Bread shitter.
kek
Here's to ManDates. They LOVE 'EM
(side note, uh, Q team? This is getting out of hand. Every child that is stuck with these toxic chemicals, was counting on your promise to save the them from the Cabal…)
This is a very scary situation. With Broken homes, and one parent/grandparent being pro vax, and the other anti, what happens when the PRO just decides to take the children and get them SHOT, behind the other parent's back?
This is out of control. Someone didn't think this shit through…
No, the ones who repeatedly claimed they were in control and this was a movie.
Not so when people we love are being harmed, and they are allowing it.
They didn't need to get the children involved. Enough children have been sacrificed already. So, this is beyond just "show." And, yes, it's my red line and they crossed it.
Natalie Wood was assaulted by Kirk Douglas, sister alleges
NEW YORK (AP) — For decades, it's been one of Hollywood's darkest rumors: A teen-age Natalie Wood was sexually assaulted by a top movie star more than twice her age when she met with him at a hotel in Los Angeles.
In a memoir coming out next week, Wood's younger sister identifies the long-suspected assailant: Kirk Douglas.
“I remember that Natalie looked especially beautiful when Mom and I dropped her off that night at the Chateau Marmont entrance,” Lana Wood writes in “Little Sister,” alleging that the incident happened in the summer of 1955, around the time Natalie Wood was filming “The Searchers.” The meeting had been arranged by their mother, Maria Zakharenko, who thought that “many doors might be thrown open for her, with just a nod of his famous, handsome head on her behalf,” according to Lana Wood.
“It seemed like a long time passed before Natalie got back into the car and woke me up when she slammed the door shut," she writes. "She looked awful. She was very disheveled and very upset, and she and Mom started urgently whispering to each other. I couldn't really hear them or make out what they were saying. Something bad had apparently happened to my sister, but whatever it was, I was apparently too young to be told about it.”
According to Lana Wood, Natalie Wood did not discuss with her what happened until both were adults and Natalie, after describing being brought into Douglas' suite, told her sister, “And, uh … he hurt me Lana.”
“It was like an out-of-body experience. I was terrified, I was confused," Lana Wood remembers her saying. Lana, now 75 and around 8 when the alleged incident occurred, remembered her sister and their mother agreeing it would ruin Natalie's career to publicly accuse him.
“Suck it up" was Maria's advice, according to “Little Sister,” much of which focuses on Natalie Wood's death in 1981, when her body was found off Catalina Island in California. Authorities initially ruled the death an accidental drowning, but that has changed after years of scrutiny and more witnesses emerging. Wood's husband at the time, Robert Wagner, has been called a person of interest and Lana Wood is among those who hold him responsible for her death.
In her book, she recalls promising her sister not to discuss her being assaulted by Douglas, but rumors were so prevalent that when he died in 2020, at age 103, Natalie Wood's name trended along with his on Twitter. Lana Wood, whose own acting credits include “The Searchers” and the TV series “Peyton Place,” believes enough has changed since her conversation with Natalie that she can now tell the whole story.
“With no one still around to protect, I'm sure she'll forgive me for finally breaking that promise,” she wrote.
Douglas' son, actor Michael Douglas, said in a statement issued through his publicist: “May they both rest in peace.”
Kirk Douglas, in his late 30s at the time of the alleged assault, was known for such films as “Spartacus,” “The Bad and the Beautiful” and “Gunfight at the O.K. Corral.” He also was one of the first major actors to form his own production company and a prominent liberal activist who has been widely credited with helping to break the Cold War blacklist against suspected Communists when he hired Dalton Trumbo to write “Spartacus” and listed him by name for the 1960 release. Douglas and his second wife, Anne, donated millions of dollars through the Douglas Foundation they co-founded in 1964 with a mission to “helping those who might not otherwise be able to help themselves.”
Douglas received a Presidential Medal of Freedom in 1981 and the Legion of Honor from France in 1985. He was given an honorary Oscar in 1996, when the film academy praised him as “a creative and moral force.”
more
https://www.yahoo.com/news/natalie-wood-assaulted-kirk-douglas-140236012.html
2 children in Texas were given adult COVID-19 vaccines 3 times stronger than what they should have been given, one of their parents said
Health officials told the parents of two children in Texas that the kids were given adult doses of the coronavirus vaccine, one of the parents said.
Julian Gonzalez, the parent of a six-year-old child who got the Pfizer vaccine, told local news station CBSDFW that the family was at a City of Garland health department pop-up clinic on Sunday so the parents could get their vaccines, when nurses told them that the six-year-old child could also be vaccinated if the parents wanted.
He said that the parents were "were all for it" because of the "confidence" of the nurses, and because a Pfizer consent form that they were asked to sign also said the child was eligible.
They were with a neighboring family, and their seven-year-old son also got the vaccine, CBSDFW reported.
But Gonzalez said that the City of Garland Health Department called the two families on Monday and said that both children had been given adult doses - and that children were not yet supposed to get a coronavirus vaccine of any sort, CBSDFW reported.
The US Food and Drug Administration (FDA) approved the use of the Pfizer vaccine for children aged between 5 and 11 on Friday, two days before the two children in Texas were vaccinated.
The US Centers for Disease Control and Prevention (CDC), however, only approved it on Tuesday - two days after the children got the vaccine.
Vaccines are not meant to be administered until approval is granted by the CDC.
The FDA authorized shots that are a third of the strength of adult doses for the 5 to 11 age group.
The City of Garland Health Department confirmed in a statement that "two children under the age of 12 were administered doses of the Pfizer vaccine in error this weekend," according to CBSDFW.
The statement did not acknowledge the dose level.
Gonzalez said: "We found out after the fact that the vials for the children's vaccine should have been different, the needles should have been different…it should have been labeled specifically for kids so…where did that decision come from? Who was it that told them they could go ahead and offer it?"
He said his son had a mild fever and a headache, WRAL reported, and told CBSDFW that he felt fine by Tuesday.
The health department said that its "officials are in communication with the parents of the children involved, who are monitoring the children for side effects."
It also said that it reported the incident to state health officials, who are investigating how it happened.
"The safety and privacy of our patients is always our top priority. Due to patient privacy, we cannot share additional information at this time," it said.
https://www.yahoo.com/news/2-children-texas-were-given-121205567.html
Alice in Saudi Arabia
Is that Huma?
Huma was sent to America.
Everyone seems to agree on one thing about “Alice In Arabia,” a show about an Arab-American girl who goes to live with her grandparents in Saudi Arabia: A good television show with an Arab-American girl at the center would be an important thing. “How many shows are there with Arab-American girls at the center?” mused novelist Saladin Ahmed, who writes fantasy novels that draw on Islam as an inspiration. And “Alice In Arabia” creator Brooke Eikmeier, a veteran of both the U.S. Army and the television industry, wrote in a piece in the Hollywood Reporter that her goal was a show with a majority-Muslim cast, with a mixed-race main character whose character arc would be from unfamiliarity with Saudi culture to great love for her adopted country.
But the ABC Family project, which was swiftly cancelled shortly after it was announced, became something else entirely. As drafts of the show circulated, “Alice In Arabia” became a proxy for a much larger question. The fight to diversify television characters often focuses on two possible solutions: challenging white writers and male writers to look outside their own perspectives, and securing more jobs for women and people of color. The fight over “Alice In Arabia” is a fascinating look at the ways in which those goals can come into conflict, especially when white writers think they have done their due diligence, but audiences of color see something every different.
In the case of “Alice In Arabia,” Ahmed said that the trouble started with ABC’s pitch for the show, which described it as “a high-stakes drama series about a rebellious American teenage girl who, after tragedy befalls her parents, is unknowingly kidnapped by her extended family, who are Saudi Arabian….Now a virtual prisoner in her grandfather’s royal compound, Alice must count on her independent spirit and wit to find a way to return home while surviving life behind the veil.” Language like this has a long history, Ahmed says, and not a politically neutral one. “There’s real reasons these stories are told about sort of oppressive, savage, Arab men, and kidnapping, and all this horrible stuff,” he argued. “I have no particular love for the Saudi government, but why tell this story again? The story I’ve never heard in popular media is this regime was basically installed by the British empire.”
Even before the “Alice In Arabia” disaster, issues of Muslim and Arab representation were on the agenda for ABC Family’s parent company. Earlier this year, the Muslim Public Affairs Council had announced a collaboration with Disney and ABC to help develop young Muslim television writers, in part so they will be have a better shot of winning slots in the company’s writers’ programs. The organization says candidates submitted “dozens of scripts.” That may not be enough to offset the ocean of projects floating around Hollywood, but at least it is a start.
And even if Muslims and Arabs are not formally on the payroll, Hooper offered up a reminder that studios, writers, and directors do not have to do all the work themselves–any number of organizations and people are available as resources. CAIR had to work for two years to convince Paramount Pictures that “The Sum Of All Fears,” an adaptation of the Tom Clancy novel of the same name, should have white supremacists as its antagonists, rather than the book’s Arab nationalist villains. Dreamworks, by contrast, actively solicited input from Muslim groups on how to handle “The Prince of Egypt,” which depicted Moses, who Muslims consider a prophet — some Sunni Muslims oppose depictions of both the prophets and Muhammad, a subject of debate in both Muslim scriptural tradition and in secular politics.
full article
https://www.washingtonpost.com/news/act-four/wp/2014/04/03/what-alice-in-arabia-teaches-us-about-how-to-make-hollywood-more-diverse/