two years later. In October 1941, co-founder of the institute, Kronfeld, committed suicide in Moscow at the approach of German troops.

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Rape babies…

Photo: Otto Dix, Metropolis (1928).

Berlin in the heyday of the Weimar Republic: a hedonistic hellpit of sexual depravity.

No account of the Jewish Question in Germany can be complete without some mention of the tidal wave of sexual immorality that was to engulf the country during the period of the Weimar Republic (1919-1933) following World War One. This also happened to be the apogee of Jewish power in Germany. Every single sphere of major influence had now fallen under Jewish control.

1. THE CULTURAL TAKEOVER OF GERMANY BY THE JEWS

Dr Karl Wiehe, in his Germany and the Jewish Question, is painstaking in the details he provides:

Well before 1933 the Jews had taken possession of the film industry even more thoroughly than of the theater. That was understandable, because the earnings in the film industry overshadow the earnings of any other artistic activity….

The biggest step in the direction of the decline of the German cultural life [however] was taken in the field of the light entertainment genre. Here—in the genre of musical comedy and above all in revue and burlesque—frivolity and lasciviousness were to rear their ugly heads. So much so that during these years Berlin was quite correctly considered the most immoral city in the world.

It was Jews who introduced this pornographic “art form” to Germany, a debased genre completely unknown before the Great War, and so it is the Jews who can be held responsible for the general decline in morals.

The Jewish sexologists Ivan Bloch and Magnus Hirschfeld became the representatives of “sex research” camouflaged as science—a bogus science that was merely an excuse for pornography and propaganda designed to destroy the institute of marriage and the sanctity of the family.

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Photo: Alexander Szekely, German brothel in Ghent

Wiehe provides the following useful facts and statistics:

In 1931, over 60 percent of German films were produced by Jews and 82 percent of the film scripts were written by Jewish writers, though Jews made up less than 1 percent of the German population (0.9o%). A quick look at the names of directors, producers, stage managers, actors, script writers and critics, “revealed everywhere an overwhelming preponderance of Jews.”

A cursory survey of the film titles, Wiehe tells us, shows us that the Jews had only one thing on the brain: sex. Here are some typical titles: “Moral und Sinnlichkeit” (Morals and Sensuality); “Was kostet Liebe?” (What is the Price of Love); “Wenn ein Weib den Weg verliert” (When a Woman loses her Way); “Prostitution” (Prostitution); “Sündige Mutter” (Sinful Mama); “Das Buch des Lasters” (The Book of Vices).

“The sensational titles correspond to the sleazy contents,” Wiehe complains. “All wallow in filth and display with cynical frankness the vilest scenes of sexual perversion.”

Light entertainment (revue/burlesque) was a Jewish innovation. The revue theaters, all concentrated within great cities such as Berlin, were owned and run almost exclusively by Jews. Shows consisted of little more than excuses for sexual titillation involving the display of the female form in lascivious dances that were to degenerate later into striptease and scenes of public masturbation. “In these revues,” Wiehe notes indignantly, “the uninhibited sex drive surrendered itself to disgusting orgies. All life was reduced to a common denominator of lust and its satisfaction. Chastity and self-discipline were mocked as old-fashioned prejudices.”

The Jews had managed, in the space of a mere fourteen years, to bring about a major “transvaluation of values” [4] in Weimar Germany. The vices of the past were now its virtues. The only vice that remained was chastity.

A glance at the revue titles is again sufficient: “Zieh dich aus” (Get Undressed); “Tausend nackte Frauen” (One Thousand Naked Women); “Die Sünden der Welt” (The Sins of the World); “Häuser der Liebe” (The Houses of Love); “Streng Verboten!” (Strictly Forbidden!); “Sündig und Süss” (Sweet and Sinful).

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Photo 1: Otto Dix, The Salon, 1921

Berlin prostitutes awaiting the pleasures of the evening

Photo 2: It was in Weimar Germany, long before Hannibal Lecter, that the serial killer was to become an iconic figure — a source of secret fantasies and frissons.

Finally, there was the rich field of sexology: a new science consisting largely of dubious “case histories” purporting to reveal the depraved sexual habits of various anonymous patients. In order to give an air of academic respectability and erudition to these masturbatory fantasies—thrilling adventure stories involving necrophilia, bestiality and handkerchief fetishism—the more exciting details were often given in vulgar Latin “in order to exclude the lay reader.” [6] However, it was not long before the Latin was diligently translated into the vernacular for the benefit of the unlatined lay reader, thus defeating the purpose of the prim “schoolmaster’s Latin”.

Wiehe reels off a long list of Jewish sexologists who he claims were in the forefront of writing such salacious treatises that were no more than pornography masquerading as science. Drs Magnus Hirschfeld [7] and Ivan Bloch [8] were the star writers in this field, their books still read avidly today by a gullible public hungry for details of the bizarre, the kinky and the perverse. Drs Ludwig Lewy-Lenz, Leo Schidrowitz, Franz Rabinowitsch, Georg Cohen, and Albert Eulenburg are some of the names Wiehe mentions.

Here are some of their depressing titles: “Sittengeschichte des Lasters” (The History of Perversions); “Sittengeschichte des Schamlosigkeit” (The History of Shamelessness); “Bilderlexikon der Erotic” (Picture Lexicon of Eroticism); “Sittengischichte des Geheime und Verbotene” (The History of the Secret and the Forbidden). And here are some of the titles published by Dr Magnus Hirschfeld’s Institute of Sexual Science in Berlin [9]: Aphrodisiacs, Prostitution, Sexual Catastrophes, Sexual Pathology, The Perverted. Wiehe describes all these books as “the filthy publications of these pseudo-scientists”, all of them written by Jewish authors and published by Jewish publishers. He continues in the same acerbic vein:

These books were allegedly supposed to be scientific treatises, their ostensible purpose being to “educate” the broad masses about the dangers of sexual excesses. Under the guise of science, however, they speculated in the lust and lower instincts of their audience. Criminals, prostitutes and homosexuals took center stage in their repertoire. One looks in vain for any known non-Jewish “sexual scientist”! [10]

Wiehe points out that masturbation, hitherto a hole-in-corner vice, began to be shamelessly promoted for the first time in Weimar Germany by Jewish-run organizations. He mentions Dr Max Hodan, Jewish medical officer for Berlin, and ticks him off for circulating a booklet recommending regular masturbation for the working classes.

It is worth noting that one of the world’s worst serial killers, Peter Kürten, committed all his crimes in Germany during the 1925-1930 period.

This was of course the heyday of the Weimar Republic when the German people lay completely under Jewish domination and when the first dress rehearsal for the later Sexual Revolution of the 1960s was arguably being run.

Significantly, when asked what his primary motive for murder was, Kürten replied: “to strike back at an oppressive society.” [11]

This was a society in which the serial killer was to become a popular icon, enough to create a whole genre of sensational sex crime literature.

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Photo: Georg Grosz, Before Sunrise. Prostitutes and their clients in the red-light district… this is how they actually dressed and paraded themselves in the garish, lamp-lit streets.

1. THE DESCENT INTO SEXUAL DEPRAVITY

British historian Sir Arthur Bryant describes throngs of child prostitutes outside the doors of the great Berlin hotels and restaurants. He adds: “Most of them—the night clubs and vice resorts—were owned and managed by Jews. And it was the Jews among the promoters of this trade who were remembered in after years.” [13]

Arriving in Berlin during the hyperinflation crisis (1923), Klaus Mann—son of the great German novelist Thomas Mann—remembered walking past a group of dominatrices:

Some of them looked like fierce Amazons, strutting in high boots made of green, glossy leather. One of them brandished a supple cane and leered at me as I passed by. ‘Good evening, madam,’ I said. She whispered in my ear, ‘Want to be my slave? Costs only six billions and a cigarette.’

10-year-old children turned tricks in the railway stations. A group of 14-year-old Russian girls, refugees from the Red Terror in Stalin’s Communist slaughter house, managed to make a lucrative living in Berlin as dominatrices. Little girls were freely available for sex not only in child brothels and pharmacies but could be ordered by telephone and delivered to clients by taxi, like takeaway meals. Particularly bizarre were mother-and-daughter teams offering their services to the same client simultaneously. Mel Gordon writes: “One French journalist, Jean Galtier-Boissière, described, in sickly pornographic detail, the creeping horror of feeling a nine-year-old girl’s tiny, but proficient, fingers stroking his upper thigh while the broken-toothed mother covered his face with hot sucking kisses.” [15]

In Mel Gordon’s Voluptuous Panic: The Erotic World of Weimar Berlin, we enter a depressingly sordid milieu akin to the subterranean world of the sewer rat: a world which owed its existence in large part to German Jewry. Without Jewish money and influence, such a world would never have come into being. Nor was there anything the Germans could do to extricate themselves from this artificially created hothouse of erotomania and sexual deviance in which they now found themselves ensnared.

There were no fewer than 17 different prostitute types in this Jew-created brothel city: eight outdoor types and nine indoor ones, each with their specialities and slang terminology.

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Phot1: Otto Dix, Three Wenches. These prostitutes were willing to work individually or in a team.

Outdoor prostitutes: (1) Kontroll Girls: legal prostitutes checked for venereal disease. (2) Half-Silks: part-time amateurs with day jobs as office workers, secretaries and shopgirls; evening and weekend workers. (3) Grasshoppers: lowly streetwalkers who gave handjobs and standup sex in dark alleys. (4) Nuttes: Boyish teenage girls who worked for “pocket money” after school without their parents’ knowledge. (5) Boot-girls: dominas (or dominatrices) in shiny patent leather boots who offered to stamp all over their clients. (6) Tauentzien girls: Chic mother-and-daughter teams, fashionably dressed, who offered their services to men who wanted threesomes. (7) Münzis: Heavily pregnant women who waited under lampposts (very expensive, since they offered an erotic speciality). (8) Gravelstones: hideous hags with missing limbs, hunchbacks, midgets, and women with various deformities. “The most common German word for them was Kies. In other accounts, they were referred to as Steinhuren.”

Indoor prostitutes: (1) Chontes: Low-grade Jewish prostitutes, mostly Polish, who picked up their clients in railway stations. (2) Fohses (French argot for “vaginas”): Elegant females who discreetly advertised in magazines and newspapers as private masseuses and manicurists. (3) Demi-castors (or “half-beavers”): Young women from good families who worked in high-class houses in the late afternoons and early evenings. (4) Table-ladies: Ravishingly beautiful escorts of exotic appearance who came with the reserved table in an exclusive nightclub. Clients had to be fabulously rich in order to afford the cultured conversation of these high-class call girls who accompanied the caviar and champagne and who later unveiled their charms in a sumptuously furnished chamber of delights. (5) Dominas: Leather-clad women, athletic and Amazonian, who specialized in whipping and erotic humiliation. They were often found in lesbian nightclubs which also catered for kinky males. (6) Minettes (French for “female cats”): Exclusive call girls who offered S&M fantasy scenes, foot worship, bondage, and enforced transvestism. They worked in top class hotels. (7) Race-horses: Masochistic prostitutes who let themselves be whipped in “schoolrooms” or “dungeons” liberally supplied with instruments of torture.

Clients were carefully screened to make sure they didn’t go too far. (8) ‘Medicine’: Child prostitutes (age 12-16), so called because they were prescribed as “medicine” in pharmacies. All the client needed to do was tell the pharmacist how many years he had suffered from his ailment , without mentioning what ailment it was, and request the color of the pill he preferred (e.g., red). He was then escorted to a cubicle where his “medicine” awaited him: a 12-year-old redhead. (9) Telephone-girls (often billed as “virgins”): expensive child prostitutes (ages 12-17) ordered by telephone like a takeaway meal; the nymphettes were delivered by limousine or taxi.

Luigi Barzini, in his social memoir The Europeans, describes the saturnalian scene in the Tingel-Tangels or sleazy bordellos of sex-crazed Berlin in the 1920s, the Golden Age of the Jews:

I saw pimps offering anything to anybody: little boys, little girls, robust young men, libidinous women, animals. The story went the rounds that a male goose whose neck you cut at just the right ecstatic moment would give you the most delicious frisson of all—as it allowed you to enjoy sodomy, bestiality, homosexuality, necrophilia and sadism at one stroke. Gastronomy too, as one could eat the goose afterwards. [18]

In October 1923, when one US dollar could buy 4.2 billion marks and six wheelbarrows of banknotes could barely buy a loaf of bread, it was said that “the most exquisite blow job to be had in Berlin never cost an American tourist more than 30 cents.”

Berlin nightlife, my word, the world hasn’t seen anything like it!” Klaus Mann, son of the great German author Thomas Mann, enthused sardonically. “We used to have a first-class army. Now we have first class perversions.”

German author Erich Kästner, writing of Weimar Berlin, was to reflect on the topography of the soul sickness that had now taken possession of the once proud city: “In the east there is crime; in the center the con men hold sway; in the north resides misery, in the west lechery; and everywhere—the decline.”

Photo: THE CITY OF DREADFUL JOY

Weimar Berlin, 1928

German Jewish author Stephan Zweig has much to say about homosexuality, pointing out that even in Ancient Rome—where fourteen of the first fifteen Roman emperors were homosexual—the degree of drunken depravity and public shamelessness was far less shocking than in Weimar Berlin:

Bars, amusement parks, honky-tonks sprang up like mushrooms. Along the entire Kurfürstendamm powdered and rouged men sauntered and they were not all professionals; every high school boy wanted to earn some money and in the dimly lit bars one might see government officials and men of the world of finance tenderly courting drunken sailors without any shame. Even the Rome of Suetonius had never known such orgies as the pervert balls of Berlin, where hundreds of men costumed as women and hundreds of women as men danced under the benevolent eyes of the police. In the collapse of all values a kind of madness gained hold. Young girls bragged proudly of their perversion; to be sixteen and still under suspicion of virginity would have been a disgrace.”