In the everyday world we attach “me” to our body and to that “me” we attach multiple defined identities. Religious, racial, social, economic –

How real are those defined identities?

To some of us they're extremely real.

To others, including most of the satanist pedovore cult con artists we contend with, none of those identities are real.

Our ethnic, racial and religious identities, to the cultist’s way of thinking, are simply masks, sheep's clothing, to be worn or exchanged at convenience.

Pedovores assume and discard Catholic, Jewish, evangelical protestant, and secular humanist identities as easily as they express right wing, left wing or centrist ideological positions. These labels are meaningless to pedovores who use our treasured identities as protective camouflage for the abduction and ritual abuse of our children as well as economic depredation.

Ideologies and dogmas are cognitive malware. They make effective smokescreens.

Whatever identity mask they adopt, cult pedovores need and seek access to vulnerable children.

We have found satanist pedovore cultists running major charitable organizations, respected foundations and reputable institutions which are collectively responsible for hundreds, if not thousands, of national and international programs targeting “at risk” ie vulnerable children – all under pretext of helping.

Children's Defense Fund is a prime example of a pedovore social subversion weaponized as a charitable construct. CDF is endorsed by the biggest “stars” and executives in the entertainment business.

https://www.childrensdefense.org/

Most of the same people were also involved in starting the National Center for Missing and Exploited children, which gave pedovores both access to children and a heads-up early warning system because the creepy sham center for M&E children started the “Amber Alert Service” run by the evil pedovore Laura Silsby, arrested for kidnapping “orphaned” children (parents alive) in Haiti.

https://en.wikipedia.org/wiki/New_Life_Children%27s_Refuge_case

Pedovores are con artists, they steal your wallet and offer to help you look for it.

Similarly, when communities ask themselves, "who's going to care for our orphans?" Pedovores always have their hands up, and may style themselves Catholics Jews or evangelicals in order facilitate access.

https://parentalrights.org/child_protective_services/

Pedovores don't believe in national, religious or ethnic identities. cultists are identity-shifters who embed themselves in ethnic, religious or ideological communities and seek control of fund raising and identity defining structures.

Pedovores run such organizations today, hiding behind the benign philanthropic reputation of do-gooder charities, fake foundations and NGOs.

This is information war, and that's how IW is fought.

DIG MEME PRAY

A GA musical with thousands of tap-dancing faggots, zombies, MDs, and NPCs and two non-fungible shit shills no one can tell apart?

Telling the story of the GA, (Spirit) versus the Death cult (automatism) is catnip to musical theater impresario fags.

Anons have probably heard it said, "Gimme a couple of fags, a couple of tunes, I'll give you a musical" an old show biz saying that bears some semblance to the truth.

The fact is that the musical theater depends on angels who lend support to a production in the tumultuous days of development. The days when We The People throw down the gauntlet to the pedo cultists saying:

"YOU PEDOS MAY RUN THE WORLD -BUTWE THE PEOPLEOWN BROADWAY"

That's the sort of overstatement impresarios use to pump up the GA Musical's box office beyond Hamilton levels of flowing fiat. Think of long lines at the box office. The surging crowds at the stage door, where investors may be permitted entry at the impresarios’ discretion.

But first, the angels must deliver the requisite investment, for tap dancers, actors who sing and singers who act, makeup persons, even librettists and rehearsal pianists are mercenary swine who inevitably insist on being paid a trifle in advance.

"My second love is the musical theater, my first love is everything else," is the investor attitude our memes shall overcome.

Guess who plays anons? Hah hah. Anons do! Isolated anonymous misfits will perform as themselves using virtual avatars, even phone fags will be able to drop with the GA theater app, and they will be shit posting on the GIANT ANIMATED thread, battling shills, saving the republic.

Story Elements

Now the story is less important in musical theater, as in IO, than is the constant change of scenery (meme) and increasing intensity of emotional interaction, better 'shown' in music.

Naturally we deal with MK Ultra program, Sid Gottlieb's dream of entrancement, with the Dance of the Enchanted Editors leading to The War between Men and Monkeys. (Asian Wars, dance montage)

Satanic media content power comes not from lies but lesser truths.

The GA musical turns the perverse inversion around.

BIG TRUTHS, Big Action. We have media-made zombies making more zombies, duplicates of themselves, who begin to compete with them creating media content. Dead ideas, dead images, dead music, a cultural carousel which leaders, celebs, and shuffling NWO globalhomo bureaucrat zombies hop on and off, while howling Transdimensional Dirtbags pent by the seal for millennia, released by CERN 4 neutron goof ball are bursting into 3D realms, battling with the white hat aliens, attempting to break through the cordon sanitaire.

We Have:

Elementals, Dog faced demons, pan piping perverts, slumming Royalty (can say no more), sexual somnabulist socialites, 14 fake philanthropists, 5 kind of Alien, a Nanocast of trillions, and 17 other forms of Intelligence. Talking parasites. Rapping pedovores. Harvard wizards and pervert litigators. Two new tap steps, 400 3D holographic avatars, and pastel colored “Ashtar suit” costumes that make aesthetes weep, and Broadway patrons say "yes" to life.

WHERE DO I SEND MY FIAT

Investors, (angels) still resisting the urge to do what is right and dump a few million into this can't-miss, community service musical about the Great Awakening.

A musical which, to be clear, stars the very anonymous forces that destroyed the seditious MSM.

A wise anon put it, "You'd have to be a dumb cunt not to want to invest in the GA musical"

Another anon remarked, "It's either gonna be great or totally gay."

"What happened to Sending Peanuts to Hell? My song dude, from months ago? "

Anon Productions has operators standing buy the handle angel calls. Only investments from MI cleared angels are acceptable. NO CHNA FIAT Please understand due to the overwhelming power of the GA musical idea there is high demand among nation state investors.

An Anon Production, of an Anon presentation, produced by Anon, etc.

A shit shill will attack this post.

Hermes

May Hermes, god of travellers and thieves

Skate on these frozen revels to receive

Not more applause - not yet - but, silence, please.

Apologies to Aristophanes.

We feel we must extend the end he'd planned

and graft some new material on his grand

finale, as a warning. We too hate war

and think the country's governed by a house of whores.

Write your petition. Fine. And sign it.

But while you scream for peace: DEFINE IT.

Wars have been stopped before, as we well know

And in each case the only thing to go

Were soldiers drawn back to their native coast.

What caused the war went on, quite unopposed.

We, who'd left foreign cities bombed and charred

Squabbled like chickens in our own back yard

And helped the cause of war.

You want peace? Ask for much more

Ask for your real goals first when them you find

pray to the god of thieves, poor mankind."

"An odd word that recurs obsessively in the Bible, where it appears in forty passages: "Burn their Asherah in the fire and cut down the idols of their god", "Cut down their Asherah and burn their idols in the fire." How many times and with what stubborn vehemence, does Yahweh enjoin his people. Asherah designates a goddess, the partner of Baal. And at the same time certain sacred poles, which were worshiped. Asherah is a name that condenses within itself the abomination of idolatry. Yet for a long time, until the reign of Manasseh, it happened that "the objects that had been made for Baal, for the Asherah, and for all the heavenly host" were housed inside the temple for Yahweh. For Israel, the perennial risk was that the house of Yahweh still contained the altars of other divine beings. Hence Manasseh "made his son pass through fire and practiced astrology, and magic and dealt with familiar spirits and wizards: he wrought much wickedness in the sight of the LORD, to provoke his to anger. "