>>1324757
I am blown away. You made my eyes water. And a breath of relief. Thank You Anon. I am captivated and overwhelmed. You are saying everything that should be said. Understood. Feel. Realize.
Tyvm!!!!
TYVM! !
With that large notable came a response.
I would implore you all to read it. This is the real deal. Summerized and beautifully articulated.
Have you ever wondered why?
Ty. And Yw.
Nice work.
Always. No perv stuff.
I think I just swallowed my heart.
Is that what Cern is doing?
It's a mirror. Creator power.
An artifical P.
Organic vs Inorganic.
Nature-Gmo
Plants-Pharma
Grow your own food- slat, sugar, processed
Learning-memorization reptition
Morals- self interest
Crystalline lead molybdate PbMoO4 has been found to be well suited for acousto‐optical device applications. This material has desirable properties similar to the previously reported α‐iodic acid α‐HIO3. However, PbMoO4, unlike α‐HIO3, is insoluble in water and can therefore be readily fabricated into devices and its optical surfaces do not require protection from the atmosphere. The elastic, photoelastic, optical, and thermal properties of PbMoO4 have been measured. These data have been used in the design of several acousto‐optic devices. An example consisting of a two stage (horizontal and vertical) acoustically driven light deflector is described. Each stage of this deflector has an 80‐MHz bandwidth and can deflect over 50% of an incident laser beam (5145 Å) with less than 1 W of electrical drive power.
The performance of N2–CO2–He lasers operating at pressures in the 10–120‐Torr range and with nitrogen flow rates of 20–90 standard liters per minute is discussed. A 10‐cm‐long, 13.5‐mm‐i.d. discharge tube produced 140‐W output power. These lasers operate as in‐line mixing lasers, producing about one photon per excited nitrogen molecule. Cooling is provided by rapid removal of hot gas from the discharge region.
Surface‐acoustic‐wave interdigital transducers operating at 1.75 GHz have been fabricated on y‐cut z‐oriented LiNbO3 and y‐cut x‐oriented quartz substrates by electron‐beam techniques. The transducers consist of 25 pairs of interleaved aluminum ``fingers'' 0.3 μ wide and 0.7 μ apart. Used as a surface acoustic wave delay line, the insertion loss has been measured to be as low as 25 dB with a bandwidth of 70 MHz for 2.2‐μsec delay. The parameters of the equivalent circuit of the transducer have been measured and agree with the theoretical calculation.
Swastika. Your killing me. Lol.
:D
The Swastika is a holy sign and symbol from thousands of years ago. Practically, the only symbol that is more important in the Vedic tradition is the Sanskrit Om Symbol. It is an ancient symbol and has been found on sculptures from the early excavations of Mohenjo-Daro. As explained athttp://en.wikipedia.org/wiki/Swastika_origin_theories#Origin_hypotheses: "Beyond its certain presence in the "proto-writing" symbol systems emerging in the Neolithic period (9500 BC), nothing certain is known about the symbol's origin." Some historians also believe that ancient forts were built in the shape that closely resembled the Swastika for reasons of defense because it would be difficult for an enemy to invade all parts of a fort in this shape.
Unfortunately, in the West, it has a negative connotation because of its use by the Nazis from 1935. At that time it was seen as a black cross on a white circle, and now, amongst some sections of society, it is viewed as a symbol that represents a radical perspective. But the real meaning of the symbol, before it was used by the Nazis in Germany, was very different.
The Swastika appears as a cross with branches bent at right angles, pointing in a clockwise direction. In essence, it represents well-being for all, and the circular nature of its points represents the repetitive nature of reincarnation, and also indicates the all-pervasiveness of the Absolute and the eternal nature of the Brahman, the spiritual dimension. If you draw a circle around it, it also symbolizes the Sun-god, Surya, as the ultimate source of light, heat and the energy of the universe that flows in all directions. The four arms of the Swastika stand for the four main directions, namely North, South, East, and West. The central point of the Swastika also represents the navel of Lord Vishnu from which Lord Brahma originated. This also indicates the expanding nature of the universe from a central point. The Swastika also represents the constantly changing world which evolves around an unchanging center, which is God.
The four branches of the Swastika represent the fourfold principles of divinity, which include: 1) Brahma, as the four-faced secondary creator of the universe who spreads the sacred knowledge in four directions; 2) the four Vedas, namely the Rig, Sama, Yajur, and Atharva; 3) the four aims of life or Purusharthas, namely, Dharma (righteousness or sacred duty), Artha (acquiring wealth), Kama (fulfilling desires), and Moksha (liberation from any further cycles of birth and death); 4) the four ashramas of life which make the latter possible, namely Brahmacharya (student life of self-control), Grihastha (house-holder life), Vanaprastha (retired), and Sannyasa (life of renunciation); and 5) the four Varnas, or Brahman, Kshatriya, Vaishya, and Shudra.
The word of Swastika in Sanskrit is composed of two words, "Su" (good) and "Asati" (to exists) which means "May good prevail." Therefore, it also represents happiness, and is often displayed at celebrations, cultural and religious ceremonies, and at weddings or festivals of the Vedic tradition. The Swastika also is a symbol of auspiciousness, peace and prosperity. Thus, making the Swastika in the rangoli style with multicolored powder at such events as births, marriages, or any joyous holiday, indicates the wish for everyone's welfare. It also represents happiness, safety, fertility, and prosperity.
Other cultures also have high regard for the Swastika. The Buddhists consider it as the symbol of the genesis of all flora. Jains also draw the Swastika in front of their deities when making offerings to them. In antiquity, the swastika was used extensively by Hittites, Celts and Greeks, among others. It occurs in other Asian, European, African and Native American cultures sometimes as a geometrical motif, sometimes as a religious symbol.
From http://en.wikipedia.org/wiki/Swastika we also learn: "The swastika was a widely used Native American symbol. It was used by many southwestern tribes, most notably the Navajo. Among different tribes the swastika carried various meanings. To the Hopi it represented the wandering Hopi clans; to the Navajo it represented a whirling log ( tsil no'oli' ), a sacred image representing a legend that was used in healing rituals."
The Navajo used the symbol to represent whirling logs. Fromhttp://nativeamericanjewelrytips.wordpress.com/2010/06/10/native-american-symbol-whirling-log-swastika/ it is explained that "Whirling Logs are used in Navajo sand paintings during a healing or other type of ceremony. A sand painting is supposed to be a temporary piece of art which is destroyed after the ceremony is over. However sand painting designs are also used in prints and framed paintings, rugs and on jewelry. The Whirling Log symbol is associated with a narrative involving a man (sometimes called the Culture Hero) who takes a journey down the San Juan River in a hollowed out log canoe. During his adventure, he encounters whirlpools and a special event where the San Juan River meets the Colorado River. There he comes upon a whirling cross with Yei figures seated on the cross. From the yeis he learns much knowledge which he takes back to his people."
As rightly said by H.P. Blavatsky, the swastika or svastika is “the most sacred and mystic symbol in India.” It is a pure spiritual symbol which can be found on the historical remains and records of almost every nation, originating initially in India, the ancient Mother of our modern civilisation. It was also an important and much cherished symbol of the early Christians, who called it the “crux dissimulata” and often accompanied it with the inscription “Vitalis Vitalia” – “Life of Life.” They used the swastika for centuries, long before the crucifix form of the Cross was ever invented.
The symbol of the cross with the crucified Jesus on it did not exist until 700 A.D. or later, just as the doctrine of vicarious atonement and salvation through the blood of Jesus did not exist until the beginning of the Middle Ages.
It must be repeatedly emphasised that the swastika was never thought of in any way by anyone as being an evil or “dark” symbol until Hitler misappropriated it as the symbol of Nazism. Tragically the image of the swastika continues to strike fear and horror into the hearts of many, due to their not knowing its true spiritual origins and meaning. Despite its modern negative connotations, Hindus, Jains, and Buddhists all over the world retain their right to the use of the swastika as a spiritual symbol.
It’s true and unspeakably tragic that millions of Jews were “slaughtered under the sign of the swastika,” as a visitor to the site unnecessarily reminded us, but why should millions of Indians and followers of Indian religions be denied the right to use the symbol which is theirs by right? Should Hitler still be allowed to triumph over the minds of men, even in death?
He also misappropriated and misrepresented the word “Aryan” – using it to mean a so-called “perfect race” of blonde haired, blue eyed, fair skinned people – whereas in its actual and historical sense, which is the sense in which the term is used in Theosophy, the word “Aryan” means “Indian.” Ancient India was called Aryavarta and the Aryans were the inhabitants of this land. The swastika symbolises and represents:
(1) Auspiciousness, since the true and literal meaning of the Sanskrit word “Swastika” is “All is well.”
(2) The continual motion and revolution of the invisible forces of the universe and the cycles of time, represented by the four arms of the cross being bent at right angles to signify motion and rotation.
(3) The Seal of the Heart or Heart’s Seal of Buddhism. It can be seen engraved on the chest of Buddha in many statues of him around the world.
(4) Fohat, cosmic electricity.
“Applied to the Microcosm, Man, it shows him to be a link between heaven and Earth: the right hand being raised at the end of a horizontal arm, the left pointing to the Earth. … It is at one and the same time an Alchemical, Cosmogonical, Anthropological, and Magical sign, with seven keys to its inner meaning. It is not too much to say that the compound symbolism of this universal and most suggestive of signs contains the key to the seven great mysteries of Kosmos. … It is the Alpha and the Omega of universal creative Force, evolving from pure Spirit and ending in gross Matter. It is also the key to the cycle of Science, divine and human; and he who comprehends its full meaning is for ever liberated from the toils of Mahamaya, the great Illusion and Deceiver. … So ancient is the symbol and so sacred, that there is hardly an excavation made on the sites of old cities without its being found.” – H.P. Blavatsky, “The Secret Doctrine” Vol. 2
"Study math, it's the key to the universe."