Meet Pennsylvania’s anger translator, and Donald Trump’s worst nightmare

When Donald Trump set his sights on overturning the results of the election in Pennsylvania, there were a few things working against him. First, the margin of Joe Biden’s victory put it beyond the need for a recount. Second, Pennsylvania is the birthplace of American democracy, and they take this stuff very seriously. Third, John Fetterman.

Fetterman, the burly lieutenant governor of Pennsylvania, has been a constant thorn in the side of the Trump campaign’s efforts to undermine the election in his state. In doing so, he has emerged from the chaos of campaign season with a new legion of fans.

He was a familiar presence on television throughout the state’s arduous and pivotal ballot count, often on hand to swat away Trump campaign attacks against the integrity of the counting process. At 6ft 8in tall, tattoos on his arms, a long goatee and often in short sleeves, he stood out amid the parade of suits. He once said of his appearance: “I do not look like a typical politician. I do not even look like a typical person.”

He doesn’t talk like a typical politician either. His Twitter feed is full of dry humour, memes and barbs. In the weeks since the election, he has continued his crusade against disinformation and played down any talk of a Trump longshot coup. While others have cloaked themselves in sober and diplomatic language, he has been Pennsylvania’s anger translator.

“Everybody, including and especially the president, knows how this movie is gonna end,” he tells The Independent by phone, on a break from his day job presiding over the Pennsylvania state senate.

“They are just these little Twitter storm freakouts. It's just sad and pathetic that the president of the United States has become just some sad internet troll.”

Fetterman has been pretty clear from day one that there is no way Trump can overturn the will of Pennsylvanian voters (“math doesn’t care about your feelings or lies,” is one of his favourite refrains), but he is also stark in his assessment of the president’s norm-shattering behaviour.

“I've said this time and time again, the media needs to turn its back on the president's reckless claims of voter fraud. He is and has been for some time now yelling ‘fire’ in a crowded theatre. This is not free or protected speech. This is dangerous and damaging speech. And it really just comes down to that,” he says.

More

https://www.yahoo.com/news/meet-pennsylvania-anger-translator-donald-150025723.html

>>11726157

Q doesn't need a facial/sexualized distraction. The content is fine on it's own. Advertisers know human weakness. They use it when the product is weak.

Sex in advertising is the use of sex appeal in advertising to help sell a particular product or service. According to research, sexually appealing imagery used for marketing does not need to pertain to the product or service in question. A few examples of sexually appealing imagery include nudity, pin-up models, and muscular men. "Sex sells" became a controversial issue, with techniques for enlarging and titillating the audience challenging conventional moral standards.[1][2]

In contemporary mainstream advertising (e.g., magazines, online, television), sex is present in promotional messages for a wide range of branded goods. Ads often feature provocative images of well-defined women (and men) in revealing outfits and postures selling things such as clothing, alcohol, beauty products, and fragrances. Advertisers such as Calvin Klein, Victoria's Secret, and Pepsi (just to name a few) use these images to cultivate a sexy media presence. Also, sexual information is used to promote mainstream products not traditionally associated with sex. For example, Dallas Opera's recent reversal of its declining ticket sales has been attributed to the marketing of the more lascivious parts of its performances.[3][4]

The use of sex in advertising can be highly overt or extremely subtle and, on some level, subliminal. It ranges from relatively explicit displays of sexual acts and seductive behavior aimed at the viewer, to the use of double-meanings and underlying sexual references that are more subconscious. Sex in advertising relies on evolutionary processes and varies in effectiveness depending on the culture and gender of the receiver. The use of sex in advertising has been criticized for its tendency to objectify the female body and emphasizing various stereotypes.

https://en.wikipedia.org/wiki/Sex_in_advertising