dChan - Q Origins Project Archive

… telling the captive audience how great he is, all the wonderful things he did, all the bad people he put down today. But this goes on day after day. There is tragedy in the air. Once too often he has said his piece. He is unbearably dominating although probably he does not realize it himself. A kind of resentment grows and one day my brother and I decided, 'the time has come!' We grabbed him, laid him on the table and with our knives dissected him. We took him apart and dismembered him, we cut off his penis. And he became food. We ate him up … he was liquidated the same way he liquidated the children.

The Spider is an ode to my mother. She was my best friend.Like a spider, my mother was a weaver.My family was in the business of tapestry restoration, and my mother was in charge of the workshop. Like spiders, my mother was very clever. Spiders are friendly presences that eat mosquitoes. We know that mosquitoes spread diseases and are therefore unwanted. So, spiders are helpful and protective, just like my mother.

http://news.bbc.co.uk/2/hi/americas/8714974.stm

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>http://news.bbc.co.uk/2/hi/americas/8714974.stm

US sculptor Louise Bourgeois dies aged 98

1 June 2010

French-born American sculptor Louise Bourgeois has died in New York, at the age of 98.

Based in New York since 1938, Bourgeois gained fame late in her long career and kept working to the end of her life.

Her giant spider sculptures have been exhibited around the world and earned her the nickname of Spiderwoman.

Her abstract explorations of themes such as birth, sexuality and death made her one of the world's most influential contemporary artists.

Bourgeois suffered a heart attack two days ago.

Although she had long been regarded by her contemporaries as one of the world's most important artists, it was not until her 70s that she began to attract a wider audience.

Her spider sculptures - some of which are three storeys high - have been exhibited around the world, including the Tate Modern in London.

In a statement, the gallery said: "We were deeply saddened to hear of the death of Louise Bourgeois this weekend. Always at the forefront of new developments in art, she pursued a wholly personal path and was powerfully inventive, working in dialogue with the major avant-garde movements of her time.

"Her death is a great loss."

Bourgeois' vast installation, I Do, I Undo, I Redo, was the first commission in The Unilever Series for Tate Modern.

Her sculpture of a giant spider, Maman, was part of the Unilever Series at the gallery which greeted the very first visitors in 2000.

Ann Coxon, assistant curator at Tate Modern, said: "Apart from its overwhelming physical presence, the interesting thing is that Louise associated the spider with her mother - a tapestry restorer - a very industrious woman always spinning or weaving.

"So for Louise, the spider is a very positive feminist statement."

'Enormously significant'

The artist said her main inspiration came from her childhood in France, where her father had an affair with her governess, which her mother refused to acknowledge.

She also used her own clothes as the basis for a series of bronzes.

Artist Richard Wentworth, from the Royal College of Art, called the sculptor "enormously significant".

He added: "She connected the intensely private act of being an artist with the intensely public act of developing a worldwide audience.

"To have worked constantly for so long and so publicly - is in a field of its own. There are very few female artists who make it to later life and it's very tough to be a woman artist or sculptor."

Conceptual artist Jenny Holzer said she "orbited Bourgeois" and that "my artist friends and I are crying today".

French President Nicolas Sarkozy also paid tribute to Bourgeois, calling her "a very great artist" who "never stopped creating and renewing herself in her art".

Bourgeois had been able to "reach a higher truth, rich in its contradictions, avoiding the trap of the latest trends," he added.

French Culture Minister Frederic Mitterrand spoke of his sadness, saying in a statement that the world had lost "a great artist, indomitable and universal".