(Please read from the start)
We also found the “bull” design on Phoenician seals – unfortunately, they are part of private collections and/or museum collections and they do not mention where they are found = which Phoenician City-State. These examples are there to show anons that the Bull design might also have existed in other City-States other than Gebal. Of course this was not the only design for seals and other artifacts out there, but it’s also not a rare one. It’s just one of the several designs found in Phoenicia. What’s interesting in these seals and in the “Bull” design in Phoenician in general is that the Bull (despite being linked to the Ancient Egyptian god Apis) is depicted in his full animal form and not in a humanoid form; nor in a form of a human with bull horns crown. And it’s found in GEBAL near the Temple of Baalat of Gebal, mostly. The location where these Bull artifacts were found is important and it’s what adds to the rest of the evidences connecting us to Neith/Isis/Hathor
The “letters” of Tell al-Amarna from Ancient Egypt are there also to attest the close and good relationship between Phoenicia in general, but Gebal specifically with Ancient Egypt. Just look how they don’t say Gebal is a Phoenician City-State – enjoy the read: https://en.wikipedia.org/wiki/Amarna_letter_EA_362
See how the inscriptions are translated and codified. This is what the old man spent decades digging in – a pain in the rear, but it’s necessary. This is the type of archives I mean when I say I dug up in the ancient archives. See why I’m so critical of “supposed” inscription evidence of the Phoenicians sacrificing children? When the text is authentic = really there, it’s translated and codified and you can easily find it online or in big libraries in huge volumes containing the whole set. There is no such thing as a mysterious, obscure, blurry inscription with no name, no place of discovery and no codification. When you read a text telling you there is an inscription proving the Phoenicians sacrificed human children, then always ask for the code or where it’s printed so you can check it out as I just did with the Amarna letter showing the close ties between Gebal and Ancient Egypt.
The presence of the huge influence of Ancient Egyptian art is attested in loads of artifacts found the necropolis of Gebal. Like the jewelry I’m putting the pictures of, found in the tomb of king Abi Shemu of Gebal, dating back to 1800-1700 B.C. the artistic influence of Ancient Egypt doesn’t stop there, the Ancient Egyptian artistic influence also expands geographically to other Phoenician City-States like Sidon and Tyre. It doesn’t stop on geography, but it also stretches out in chronology as the presence of Eshmun-azor II sarcophagus (6th century B.C.) is evidence of how long the Ancient Egyptian artistic influence remained in Phoenicia. I think this is a very natural thing to happen because of 2 factors: 1 – Neith’s connection to Phoenicia – 2 – the Phoenicians were traders.
I have more artifacts and monuments which I will be bringing gradually as I progress in this part and it’s all linked to what I’m talking about here.
All of this is pointing very clearly, for me, to the presence of the Lamassu clan warriors in Phoenicia, Neith specifically because of her cult in Gebal. In Ancient Egypt we had a very close relationship between Horus, Isis and Hathor and we know all 3 were winged from the iconography there. We also know they used the Wedjat = electricity in their weapons = Hathor horns and the Sharur = staff weapon mostly used by the ThunderBirds a.k.a. Horus.
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