WriterAnon here.

I just wanted to say something about the “movie” we’re watching and our parts inside it.

You cannot have a movie without a script.

And you cannot have a script without a story.

And you cannot have a story without a writer.

But inside the story, this writer could also be the narrator.

And there is a thing in the world of writing called an “unreliable” narrator.

An unreliable narrator can’t be trusted. It’s usually NOT because they’re lying, but because, for whatever reason, they don’t have all the information. Amnesia. MK Ultra programming. Personality issues. When I write an unreliable narrator I make up scenarios like that.

So if you apply this to our Q movie at first you think well, it’s pretty obvious that Q is the unreliable narrator.

But that’s not true.

Because in a story with an unreliable narrator there is almost always someone who either knows all the facts or pulls all the strings. Someone has to have the answers, and it can’t just be the writer. You have to have a character in the story with the answers. Unreliable storytelling 101.

That’s Q in our movie.

WE, us, the anons, the media, POTUS, everyone except Q – WE ARE THE UNRELIABLE NARRATOR.

We are what keeps the mystery going.

Q isn’t unreliable.

We are.

And from my perspective—that’s all part of the plan.

If the aliens can read minds (this is the plot in my series), and you need a massive number of people to be in the right place at the right time to pull off your “big ending”, then how does the string-puller take out the enemy and win the war without the aliens knowing the plan?

Well, I did it by assigning each major player ONE role. They each got just one secret. And that one secret didn’t mean anything until all the people who each had just one secret, came together for the “big ending”.

We’re the unreliable narrator.

We’re what everyone is watching.

But in the background the secret-keeps are getting into position.

Unreliable storytelling 101.