>>14539727

(Please read from the start)

>> Look at the late date anons. I think this is a figurative story to hint or claim the ancestry of Sargon and to justify why he ruled. Remember Naram-Sin? I think Sargon and his descendants are most possibly direct bloodline of the Evil Lady (or at least this is what they are claiming).

“In Hurro-Hittite texts the logogram dISHTAR denotes the goddess Šauška, who was identified with Ishtar in god lists and similar documents as well and influenced the development of the late Assyrian cult of Ishtar of Nineveh according to hittitologist Gary Beckman. She plays a prominent role in the Hurrian myths of the Kumarbi cycle.”

>> Remember, the Hittites are the bridge between Europe and the Middle East civilizations.

“Later influence

In antiquity

The cult of Inanna/Ishtar may have been introduced to the Kingdom of Judah during the reign of King Manasseh and, although Inanna herself is not directly mentioned in the Bible by name, the Old Testament contains numerous allusions to her cult. Jeremiah 7:18 and Jeremiah 44:15–19 mention "the Queen of Heaven", who is probably a syncretism of Inanna/Ishtar and the West Semitic goddess Astarte. Jeremiah states that the Queen of Heaven was worshipped by women who baked cakes for her.”

>> Remember the artifacts on page 983? ^_^ it was not Hathor, nor Isis. The Cult of the Evil Lady = Inanna or whatever you want to call her is very ancient in Israel. Just follow the sacred prostitution practice and you will know. Funny how the Jewish women used to bake cakes for Lilith and for Inanna. I’m sure it’s a coincidence. If anyone bothers to search, they will find artifacts from different eras with a sexual lady depicted on them. If anyone bothers that is. And you will be “told” it’s an unidentified deity or it’s a Phoenician/ Canaanite mysterious deity, never admiting it’s the Evil Lady related to Judaism and to Inanna.

“The Song of Songs bears strong similarities to the Sumerian love poems involving Inanna and Dumuzid, particularly in its usage of natural symbolism to represent the lovers' physicality. Song of Songs 6:10 Ezekiel 8:14 mentions Inanna's husband Dumuzid under his later East Semitic name Tammuz and describes a group of women mourning Tammuz's death while sitting near the north gate of the Temple in Jerusalem.”

>> And the Sheep still believe the Bible isn’t tampered with and NOT edited. This is a very good example how “such parts” are inserted in the edited Bible.

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>>14545077

(Please read from the start)

“The cult of Inanna/Ishtar also heavily influenced the cult of the Phoenician goddess Astarte. The Phoenicians introduced Astarte to the Greek islands of Cyprus and Cythera, where she either gave rise to or heavily influenced the Greek goddess Aphrodite. Aphrodite took on Inanna/Ishtar's associations with sexuality and procreation. Furthermore, she was known as Ourania (Οὐρανία), which means "heavenly", a title corresponding to Inanna's role as the Queen of Heaven.”

>> Let me get this straight. So far the Evil Lady showed up chronologically in (from oldest place to the newest):

A –The Taurus mountain range.

B – North of Syria & Mesopotamia (including Judaism & Mysterious Northern Syrian Goddess)

C – Hittite Empire & rest of Asia Minor.

D – Syria, Jordan & Israel (including Canaanites)

E – Phoenicia & Greece.

F – Carthage & Rome.

And yet, miraculously, when Qteam posts this picture about crazy Gloria Vanderbilt witch, everyone, including anons, go bunkers and say the Phoenicians sacrifice children and eat them = the pedovores. Amazing! Truly amazing. I still don’t understand why everyone ONLY attacked the Phoenicians but not the other cultures/civilizations mentioned just above. Why are the Phoenicians the SOLE responsible ones of this pedovore cult of the Evil Lady, while it didn’t even start with them; while MANY others also had this same cult under a different name? Am I the only one whom thinks there is something wrong here? Why all the focus on the Phoenicians as being the guilty ones for this cult, while it was practiced by others as well?

And to make it laughable, this cult didn’t even originated from Phoenicia. Tanit is a mutated form of Ishtar, Inanna, Astarte including Lilith. And I’ve managed, through archaeological artifacts, to retrace it to the oldest place it showed up = Taurus mountain range = just above Syria/Iraq borders on the map. Take a look at the artifacts page 983, Burney relief, Tanit symbol etc. Check all the archaeological artifacts, ALL of them, representing the Evil Lady and you will be able to see for yourselves the chronology of it all, you will be able to reconstruct where it all started and where it reached last.

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>>14545087

(Please read from the start)

Why all the HATE directed ONLY towards the PHOENICIANS? Can someone please explain to me why everyone is usually innocent until proven guilty, but the Phoenicians are the ONLY ONES whom are guilty until proven innocent? I’m all for treating everyone equally and fairly. Either we pin the blame on everyone or everyone is innocent, including the Phoenicians.

Whom controls the Media? Whom controls the printing? Whom controls the universities and the “experts”?

Amazingly, when reading Lilith, which is the Evil Lady in Judaism, we got to know that SHE attacked the Phoenician City-States. Now can anyone explain to me why the most evil lady on Earth would attack her people? If the Phoenicians were sacrificing children, eating them, this makes them her followers, her people, her clan; and yet, she attacked them. And it was Neith = the Queen of queens, whom had to leave the soil of Ancient Egypt and confront the Evil Lady = battle her in order to repeal her from the Phoenician City-States. Th confrontation lasted for some time. During this time, the cult of the Evil Lady was spreading. All of these events happened way before 3000 BC.

If the Phoenicians were Inanna’s people = the followers of the Evil Lady, why would she attack them and try to harm them? Would a Sebetti queen bother go there IN PERSON to destroy her own followers? She is a queen, she has an army at her service, and yet, the situation is so important that she herself decided to go destroy the Phoenician City-States. Do you destroy a follower or an enemy?

The cult of the Evil Lady didn’t get in Greece exclusively through Phoenicia. It got there through the migration of the Hittites as well.

The next section is for reading, I will comment on the Greeks when I reach them:

“Early artistic and literary portrayals of Aphrodite are extremely similar to Inanna/Ishtar. Aphrodite was also a warrior goddess; the second-century AD Greek geographer Pausanias records that, in Sparta, Aphrodite was worshipped as Aphrodite Areia, which means "warlike". He also mentions that Aphrodite's most ancient cult statues in Sparta and on Cythera showed her bearing arms. Modern scholars note that Aphrodite's warrior-goddess aspects appear in the oldest strata of her worship[ and see it as an indication of her Near Eastern origins. Aphrodite also absorbed Ishtar's association with doves, which were sacrificed to her alone. The Greek word for "dove" was peristerá, which may be derived from the Semitic phrase peraḥ Ištar, meaning "bird of Ishtar".The myth of Aphrodite and Adonis is derived from the story of Inanna and Dumuzid.”

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>>14545094

(Please read from the start)

“Classical scholar Charles Penglase has written that Athena, the Greek goddess of wisdom and defensive warfare, resembles Inanna's role as a "terrifying warrior goddess". Others have noted that the birth of Athena from the head of her father Zeus could be derived from Inanna's descent into and return from the Underworld. However, as noted by Gary Beckman, a rather direct parallel to Athena's birth is found in the Hurrian Kumarbi cycle, where Teshub is born from the surgically split skull of Kumarbi, rather than in any Inanna myths.”

>> Athena is NOT associated to Ishtar/ Inanna/ the Evil Lady. This is incorrect.

“The cult of Inanna may also have influenced the deities Ainina and Danina of the Caucasian Iberians mentioned by the medieval Georgian Chronicles. Anthropologist Kevin Tuite argues that the Georgian goddess Dali was also influenced by Inanna, noting that both Dali and Inanna were associated with the morning star,[ both were characteristically depicted nude, (but note that the "naked goddess" motif in Mesopotamian art in most cases cannot be Ishtar, and the goddess most consistently depicted as naked is Shala, a weather goddess unrelated to Ishtar) both were associated with gold jewelry, both sexually preyed on mortal men, both were associated with human and animal fertility, (note however that Assyriologist Dina Katz pointed out the references to fertility in later versions of the underworld descent myth are more likely to be connected to Tammuz than Ishtar) and both had ambiguous natures as sexually attractive, but dangerous, women.”

>> The Armenian Anahid is not mentioned as a form of the Evil Lady. I’m no expert for the next part, so I’m going to shut up and only read.

“Asko Parpola considers it possible that Hindu goddess Durga may also have been influenced by Inanna. Like Inanna, Durga was envisioned as a warrior goddess with a fierce temper who slew demons. Like Inanna, Durga was also associated with sexuality. However, some of Parpola's evidence for Western Asian influence on ancient India (both the Indus Valley Civilization and historical and contemporary Hinduism) is described as "marshalled, rather than necessarily critically interrogated"; it's also been noted that his "mono-directional agencies may be an oversimplification of ancient history.

Traditional Mesopotamian religion began to gradually decline between the third and fifth centuries AD as ethnic Assyrians converted to Christianity. Nonetheless, the cult of Ishtar and Tammuz managed to survive in parts of Upper Mesopotamia. In the tenth century AD, an Arab traveler wrote that "All the Sabaeans of our time, those of Babylonia as well as those of Harran, lament and weep to this day over Tammuz at a festival which they, more particularly the women, hold in the month of the same name." Simo Parpola claims that the cult of Ishtar still existed in Mardin as late as the eighteenth century. Many of Parpola's views on religion and culture of ancient Mesopotamia and their impact on later history are however regarded as an example of hyperdiffusionism (panbabylonism) and aren't accepted by other scholars. Marina Warner (a literary critic rather than Assyriologist) claims that early Christians in the Middle East assimilated elements of Ishtar into the cult of the Virgin Mary. She argues that the Syrian writers Jacob of Serugh and Romanos the Melodist both wrote laments in which the Virgin Mary describes her compassion for her son at the foot of the cross in deeply personal terms closely resembling Ishtar's laments over the death of Tammuz. Broad comparisions between Tammuz and other dying gods are rooted in the work of James George Frazer and are regarded as a relic of less rigorous early 20th century Assyriology by more recent publications.”

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>>14545097

(Please read from the start)

>> Amazing! Truly amazing! (((They))) would go to any length just to dirty the image of the Virgin Mary because (((they))) know she’s the real deal = she is the mother of Christ, our Savior.

“Worship of Venus deities connected to Inanna/Ishtar was known in Pre-Islamic Arabia right up until the Islamic period. Isaac of Antioch (d. 406 AD) says that the Arabs worshipped 'the Star' (kawkabta), also known as Al-Uzza, which many identify with Venus. Isaac also mentions an Arabian deity named Baltis, which most likely is another designation for Ishtar. In pre-Islamic Arabian inscriptions themselves, it appears that the deity known as Allat was also a Venusian deity (Inanna/Ishtar). Attar, a male god whose name is a cognate of Ishtar's, is a plausible candidate for the role of Arabian Venus deity too on the account of both his name and his epithet "eastern and western.”

>> I’ve already checked on Attar and it’s clear that the cult of the Evil Lady and the Horned Serpent warriors reached all the way to the Arabian Peninsula. If anons are interested, they can check the other deities suggested above themselves.

“Modern relevance

In his 1853 pamphlet The Two Babylons, as part of his argument that Roman Catholicism is actually Babylonian paganism in disguise, Alexander Hislop, a Protestant minister in the Free Church of Scotland, argued that the modern English word Easter must be derived from Ishtar due to the phonetic similarity of the two words. However, according to a Scientific American article published in 2013 by Krystal D'Costa the "word Easter does not appear to be derived from Ishtar, but from the German Eostre, the goddess of the dawn.”

>> Face palm for the old man. Etymology. Etymology. Etymology.

“[…]

While classical deities such as Apollo and Aphrodite frequently appear in modern popular culture, Mesopotamian deities have, by contrast, fallen into almost complete obscurity. Inanna/Ishtar has somewhat resisted this tendency, but has not been immune to it. She usually only appears in works with strong mythological input, and most modern portrayals of Inanna/Ishtar have virtually nothing in common with the ancient goddess except for her name. The 1963 splatter film Blood Feast concerns a serial killer who sacrifices his victims to Ishtar, who is incorrectly identified as an "Egyptian goddess". Ishtar also gave her name to the 1987 box office bomb Ishtar, in which the character Shirra was loosely modeled on her. According to Louise Pryke, the character Buffy Summers in Buffy the Vampire Slayer bears remarkably strong similarities to Ishtar, but these may be coincidental.[364] Hercules: The Legendary Journeys, following the portrayal in Blood Feast, portrays Ishtar as a soul-eating Egyptian mummy. One of the two highlands of the planet Venus is named "Ishtar Terra". John Craton composed a full-length opera about Ishtar and she has also been referenced in numerous rock and death metal songs.”

>> She’s very popular with nowadays Kabbalah isn’t she? Hm! I wonder why?

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>>14545101

(Please read from the start)

“The Argentinian feminist artist Liliana Kleiner created an exhibition of paintings depicting her interpretations of Inanna's myths, which was first displayed in Mexico in 2008. The exhibition was later shown in Jerusalem in 2011 and in Berlin in 2015. Inanna is one of the names on the Heritage Floor of The Dinner Party by American feminist artist Judy Chicago as a related woman to Ishtar, who has a seat at the table. Inanna is worshipped as a form of the Goddess in modern Neopaganism and Wicca. Her name occurs in the refrain of the "Burning Times Chant", one of the most widely used Wiccan liturgies. Inanna's Descent into the Underworld was the inspiration for the "Descent of the Goddess",one of the most popular and most important myths in Gardnerian Wicca.”

>> LoL! It cannot be more obvious than this to the reader.

“Inanna is also an important figure in modern BDSM culture. Author and historian Anne O. Nomis has cited the portrayal of Inanna in the myth of Inanna and Ebih as an early example of the dominatrix archetype, characterizing her as a powerful female who forces gods and men into submission to her. Scholar Paul Thomas has criticized the modern portrayal of Inanna, accusing it of anachronistically imposing modern gender conventions on the ancient Sumerian story, portraying Inanna as a wife and mother, two roles the ancient Sumerians never ascribed to her, while ignoring the more masculine elements of Inanna's cult, particularly her associations with warfare and violence.”

>> “Dominatrix” = I have tears in my eyes and I’m roaring in laughter. Honestly, is there anything (((they))) didn’t come up with? I will talk a bit about the Dominatrix a bit further down. Inanna = the Evil Lady does NOT project the image of a wife and loving mother. That image is projected by Neith. The Evil Lady is a perverted pedovore and anons can now easily distinguish among the 2 if you read any text concerning any female deity.

Couple of last ideas to clarify about the Evil Lady:

1-On page 1 035, we see sometimes Baphomet depicted as female = with breasts and as male = bare chest. So which one is it? And why do we have this dual gender representation of Baphomet? From the looks of it, it seems this is due to the dual gender issue with Inanna = the Evil Lady. When you study this in depths, you will discover that all the “crazy” stuff we have nowadays with the gender and sex issues; all of them; came from one place = had one starting point = the cult of the Evil Lady. This is why we see Baphomet = the horned devil, sometimes depicted as male, sometimes depicted as female. In reality, it’s a female since the Evil Lady was female. This is where the transgender, the homosexual, the orgy, the pedovore, the beastiality, the hermaphrodite etc. ideas come from. It’s starting to look more and more obvious that the head of the Antelope Clan is the Evil Lady. Sometimes in the entertainment industry (movies, music, cartoons, comics, sports etc.), they say: the devil is a she. It’s starting to make sense why? = because we have 2 devils: a male = the Evil One and a female = the Evil Lady.

2 - I put a picture of a Syrian seal imprint on page 1 302 – second picture. We can see a female deity standing inside something which looks like an arch but has also many flames coming out of the sides. This is not a cave and not a building. This is a machine, a flying machine – because jet planes engines can emit something that looks like flames. I’m putting a couple of pictures for anons to understand better what I mean there. Sorry anons, I’m not good with such names but I hope you will get the idea from the pictures.

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>>14545127

(Please read from the start)

This female deity is lifting her skirt in both hands, exposing her genitals. I believe this is the oldest representation of the Evil lady we have outside of the Taurus, even older than what we have of Inanna in Mesopotamia; since Syria is bordering the Taurus mountain range. Then I would like to ask anons to go take a look at the artifacts on page 983. See how the outlines of the skirt between the lifted edges and the arms have disappeared (second picture). And how the outlines of the lifted skirt have transformed into branches, looking like Palm tree branches – this is further accentuated in the third picture of that page. Then, look at the first picture and see how the palm trees have turned into a flower

Next take a look at the Burney relief, now Inanna is holding a Shenu Ring instead of flowers and she now has wings. Next comes the third picture of page 1 302, Inanna isn’t holding anything, no flowers, no Shenu Ring, no anything. She is simply holding both of her hands up and this is exactly how Tanit is represented symbolically on the last picture of the same page. I didn’t put this list in chronological order = from oldest to newest. I’m not going to waste time on it since it’s too much time consuming. Those whom are interested can use these artifacts, study them, and see to which civilizations and eras they belonged to. Then put them in chronological order to study the evolution of the Evil Lady’s design. This is how we do it in archaeology. We gather the pieces, identify them correctly (which era and which civilization) then we put them in chronological order and also geographical sometimes, to study how and where it spread. It takes a lot of time to do this. We can aslo see using this method how the design mutated and evolved.

Now keep the idea of lifting the skirt on hold and go to page 856, when we were taking a look at Isis from Ancient Egypt. It was during the Ptolemaic times = Greek Influence – that this iconography of Isis-Aphrodite (third picture) started to show up; where the goddess was exposing her genitals. This iconography entered Ancient Egypt from the Greeks. But where did the Greeks originally got it from = the Hittites of course. And this iconography originated as anons can see right on the side of the Taurus mountain chain = bordering Syria. The Greek Bloodlines = the Ptolemaic dynasty KNEW exactly whom this is = the Evil Lady = (((their))) founding queen = (((their))) matriarch. And (((they))) confused her with Isis = (((they))) thought it was Isis; which is incorrect.

I have already explained this, but now I’m linking the tunnels together and I’m showing anons where I got my information from. When I say I’ve been working on this for more than 4 decades, you have no idea the stuff I’ve been researching. This is one of them, I’ve tracked down this specific iconography, from Syria, into Greece, into the Middle East and it landed in Ancient Egypt during Ptolemaic times.

And just to be on a lighter mood, I’ve put this iconic moment from one Monroe’s movies for anons. Where do you think this idea of “lifting the skirt” came from? ^_~

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