dChan
Anonymous ID: caa0d3 Dec. 5, 2021, 5:57 a.m. No.15139585   🗄️.is 🔗kun   >>9608 >>9746

Dvorzhitzky offered to drive the Tsar back to the Palace in his sleigh. The Tsar agreed, but he decided to first see the culprit, and to survey the damage. He expressed solicitude for the victims. To the anxious inquires of his entourage, Alexander replied, "Thank God, I'm untouched".

He was ready to drive away when a second bomber, Hryniewiecki, who had come close to the Tsar, made a sudden movement, throwing a bomb at his feet. A second explosion ripped through the air and the Emperor and his assassin fell to the ground, both mortally injured. Since people had crowded close to the Tsar, Hryniewiecki's bomb claimed more injuries than the first.

>>15139568

Anonymous ID: caa0d3 Dec. 5, 2021, 6:02 a.m. No.15139608   🗄️.is 🔗kun   >>9626 >>9746

>>15139585

>A second explosion ripped through the air and the Tsar and his assassin fell to the ground, both mortally injured.

A temporary shrine was erected on the site of the attack while plans and fundraising for a more permanent memorial were undertaken. In order to build a permanent shrine on the exact spot where the assassination took place, it was decided to narrow the canal so that the section of road on which the tsar had been driving could be included within the walls of the church. The permanent memorial took the form of the Church of the Savior on Blood. Construction began in 1883 under Alexander III, and was completed in 1907 under Nicholas II. An elaborate shrine, in the form of a ciborium, was constructed at the end of the church opposite the altar, on the exact place of Alexander's assassination. It is embellished with topaz, lazurite, and other semi-precious stones, making a striking contrast with the simple cobblestones of the old road, which are exposed in the floor of the shrine.

https://en.wikipedia.org/wiki/Church_of_the_Savior_on_Blood

Anonymous ID: caa0d3 Dec. 5, 2021, 7:52 a.m. No.15140164   🗄️.is 🔗kun   >>0170 >>0179

Quoting from an announcement for the Berkeley Art Museum: "Through actions that at times stress the visual, and the violent aspects of social rituals, the British Team of Harry and Harry Kipper perform in a fashion that combines the zany theatrics of Spike Milligan with a scatological slapstick that is all their own". Routh and von Haselberg created elaborate but purposely low-tech installations in which they would perform "ceremonies" using mostly found objects.