Anonymous ID: b842c1 Dec. 5, 2020, 3:10 a.m. No.11912211   🗄️.is 🔗kun

"The Johnson Family"

 

William S Burroughs

 

A term that appears regularly in the later works of William S. Burroughs. The Johnson Family is a late 19th century expression referring to 'honourable' members of the American underclass - typically hobos and small-time criminals such as petty thieves. Johnsons may defy the laws and conventions of society, but adhere to an implicit code of conduct that is essentially laissez faire. To quote Burroughs:

 

In this world of shabby rooming houses, furtive gray figures in dark suits, hop joints and chili parlors the Johnson Family took shape as a code of conduct. To say someone is a Johnson means he keeps his word and honours his obligations. He's a good man to have on your team. He is not a malicious, snooping, interfering self-righteous trouble making person. - The Place of Dead Roads (1983)

 

The Place of Dead Roads, Burroughs 'frontier' novel (the second in his Western Lands trilogy), was originally titled The Johnson Family, He aligns the Johnson Family against the authoritarian and dishonest, their natural enemies - in their ultimate form, the rulers of the planet.

 

How to be a Johnson

To paraphrase a good envelope of mine, you may already be a Johnson! The situation is: via the doctrine of live and let live, Johnsons cooperate, and their hidden, intangible - and so unbreakable - society is founded on that cooperation. It is not necessary for the Johnson Family to meet once a month at Holiday Inn to discuss their agenda and schedule. Johnsons know what needs to be done and they will do it when the time comes. An unjust law will not deter a Johnson. The Nova Police will not deter a Johnson. The correct path of action is clear; even those who block the path know it is correct. Think: What Would Johnsons Do? Asks Burroughs, "Which side are you on?"

 

Their House is a Museum

 

In the short essay The Johnson Family, collected in The Adding Machine, Burroughs recalls that he first encountered the term as a boy in 1924, in the pages of You Can't Win by Jack Black. (NOT the fat actor)

>>11912057

 

You Can't Win is the picaresque autobiography of a small-time thief and opium addict who encounters the spirit of Our Favourite Family while riding the rails. Of matters etymological, Black offers the following suggestion: "The bums called themselves 'Johnsons' probably because they're so numerous". This explanation, I fear, will have to suffice until a more informed scholar steps forth.

Anonymous ID: b842c1 Dec. 5, 2020, 3:36 a.m. No.11912288   🗄️.is 🔗kun   >>2311

>>11912129

 

is Sascha Lord a female or a male?

 

both since Bathmat is involved?

 

>Sacha Lord-Marchionne has been running music events for over twenty years now—building from the ground up with a loyal and hard-working team behind him. Owner of Sankeys during the early '00s and founder of seasonal clubbers' haunt, Warehouse Project, the Manchester native has made monumental moves within his hometown. As festival season approaches, Manny beckons another household event as Parklife opens its gates for the sixth year running. Complex put in a call to Sacha to find out how he's tackling the issue of clubs and drugs, the growth of WHP and Parklife, and why he felt the need to ban man bags and shuffling.

 

https://www.complex.com/music/2016/03/sacha-lord-marchionne-interview

Anonymous ID: b842c1 Dec. 5, 2020, 4:38 a.m. No.11912542   🗄️.is 🔗kun

OCT 22 2020

 

>>11912492

>https://www.pressreader.com/australia/the-daily-telegraph-sydney/20201022/281934545436392?fbclid=IwAR1WiMjMaQlPYTNjswwsCY1ji4KUT4luf9FD9Dwj3eUx0PZuZTkIwnlgaHs

Anonymous ID: b842c1 Dec. 5, 2020, 4:51 a.m. No.11912588   🗄️.is 🔗kun

column # 5

 

DECEMBER 4, 2020

inclusion.jpg

 

Opening Day

How showrunners and writers set the tone for an inclusive room.

 

“What can a Showrunner say on Day One of the room to help create a healthy and safe atmosphere, and help everyone feel comfortable raising their concerns?”

 

This question was posed during a panel discussion in October that addressed how best to have an open dialogue about social justice issues in writers’ rooms, and the pervasive underrepresentation of BIPOC (Black, Indigenous, and People of Color) writers on staffs that can make such discussions fraught with tension.

Read more

 

https://www.wga.org/news-events/news/connect/12-4-20/opening-day

 

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Middle Eastern Writers Committee Presents: RAMY - A Conversation with Ramy Youssef

Members (and one guest each) are invited to join this exciting event.

 

The recently-formed Middle Eastern Writers Committee (MEWC) will hold its first event on Wednesday, December 16, at 7 p.m. Committee co-chairs Paiman Kalayeh and Cameron Fay will moderate a virtual discussion about bringing Middle Eastern experiences into mainstream characters and storylines, featuring guest panelist and Ramy creator Ramy Youssef.

https://www.wga.org/news-events/news/connect/12-4-20/a-conversation-with-ramy-youssef

 

Spies-Like-Us.jpg

Tinker Tailor Soldier Writer

Did you miss the Guild’s recent Spies Like Us virtual panel? Watch the video online.

 

Presented by the WGAW’s Genre Committee, this panel explores how intelligence and spycraft stories reflect the eras postwar, Cold War, 9/11, and beyond. What do our shows and films say about the times we live in? How have they evolved, and might further change, in a post-COVID-19, post-privacy, post-truth world? Additional topics include: How do real-life spies and spycraft inspire our stories? When is authenticity sacrificed for entertainment? What do writers and producers fail to get right about the intelligence community? Panelists include screenwriter-director Paul Greengrass (Jason Bourne), WGAW Board of Directors member Meredith Stiehm (Homeland), author-former CIA officer Valerie Plame (Fair Game), BBC correspondent-author Gordon Corera (Russians Among Us), and producer Stephen Cornwell (The Little Drummer Girl). Moderated by Jesse Peyronel (Dig).