Anonymous ID: 302a27 Nov. 11, 2021, 11:24 a.m. No.14976767   🗄️.is 🔗kun

God Bless Patriots

 

2730

15-Feb-2019 3:17:48 AM PSTQ !!mG7VJxZNCI8ch/qresearch

 

>>5186193

 

>>5186098

 

Wife of burned, amputee Veteran here..we are ready, we are with you… we will continue to fight. God speed Q+++

 

Your husband answered the call as a brave and selfless Patriot.

 

We are forever grateful for his service & sacrifice to this Country.

 

May god bless you and your family.

 

Honor & respect.

 

Q

Anonymous ID: 302a27 Nov. 11, 2021, 11:28 a.m. No.14976798   🗄️.is 🔗kun

Julian Assange and fiancee claim they are being blocked from marrying

 

WikiLeaks founder and Stella Moris are preparing legal action against Dominic Raab and Belmarsh jail governor

Stella Moris speaks to the media outside the Royal Courts of Justice in London

Stella Moris speaks to the media outside the Royal Courts of Justice in London last month. Photograph: Vuk Valcic/Sopa Images/Rex/Shutterstock

Ben Quinn

@BenQuinn75

Sun 7 Nov 2021 12.44 EST

 

First published on Sun 7 Nov 2021 10.27 EST

 

Julian Assange and his fiancee, Stella Moris, say they are being prevented from getting married and are preparing legal action against Dominic Raab and the governor of Belmarsh prison.

 

The action accuses the justice secretary and Jenny Louis, who runs the prison where the WikiLeaks co-founder is being held while the US is seeking his extradition, of denying the human rights of the couple and their two children.

 

They say they have had no response to repeated requests seeking agreement that a ceremony can take place at the prison.

 

https://www.theguardian.com/media/2021/nov/07/julian-assange-fiancee-stella-moris-claim-marriage-blocked

Anonymous ID: 302a27 Nov. 11, 2021, 11:33 a.m. No.14976831   🗄️.is 🔗kun   >>6883

>>14976802

 

Is this official U.S. diplomacy?

 

 

Marina Abramovic

 

A pioneer and key figure in performance art, Marina Abramovic uses her own body as subject, object, and medium, exploring the physical and mental limits of her being. Abramovic’s prolific caree spans over four decades of interventions and sound pieces, video works, installations, photography, solo performances, and collaborative performances.

 

Characterized by endurance and pain—and by repetitive behavior, actions of long duration, and intense public interactions and energy dialogues—her work has engaged, fascinated, and sometimes repelled live audiences. The universal themes of life and death are recurring motifs, often enhanced by the use of symbolic visual elements or props such as crystals, bones, knives, tables, and pentagrams. While the sources of some works lie in her personal history (the circumstances of her childhood and family life under Communist rule in the former Yugoslavia), others lie in more recent and contemporary events, such as the wars in her homeland and other parts of the world.

 

Born in Belgrade, Serbia, she moved to Amsterdam in 1976 and has lived in New York since 2001. Her pioneering works of performance art have made her the subject of numerous solo and group exhibitions worldwide at institutions including Kunstmuseum and Grosse Halle, Bern, Switzerland and La Gallera, Valencia, Spain (1998); Solomon R. Guggenheim Museum, New York (2005) Museum of Modern Art, New York in (2010); the Garage Centre for Contemporary Culture, Moscow (2011); Kunsthalle, Vienna (2012). Abramovic’s work was also included in Documenta VI, VII and IX (1977, 1982 and 1992); Venice Biennale 1976 and 1997, with the exhibition of Balkan Baroque in the latter earning her the Golden Lion Award for Best Artist. Abramovic lives and works in New York City.

 

https://art.state.gov/personnel/marina_abramovic/