Anonymous ID: 122504 May 12, 2021, 5:59 a.m. No.13643131   🗄️.is đź”—kun

>>13642949

There was overt use of focused sound fields in advertising Japan to sell coke in the 80s.

 

Can't find the story now but this is akin

 

>The most «happiness-provoking» soda brand, Coca-Cola, has recently launched a half musical, half social experiment in Tokyo, Japan, to capture the sounds of happiness and then mix them up with a familiar «pshhhh» sound that you hear when open a Coca-Cola bottle.

 

expect the advertising satanists found the subsonics were more useful (and more powerful) used covertly below the threshold of conscious awareness.

.

 

Subliminal embeds enhance perceptual experience of any image, intensifying autonomous responses such as EKG, EEG, GSR – heart rate, brain rhythms and galvanic skin response. Emotionalized, repressed information remains in memory for long periods, perhaps for a lifetime

 

What Key cites as one of the more important discoveries about subliminals was from Dixon: “the more subliminal, the lower the threshold and the greater effects on perception and behavior.”

Dixon, Subliminal Perception pp 283-84

 

To reiterate: the power of the covert influence tactics, their range and the depth of their reach has been enormously enhanced by the advent of nonlinear networked media technologies. If the same corporate complex continues to control US media and VR and Mixed Reality technologies are widely adopted, control of human consciousness and over the course of our future development will be absolute.

 

SP # 5,159,703 (Oct. 27, 1992), Silent Subliminal Presentation System

Abstract: A silent communications system in which nonaural carriers, in the very low or very high audio frequency range or in the adjacent ultrasonic frequency spectrum, are amplitude or frequency modulated with the desired

USP # 5,017,143 (May 21, 1991), Method and Apparatus for Producing Subliminal Images

Abstract: A method and apparatus to produce more effective visual subliminal communications. Graphic and/or text images, presented for durations of less than a video frame, at organized rhythmic intervals, the rhythmic intervals intended to affect user receptivity, moods or behavior.

USP # 6,052,336 (April 18, 2000), Apparatus and Method of Broadcasting Audible Sound Using Ultrasonic Sound as a Carrier

Abstract: An ultrasonic sound source broadcasts an ultrasonic signal which is amplitude and/or frequency modulated with an information input signal originating from an information input source. The modulated signal, which may be amplified, is then broadcast via a projector unit, whereupon an individual or group of individuals located in the broadcast region detect the audible sound.

USP # 3,951,134 (April 20, 1976), Apparatus & Method for Remotely Monitoring & Altering Brain Waves

Abstract: Apparatus for and method of sensing brain waves at a position remote from a subject whereby electromagnetic signals of different frequencies are simultaneously transmitted to the brain of the subject in which the signals interfere with one another to yield a waveform which is modulated by the subject’s brain waves. The interference waveform … is re-transmitted by the brain to a receiver where it is demodulated and amplified. The demodulated waveform also can be used to produce a compensating signal which is transmitted back to the brain to effect a desired change in electrical activity therein.

USP # 5,159,703 (Oct. 27, 1992), Silent Subliminal Presentation System

Abstract: A silent communications system in which nonaural carriers, in the very low or very high audio frequency range or in the adjacent ultrasonic frequency spectrum, are amplitude or frequency modulated with the desired intelligence and propagated acoustically or vibrationally, for inducement into the brain.

USP # 5,017,143 (May 21, 1991), Method and Apparatus for Producing Subliminal Images

Abstract: A method and apparatus to produce more effective visual subliminal communications. Graphic and/or text images, presented for durations of less than a video frame, at organized rhythmic intervals, the rhythmic intervals intended to affect user receptivity, moods or behavior.