Larcenous necromancer, the Dalai Lama
The cult drama of Tibetan/Tantric Buddhism consists in the constant taming of the feminine, the demoness. This is heralded already in the language. The Tibetan verb dulwa has the following meanings: to tame, subjugate, conquer, defeat; and sometimes: to kill, destroy; but also: to cultivate the land, civilize a nation, convert to Buddhism, bring up, discipline. Violent conquest and cultural activities thus form a unit for the Lamaist.
Dalai Lama is a "Yellow hat" or Gelugpa
Beginnings here:
In 1577 Sonam Gyatso, who was considered to be the third incarnation of Gyalwa Gendün Drup,[12] formed an alliance with the then most powerful Mongol leader, Altan Khan. As a result, Sonam Gyatso was designated as the 3rd Dalai Lama; "dalai" is a translation into Mongolian of the name "Gyatso" ocean, and Gyalwa Gendün Drup and Gendun Gyatso were posthumously recognized as the 1st and 2nd Dalai Lamas.
The Dali Lama is "the king of all rulers."
A killer & a warrior, the Dalai Lama unites spiritual and worldly power in one person — a dream which remained unfulfilled for the popes and emperors of the European Middle Ages.
According to doctrine, the Kundun is the visible form (nirmanakaya) of this comprehensive divine power in time; he exists as the earthly appearance of the time god, Kalachakra; he is the supreme “lord of the wheel of time”. For this reason, he was handed a golden wheel as a sign of his omnipotence at his enthronement. He is prayed to as the “ruler of rulers”, the “victor” and the “conqueror”. Even if he himself does not wield the sword, he can still order others to do so, and oblige them to go to war for him.
http://www.trimondi.de/SDLE/Part-2-03.htm
Dalai Lama’s killer sect stomped the other Buddhists with Mongol/tartar magics and treachery.
Following violent strife among the sects of Tibetan Buddhism, the Gelug school emerged as the dominant one, with the military help of the Mongol Güshri Khan in 1642. According to Tibetan historian Samten Karmay, Sonam Chophel[14] (1595–1657), treasurer of the Ganden Palace, was the prime architect of the Gelug's rise to political power. Later he received the title Desi [Wylie: sde-sris], meaning "Regent", which he would earn through his efforts to establish Gelugpa power.
Already in the nineteen twenties, the voices of modern western, radical-anarchist artists could be heard longing for and invoking the Buddhocracy of the Dalai Lama. “O Grand Lama, give us, grace us with your illuminations in a language our contaminated European minds can understand, and if need be, transform our Mind …” (Bishop, 1989, p. 239).
These melodramatic lines are the work of Antonin Artaud (1896-1948). The dramatist was one of the French intellectuals who in 1925 called for a “surrealist revolution”. With his idea of the “theater of horrors”, in which he brought the representation of ritual violence to the stage, he came closer to the horror cabinet of Buddhist Tantrism than any other modern dramatist. Artaud’s longing for the rule of the Dalai Lama is a graphic example of how an anarchist, asocial world view can tip over into support for a “theocratic” despotism.
Pedophile poet Allan Ginsburg
Already at the start of the fifties Allen Ginsberg had begun experimenting with drugs (peyote, mescaline, and later LSD) in which the wrathful tantric protective deities played a central role. He included these in his “consciousness-expanding sessions”. When he visited the Dalai Lama in India in 1962, he was interested to know what His Holiness thought of LSD. The Kundun replied with a counter-question, however, and wanted to find out whether Ginsberg could, under influence of the drug, see what was in a briefcase that was in the room. The poet answered yes, the case was empty. It was! (Shambhala Sun, July 1995).
The god-king is/was celebrated in the pop scene. Major stars like David Bowie, Tina Turner, and Patty Smith openly confess their belief in the Buddha’s teachings. Monks from the Namgyal monastery, which is especially concerned with the Kalachakra Tantra, perform at pop festivals as exotic interludes.
Sex Magic and Dick-tatorship
But – as we know — anarchist Buddhism is always only the satyric foreplay to the idea of the Buddhocratic state. Just as wild sexuality is transformed into power in Vajrayana, indeed forms the precondition for any power at all, so the anarchist art scene in the West forms the raw material and the transitional phase for the establishment of a totalitarian Buddhocracy. We can observe such a sudden change from anti-authoritarian anarchy into the concept and ideas of an authoritarian state within the person of Chögyam Trungpa, who in the course of his career in the USA has transformed himself from a Dharma freak into a mini-despot with fascistoid allures. We shall later present this example in more detail.
http://www.trimondi.de/SDLE/Part-2-05.htm#sixdalai