>>14485282

(Please read from the start)

The artifact I’m putting with this page is obviously a variation (possibly a mutation) of the previous Anzu design. Before I start explaining, I would like to ask anons to go back to page 759 and take a look at both Rothschild ball costumes; as well as reminding anons that Harry Potter’s Patronas is a Stag. I’m sure if I look, I will find more examples to give anons, but those 2 should be enough for anons to understand that the Stag/deer is a form of the Antelope Sebetti.

When the Hittites migrated in many waves to Europe after the fall of their empire, they transferred with them to Europe many of the myths and deities of Mesopotamia. Of course, along the centuries everything would have mutated many times over. I’m trying to say that the deer is to be considered as pointing to the Evil Lady’s clan. This includes Artemis and Diana by the way.

https://www.englishforums.com/English/StagAndAntelope/kgxcg/post.htm

“A stag is the male of any species of deer or deer-like animals. Females are never referred to as stags. A female deer is called a doe.

An antelope is a particular species of deer, including both males and females.”

>> Anons may wonder why I’m using the word Antelope to refer to this specific clan and not the word Deer: it’s because they showed up earliest in current History in Ancient Egypt and in Mesopotamia where they are clearly Antelopes. So I thought it would be better to stick to the oldest form to call the Clan of the Evil Lady.

The first artifact with this same concept is a cylinder seal where we can see the Anzu bird in almost the same stance as we have in the previous artifacts, as in with open wings with his talons on the back of animals. He’s got the head of a lion though, but here, it’s clear, the Anzu bird is aggressive towards these animals which are Antelopes = deer. His aggressiveness is shown by 3 details:

1 – The open mouth of the Anzu is indicating that this Anzu is roaring like a lion. When does a lion roar? See what I mean?

2 – Look closely how the talons of the Anzu are depicted; they are quite sharp aren’t they? It’s like they are clutching the Antelope, not resting on it. The sharpness and the way he is clutching the Antelopes indicates the Anzu has his talons poking the flesh of the Antelope and not peacefully resting upon its back. Just like how Bald Eagles catch/snatch their prey and how they sink their talons into the flesh of the prey.

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>>14491040

(Please read from the start)

3 – The Antelopes in this artifact are not steady on their feet and they have their rear lifted up by the Anzu bird, as if it’s hunting them. Have you ever seen a lion hunt an Antelope on tv before? The Lion chases the Antelope, then, he hits it on its rear feet to trip it and make it fall. Once the Antelope is unstable on its feet and hits the groud, the lion goes for the throat = the kill. Here having the Antelope depicted in a destabilized way means he is being attacked/hunted by the Anzu bird.

It’s very clear here that the ThunderBird is attacking or fighting the Antelope warriors.

The artifact – I’m attaching to this page – is of a relief where we see the Anzu bird once more with Antelopes/deer. But this time, 2 significant mutations occurred:

1 – The Anzu is not showing any sign of aggressiveness towards the Antelopes.

2 – The Anzu is not resting on the back of the Antelopes, but strangely, he is resting on their tail. I’ve attached a picture of a deer where anons can see the length of its tail. I don’t think these frail tails can carry the weight of the Anzu bird.

This means the sculptor whom made this relief (or the person whom asked for it to be carved) didn’t know or understand the meaning of the Anzu bird with the Antelopes design in the previous page artifact. It also shows the sculptor is concerned about symmetry and filling the blanks, this is why he used the tails of the deer as a perch for the Anzu.

I’ve already explained about the Anzu bird residing in the tree in the Epic of Gilgamesh, so I consider things done for this birdy. Let’s go back to where I left off with Inanna on page 1 271.

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