Anonymous ID: e5bcfe Sept. 23, 2020, 12:03 a.m. No.10752881   🗄️.is 🔗kun   >>2933 >>2941 >>2942

Something will happen on Wednesday

But the Cabal will try to bury the news

With distractions

Could be something in Ukraine

And remember how foreign media

Often provide more accurate coverage

Of events affecting the USA

Than US media?

I'm going to keep an eye on several foreign sources.

Even Ukraine has English language media

Anonymous ID: e5bcfe Sept. 23, 2020, 12:16 a.m. No.10752937   🗄️.is 🔗kun

>>10752928

 

The high technology of 1951

Just didn't seem to work out

Who could have imagined

That men would stop wearing leather shoes

And would no longer value a smart shine

Anonymous ID: e5bcfe Sept. 23, 2020, 12:21 a.m. No.10752950   🗄️.is 🔗kun   >>2963

>>10752941

 

Then how did he know what Trump would say in his speech

At CPAC in February?

 

Mr. E. has provided proof on several occasions

That he works at high levels in the administration

He is likely a military intelligence aide from DIA

Who served under General Flynn in Afghanistan

Anonymous ID: e5bcfe Sept. 23, 2020, 12:31 a.m. No.10752989   🗄️.is 🔗kun   >>2998

Wer war der Thor, wer der Weise[r],

“Who was the fool, who the wise [man],

 

Wer der Bettler oder Kaiser?

who the beggar or the Emperor?

 

Ob arm, ob reich, im Tode gleich.

Whether rich or poor, [all are] equal in death.”

Anonymous ID: e5bcfe Sept. 23, 2020, 12:34 a.m. No.10753007   🗄️.is 🔗kun   >>3019

Memento mori

 

Those who are about to die, salute you.

 

Will you be a lamb, led to the slaughter?

Or will you rise up and say,ENOUGH!!!

Anonymous ID: e5bcfe Sept. 23, 2020, 12:43 a.m. No.10753035   🗄️.is 🔗kun

Der Totentanz

 

With English subtitles

A medieval German poem

Read in front of an artwork

That portrays the scene

And has the poem written on a scroll

That lies at the feet

Of those who lived

Beside their bones afterDEATH.

 

I'm here to tell you right now

That you WILL die.

That is why you are here on this board

To know.

Anonymous ID: e5bcfe Sept. 23, 2020, 12:50 a.m. No.10753063   🗄️.is 🔗kun   >>3082 >>3087

only 16 minutes

I'll bet nobody ever told you that classical music could be like this.

 

Totentanz (English: Dance of the Dead): Paraphrase on Dies irae, S.126, is the name of a symphonic piece for solo piano and orchestra by Franz Liszt, which is notable for being based on the Gregorian plainchant melody Dies Irae as well as for daring stylistic innovations. The piece was originally planned in 1838 and completed in 1849; it was then revised twice, however, in 1853 and 1859.

 

Some of the titles of Liszt’s pieces, such as Totentanz, Funérailles, La lugubre gondola and Pensée des morts, show the composer's fascination with death. In the young Liszt we can already observe manifestations of his obsession with death, with religion, and with heaven and hell. According to Alan Walker,[1] Liszt frequented Parisian "hospitals, gambling casinos and asylums" in the early 1830s, and he even went down into prison dungeons in order to see those condemned to die.

 

Like most Liszt pieces, a number of versions exist. The first version of the Totentanz a De Profundis version was prepared from manuscript sources by Ferruccio Busoni (1919). The standard version is the final and third version of the piece (1859). Liszt also wrote versions for two pianos (S.652) and solo piano (S.525). Edited by Emil von Sauer, the original edition for two pianos, however, merely incorporated the solo part of Liszt's rendering for piano and orchestra, with a transcription of the orchestral accompaniment in the second piano.[3] Dr. Andrey Kasparov has since re-imagined this setting as a work for piano duo.[4] It shows to great effect the breadth of the Totentanz, when distributed evenly between two performers.

Anonymous ID: e5bcfe Sept. 23, 2020, 12:54 a.m. No.10753077   🗄️.is 🔗kun

>>10753070

Now who's the dead man walking?

Stumbling among the chicks

Playing with his squeezebox and his…

The AXE-MAN cometh

Storm clouds gather for the show

Anonymous ID: e5bcfe Sept. 23, 2020, 12:58 a.m. No.10753090   🗄️.is 🔗kun   >>3102

>>10752942

 

ANd all that E. is saying is to pay attention

Because MSM is going to ignore it

And distract people with some other narrative

Those who are attentive

And take the time to dig

Will see a whole trail of dominos ready to unravel

 

And Burisma?

They were digging deeper than the levels at which fossil petroleum is found

Anonymous ID: e5bcfe Sept. 23, 2020, 1:21 a.m. No.10753168   🗄️.is 🔗kun

>>10752998

The Fool

Dummkopf

 

Ever hear the expression, dumb as a door nail?

Door probably was a form of dumb

Just like in German

Doof is a form of Dumm

 

So the expression really meant

Dumb as a dumb nail

Dumb as a stupid nail

 

Thunder became Thunor became Thor

And ended up similar to the word for dumb

Originally it was probably a Turkic word or title

Like Tengri

Which may, in fact come from Old Chinese

Day-Sun Tian-Ri in modern Mandarin

天日

Anonymous ID: e5bcfe Sept. 23, 2020, 1:30 a.m. No.10753189   🗄️.is 🔗kun   >>3420 >>3554 >>3589 >>3613 >>3696

Deep‐seated abiogenic origin of petroleum: From geological assessment to physical theory

 

https://agupubs.onlinelibrary.wiley.com/doi/full/10.1029/2008RG000270

 

Abstract

[1] The theory of the abyssal abiogenic origin of petroleum is a significant part of the modern scientific theories dealing with the formation of hydrocarbons. These theories include the identification of natural hydrocarbon systems, the physical processes leading to their terrestrial concentration, and the dynamic processes controlling the migration of that material into geological reservoirs of petroleum. The theory of the abyssal abiogenic origin of petroleum recognizes that natural gas and petroleum are primordial materials of deep origin which have migrated into the Earth's crust. Experimental results and geological investigations presented in this article convincingly confirm the main postulates of the theory and allow us to reexamine the structure, size, and locality distributions of the world's hydrocarbon reserves.

 

The second image is interesting because it shows Alberta's tar sands as if gas rose up from below and was trapped by water saturated soil