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A Mary Sue is a type of fictional character, usually a young woman, who is portrayed as unrealistically free of weaknesses.[1] Originating in fan fiction, a Mary Sue is often an author's idealized self-insertion. Mary Sue stories are often written by adolescent authors.[2]
The term Mary Sue was coined by Paula Smith, as a character's name in the 1973 parody short story "A Trekkie's Tale", which satirized idealized female characters widespread in Star Trek fan fiction. A male character with similar traits may be labeled a Gary Stu or Marty Stu.
https://www.smithsonianmag.com/arts-culture/these-women-coined-term-mary-sue-180972182/
The song became popular on the minstrel stage in 1869, and several claims have been made for its composition. An anonymously written 1895 New York Herald article on the history of minstrel show dancing gave this history: "'Shoo-Fly' is said to have come originally from the Isthmus of Panama, where the Black people sang 'Shoo Fly' and 'Don't Bodder Me' antiphonally while at their work. A Black person from there, Helen Johnson, took it first to California and taught the song to 'Billy' Birch [a performer with the San Francisco Minstrels troupe]. ‘Dick’ Carroll and others also had versions of it which they performed. Delehanty and Hengler had theirs, too, and used to sing it as an encore with Bryant’s Minstrels, slipping on old dresses over their heads in the interim of the score. It was from hearing them that ‘Dave’ [Reed] and ‘Dan’ [Bryant] fancied he song. ‘Dave’ fixed it up with a dance, and original version thereof. It was rehearsed secretly, and when the time came they ‘sprang it’ on ‘the boys’ of the company one evening in public, with ‘Come and Kiss Me’ as an encore. It was a howling success from the start, and ‘Dan’ Bryant had printed the next day at the Herald office twenty thousand notices, which he gave to the company and others to scatter about the town wherever they went. Horse shoes with a fly on them were put in odd and conspicuous places, even on the telegraph wires, and in no time the public was crazy over the act and 'business was great.' E.M. Hall has a version with a more elaborate and an excellent chorus, ending 'Shoo Fly, &c., "Go 'way, fly, I'll cut your wing.”'.[1]
Theater historian Eugene Cropsey also credited Dan Bryant with introducing the song to the public in October, 1869.[2] The version sung by Bryant's Minstrels served, in 1869, as the title number in Dan Bryant’s Shoo Fly Songster.[3]
"Shoo Fly" is among the songs ("John Brown's Body" is another) claimed as compositions by T. Brigham Bishop.[4] According to Bishop's account, he wrote "Shoo Fly, Don't Bother Me" during the Civil War while assigned to command a company of black soldiers. One of the soldiers, dismissing some remarks of his fellow soldiers, exclaimed "Shoo fly, don't bother me," which inspired Bishop to write the song, including in the lyrics the unit's designation, "Company G". Bishop claimed that the song was "pirated" from him, and that he made little money from it.[5] Bishop published a sheet music version of the song in 1869 (White, Smith & Perry). That version includes the caption, "Original Copy and Only Authorized Edition."[6]
Other sources have credited Billy Reeves (lyrics) and Frank Campbell, or Rollin Howard, with the song.[7] An early publication appeared as "Shew! Fly, Don't Bother Me. Comic Song and Dance or Walk Round. Sung by Cool Burgess and Rollin Howard, melody by Frank Campbell, words by Billy Reeves, arr. by Rollin Howard."[8][9]
https://ohnotheydidnt.livejournal.com/109511330.html
Marty McFly was born in Hill Valley, California to the McFlys, a family of Irish descent. Little is known about Marty's life prior to the first Back to the Future film, except for the fact that he set fire to the living-room rug when he was 8 years old (in a statement of Marty's to his future parents).[2] He met his friend Dr. Emmett "Doc" Brown when he was around fourteen after hearing that Brown was a dangerous lunatic. Marty, being the “red-blooded American teenager” he was, wanted to go see what it was all about for himself. He snuck into Doc's lab and was fascinated by all his inventions. When Doc caught him, he was glad to have someone who liked his work and their friendship started there.[3]
In 1985, Marty plays guitar with his group The Pinheads[2] and likes listening to Huey Lewis and the News, Tom Petty and the Heartbreakers, and Van Halen. He is also a talented skateboarder and proves to be an excellent pistol shot, a skill he has honed by endlessly playing shooting games such as Wild Gunman at his local 7-Eleven.[4][5]
By 2015, Marty's life has spiraled out of control due to long-term pain from a hand injury that left him unable to play guitar. This injury occurs in 1985, after Marty accepts school enemy Douglas J. Needles' challenge to a road race after being labeled a chicken and crashes into a Rolls-Royce. In 1885, Biff Tannen's great-grandfather Buford goads Marty into a showdown, which Marty wins despite refusing to draw a gun against Buford. Once he returns to 1985, he remembers both this event and Seamus' advice and politely declines Needles' challenge, avoiding the collision that would have ruined his musical talents. This event shows newfound maturity as he often loses his temper when called a chicken. Over the years, Marty learned how to make his decisions on his own terms instead of being influenced by others, thereby changing his future for the better.
Ma·don·na
/məˈdänə/
Learn to pronounce
noun
the Virgin Mary.
a picture, statue, or medallion of the Madonna, typically depicted seated and holding the infant Jesus.
noun: madonna; plural noun: madonnas
an idealized virtuous and beautiful woman.
noun: madonna
"he describes Evelyn as a madonna"
>>1388798
Not if it's made by consenting adults who actually want to make hot, passionate, love to each other!
Actors who are getting paid to fuck each other is badong!