>>11596103 lb
You may or may not be here, but I'd like to report what you pointed me to.
>https://www.cia.gov/library/abbottabad-compound/4A/4A92FD2FB4DAE3F773DB0B7742CF0F65_Coleman.-.CONSPIRATORS.HIERARCHY.-.THE.STORY.OF.THE.COMMITTEE.OF.300.R.pdf
>INTRODUCTION TO THE SOCIOLOGY OF MUSIC, Adorno, Theo. Adorno was kicked out of Germany by Hitler because of his Cult of Dionysus music experiments. He was moved to England by the Oppenheimers where the British royal family gave him facilities at Gordonstoun School and their support. It was here that Adorno perfected "Beatlemusic Rock," "Punk Rock" "Heavy Metal Rock" and all of the decadent clamor that passes for music today. It is worthy of note that the name "The Beatles" was chosen to show a connection between modern rock, the Isis cult and the Scarab Beatle, a religious symbol of ancient Egypt.
>In many societies at many levels of civilization, attempts have been made to fuse drug intoxication with God intoxication. In ancient Greece, for example, ethyl alcohol had its place in the established religions. Dionysus, Bacchus, as he was often called, was a true divinity. Complete prohibition of chemical changes can be decreed but cannot be enforced.
>The top controllers of the drug trade in the Committee of 300 have no conscience about the millions of lives they ruin each year. They are Gnostics, Cathars, members of the cult of Dionysus, Osiris, or worse. To them, "ordinary" people are there to be used for their purposes. Their high-priests, Bulwer Lytton and Aldous Huxley, preached the gospel of drugs as a beneficial substance.
>Opium was popular in all of the fashionable clubs of Victorian London and it was no secret that men like the Huxley brothers used it extensively. Members of the OrphicDionysus cults of Hellenic Greece and the Osiris-Horus cults of Ptolemaic Egypt which Victorian society embraced, all smoked opium; it was the "in" thing to do.
>Nobody would have paid much attention to the motley crew from Liverpool and the 12- atonal system of "music" that was to follow had it not been for an overabundance of press exposure. The 12 atonal system consisted of heavy, repetitive sounds, taken from the music of the cult of Dionysus and the Baal priesthood by Adorno and given a "modern" flavor by this special friend of the Queen of England and hence the Committee of 300.
These are all of the mentions of Dionysus in the text.