>>14491045

(Please read from the start)

So, Lilitu, Anzu bird and the Serpent had all taken residence in the TREE = which I think it’s either a geographic location or a building like a palace or something like that. This means they all lived in the same place or were all there at the same moment.

When Gilgamesh comes to slay the Serpent, this is a mirroring of the death of the Evil One, while it clearly said that the ThunderBirds and the Evil Lady fled the site = left. I think it’s because the explosion was imminent so they had to flee to save their skin. Then Gilgamesh’s companions chops down the Tree: was that place/building destroyed? Of course it was. Why? Because an explosion took place which triggered the Cataclysm and the epicenter of that explosion was that TREE.

Then a new throne and a bed were carved for Inanna and she was happy. A new throne is her new kingdom after the Flood water receded = where she settled in and established a new kingdom after the Flood. But the “bed” is tricky. It can point to 2 things = 1 – she had many lovers since the Evil One died – 2 – a bed can strangely look like a raft or a boat. I don’t know anons, I’m scratching my head about this bed thing. It’s not easy to figure out. Maybe I’m wrong on both possibilities about the bed; if so, then what could it be? What could the “bed” symbolize or represent? It’s hard to tell.

Yes, Inanna was happy for getting the new throne and the bed because she gave as a gift to Gilgamesh “the pikku & the mikku” which none has figured out what they really are.

“The Sumerian hymn Inanna and Utu contains an etiological myth describing how Inanna became the goddess of sex. At the beginning of the hymn, Inanna knows nothing of sex, so she begs her brother Utu to take her to Kur (the Sumerian underworld), so that she may taste the fruit of a tree that grows there, which will reveal to her all the secrets of sex. Utu complies and, in Kur, Inanna tastes the fruit and becomes knowledgeable. The hymn employs the same motif found in the myth of Enki and Ninhursag and in the later Biblical story of Adam and Eve.”

>> This paragraph is a real gem. I’ve talked about this before and I gave many examples for anons from Hollywood movies. This Sebetti queen was pure, good hearted and innocent at first. She got seduced by the Evil One through sex and promises of sharing the throne with him. He changed her by the means of perverted sex = pedovore. The more I read, the more I’m starting to believe that the “Forbidden Fruit” is the flesh of humans = eating humans = cannibalism. When she became a cannibal, she became knowledgeable = (((their))) twisted knowledge. This is (((their))) sick, twisted, perverted “enlightenment” (((they))) like to brag about.

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>>14496604

(Please read from the start)

Another interesting detail in this paragraph is the mention of her brother. It’s said here that she asks her BROTHER to “take her to Kur = Sumerian underworld, where she tasted the “Forbidden Fruit”. This has the smell of incest all over it, just like what I’ve been suspecting before. The highest possibility is a brother/sister incest.

As for this underworld or the Kur, I keep on wondering if it’s not earth = living on the surface of the planet. If the Sebetti rulers where living in an elevated place, like a “floating mountain”, then everything below them is the underworld; while they live in the upperworld. This reminds me of the movie Elysium (mentioned in page 207) where the “elite” used to live “UP” while the rest of the population used to live “BELOW”. Is this where that movie got the idea from?

The underworld could also mean the word below the surface of the planet = what some may call Hollow Earth. The Third possibility for a meaning is this could be indication Hell = as in that furnace like place where people with evil spirits go to because of their evil deeds. Loads to think about here. This tale of Inanna is the just another mirroring as to what had happened back then, just like the story of Adam and Eve is.

“The poem Inanna Prefers the Farmer (ETCSL 4.0.8.3.3) begins with a rather playful conversation between Inanna and Utu, who incrementally reveals to her that it is time for her to marry. She is courted by a farmer named Enkimdu and a shepherd named Dumuzid. At first, Inanna prefers the farmer, but Utu and Dumuzid gradually persuade her that Dumuzid is the better choice for a husband, arguing that, for every gift the farmer can give to her, the shepherd can give her something even better. In the end, Inanna marries Dumuzid. The shepherd and the farmer reconcile their differences, offering each other gifts. Samuel Noah Kramer compares the myth to the later Biblical story of Cain and Abel because both myths center around a farmer and a shepherd competing for divine favor and, in both stories, the deity in question ultimately chooses the shepherd.”

>> Here I think it’s mirroring how the Evil One convinced the Evil Lady to become a pedovore. Here, it’s showing how she switched from being a vegetarian = not a cannibal; into being a meat eater, but not just any meat = human meat. At the end, the Evil One cemented her conversion with promises of “gifts” = are these treasures? Gems? Gold? Sharing power? Ruling together? She had a lack of “ruling power” which made her feel inferior to the other Sebetti rulers. As in she felt like she didn’t get a good share to rule upon and she wanted more. I’ve talked about this before. This was exploited by the smooth talker = the Evil One; he promised her many “gifts”. She finally chose him and joined hands with him for the coup.

“Conquests and patronage

Inanna and Enki (ETCSL t.1.3.1) is a lengthy poem written in Sumerian, which may date to the Third Dynasty of Ur (c. 2112 BC – c. 2004 BC); it tells the story of how Inanna stole the sacred mes from Enki, the god of water and human culture. In ancient Sumerian mythology, the mes were sacred powers or properties belonging to the gods that allowed human civilization to exist. Each me embodied one specific aspect of human culture. These aspects were very diverse and the mes listed in the poem include abstract concepts such as Truth, Victory, and Counsel, technologies such as writing and weaving, and also social constructs such as law, priestly offices, kingship, and prostitution. The mes were believed to grant power over all the aspects of civilization, both positive and negative.”

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