COMING UP ON 4-YEAR DELTA - WHO CONTROLS HW?
632
Jan 27, 2018 1:52:39 PM EST
Q !UW.yye1fxo ID: 5997a0 No. 180606
Jan 27, 2018 1:41:44 PM EST
Q !UW.yye1fxo ID: 5997a0 No. 180445
Jan 27, 2018 1:32:41 PM EST
Anonymous ID: 79010a No. 180316
>>180267
ES would not have been able to get out of HK if Clowns wanted him caught. Spook all along.
>>180316
HK allowed his passport to clear customs WITH THE CLOWNS IN AMERICA AND DEPT OF DEFENSE PUTTING A NAT SEC HOLD WW?
How does he clear customs?
How does he end up in Russia?
Coincidence?
Who was the 1st agency he worked for?
Who taught him the game?
Who assigned him w/ foreign ops?
Why is this relevant?
Future unlocks past.
Watch the news.
Spider web.
Stop taking the sleeping pill.
Q
>>180445
Who controls HW?
Who really controls HW?
Why are movies made to glorify past 'true' events?
What is a PSYOP?
Conspiracy PUSH/LABEL [awake]?
Spider web.
YOU ARE BEING CONTROLLED.
SHEEP.
UP IS DOWN.
LEFT IS RIGHT.
REVOLUTION.
TRUTH.
TRUST THE MISSION.
Q
China Secretly Purchases Hollywood
March 15, 2016
Media industry analysts have warned that Hollywood has become so awash with Chinese funding that China now essentially owns and controls most of the Hollywood entertainment industry.
A Beijing-based purchase of US film studio Legendary Pictures by Dalian Wanda Group represents the largest-ever film industry takeover by a Chinese company, with $3.5 billion spent on allowing China to become the second biggest box officer player in Hollywood.
Legendary, the maker of “Jurassic World,” “Godzilla” and the latest Batman trilogy, has grossed more than $11 billion worldwide since it was founded in 2005, mostly with the kind of big-budget blockbusters popular with Chinese audiences.
“It’s a win-win situation… because the China market is really incredibly taking off and Hollywood has a real interest in that,” Stanley Rosen, a political science professor at the University of Southern California, told AFP.
It is an arrangement that benefits both sides financially, with movies becoming increasingly expensive to produce but the Chinese hungry for Western-made films.
But China, which has yet to make a global hit, is also buying expertise.
“Hollywood has what China lacks, which is storytelling ability, marketing, distribution,” Rosen told AFP.
Wanda owner Wang Jianlin, who burst into the international spotlight in 2012 by buying US cinema chain AMC Entertainment for $2.6 billion, says the Legendary deal makes his company the highest revenue-generating movie unit in the world.
It also gives future Legendary films direct access to China’s booming market, which has become crucial to foreign filmmakers, with North American ticket sales stagnant.
PricewaterhouseCoopers has projected China’s box office to rise from $4.3 billion in 2014 to $8.9 billion in 2019, meaning it would outstrip the US within two years.
– Phenomenal growth –
In 2014, 8,035 movie screens — 22 per day — were installed in China and the screen count stood at 31,627 by the end of 2015, according to official sources.
Underlining the shift in power, Chinese box office monitor EntGroup announced that cinemas took a record $1.1 billion in February — a 70 percent year-on-year jump — overtaking the North American monthly revenue for the first time in history.
The main driver of Chinese cinema’s phenomenal growth is a steady emergence of a modern consumerist lifestyle among China’s burgeoning middle class, expected to account for 75 percent of households within a decade.
Cumulative Chinese investment in the US since 2000 reached $63 billion in 2015, with a $4 billion going to the entertainment industry, according to research firm Rhodium Group.
The trend looks set to accelerate, with Huayi Brothers planning to produce at least 18 films with LA studio STX Entertainment, and Shanghai-based Fosun International taking a stake in US media company Studio 8.
Both Wanda and tech firm Alibaba have been touted as possible minority investors in Paramount, while Hunan TV has signed a $1.5 billion deal to fund Lionsgate movies and Perfect World Pictures is investing $250 million in Universal’s slate over five years.