Gottlieb!
the musical tells the story of how Dr, Sidney Gottlieb ran a tippy top secret, multi-hundred million dollar, highly compartmentalized, covert, distributed research program on the scale of the Manhattan project and got away as clean as Doc Benway ever did.
Gottlieb’s MK Ultra program and 100s of sub programs focused on human neurological control systems.
"We're Training a Brain, here!" (researchers dance in white lab coats)
More than 200 universities engaged in this research, few knew they were working for Sid Gottlieb's C_A.
We did not know, we had no idea
We snowed ‘em and stowed ‘em
And cashed all the checks.
And every check cleared.
"Defense work" it was called. No single institution or lab had more than a tiny part of the puzzle.
Gottlieb was looking for a hack, or a backdoor into the human operating system. Gottlieb wanted to know was there lower level language perhaps? How far could human be programmed and what were the constraints on control?
Makin' Zombies Shamble is Harder than it Looks!
Gottlieb wanted control over what we as individuals and We the People collectively thought, felt, understood, imagined and are capable of doing.
Ugly and evil thoughts pulsed in the Gottlieb mind, murderous shenanigans saw deeds done which "we were fighting the commies back then" will not excuse.
Doc Sid Gottlieb got his hands on the Mengele Matrix - the Nazi mind control technology developed by Josep Mengele at Auschwitz.
https://en.wikipedia.org/wiki/Josef_Mengele
C_A got total control individual and group information environments with networking technology, and they control not only what we see but what we can see.
There are no records.
Not Mengele’s
>As for records of his experiments, the Kaiser Wilhelm Institute has stated that no records of the experiments have been found there, and according to Posner’s research, Mengele took the Auschwitz experiment records with him on his escape after the war to South America. What happened to those records he carried with him is unknown, at least publicly. Perhaps the records still exist and will be discovered or made public someday, but right now, whether they survived his death, passing into the hands of some interested party, is a question that hasn’t been answered.
https://www.quora.com/Would-someone-be-able-to-give-me-a-source-to-find-detailed-information-about-Dr-Josef-Mengele-and-his-human-research-at-Auschwitz
Not Sid “Spanky” Gottlieb’s MK Ultra records either.
> Most MKUltra records were destroyed in 1973 by order of CIA director Richard Helms, so it has been difficult for investigators to gain a complete understanding of the more than 150 funded research subprojects sponsored by MKUltra and related CIA programs.
https://www.quora.com/Would-someone-be-able-to-give-me-a-source-to-find-detailed-information-about-Dr-Josef-Mengele-and-his-human-research-at-Auschwitz
Doc Sid Gottlieb is usually portrayed as a sinister goofball with a pocket full of impractical lethal technological gizmos. A historical curiosity, part of the CIA’s troubled institutional adolescence, is how Gottlieb’s portrayed, an archaic relic of a polarized world where exploding cigars and beard depilatories were clutched at as solutions to otherwise intractable problems.
Typical horseshit, or catnip for reporters.
Gottleib wanted more and better control, over individuals and groups. The massive covert research program he headed, MK Ultra was to produce a full functioning tractable and obedient human being ( NPC) with limited autonomy and a happy, unquestioning disposition.
Sugar growers in Florida in the 50s used lurching brain damaged zombies created by Haitian bokors for labor in the cane fields, but the Bokors methods (described by Wade Davis’ in The Serpent and the Rainbow, book not movie) - the Bokor's methods caused substantial brain damage and the zombie's functions were/are limited to brute repetitive labor.
https://en.wikipedia.org/wiki/The_Serpent_and_the_Rainbow_(book)
Gottlieb wanted to create light stepping, autonomous, high functioning griffon and white zombies suitable for sex slaves, who could do complex creative work and who would offer up themselves and their children for sex ritual and sacrifice without complaint.
Gottlieb’s project succeeded. NPCs are his creation. That’s why Q is here, and we are.