Anonymous ID: 6564d1 Jan. 7, 2022, 5:27 a.m. No.15325779   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun

>>15325744

Short term it's not about fuck money.

Long term it is about FUCK money.

The worthless paper you are paid with which declines in value every year.

Wealth accumulation can be a measure of intellect but there are a lot of fools with money.

Many tradesmen are millionaires (do your research) and don't take their work home w them.

Fuck your diner and fuck you and your opinion.

 

w/ Love,

 

1%er

Anonymous ID: 6564d1 Jan. 7, 2022, 5:35 a.m. No.15325812   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun   >>5962 >>5988

>>15325715

Pay Attention

https://www.markryden.com/gallery

https://en.wikipedia.org/wiki/Mark_Ryden

https://www.instagram.com/markryden/?hl=en

 

Mark Ryden (born January 20, 1963) is an American painter who is considered to be part of the Lowbrow (or Pop Surrealist) art movement.[1] He was dubbed "the god-father of pop surrealism" by Interview magazine.[2] Artnet named Ryden and his wife, the painter Marion Peck, the King and Queen of Pop Surrealism and one of the ten most important art couples in Los Angeles.[3]

 

Ryden's aesthetic is developed from subtle amalgams of many sources, from Ingres, David and other French classicists to Little Golden Books.[4] Ryden also draws his inspiration from anything that will evoke mystery: old toys, anatomical models, stuffed animals, skeletons and religious ephemera found in flea markets.[1] He designed artwork for prominent musicians including Aerosmith's "Love in an Elevator", Michael Jackson's Dangerous (1991) and Red Hot Chili Peppers' One Hot Minute (1995).