anon decodes dog COMMs
>>15688572 pb
>‘I'm Still in Shock': Dog Missing for 12 Years Reunited With California Owner
12 = POTUS_term1 + Bidan + POTUS_term2
"Michelle […] was reunited with her dog Zoey
https://twitter.com/NBCLA/status/1495995771329597443
https://www.nbclosangeles.com/news/national-international/im-still-in-shock-dog-missing-for-12-years-reunited-with-east-bay-owner/
Michelle = Barry & Mike
Zoey = Z[0]E(lensk)Y
Think Ukraine
>Explain in one sentence why you still trust the plan.
TRUST THE PLAN
Q
how's that for a sentence
>
>Truth Social
>
>Truth Social
nah … Truth Social won't suspend POTUS
all things will pass … except MAGA!!!
>The American Way Riders on the Storm 1986
haven't seen that … description reminds me of The Dead Zone …
"However, as the US presidential campaign is starting, the captain of the plane decides SM has a last job to do: to prevent the pro-war conservative candidate from winning the election."
>i am the female to isaiah, the second suffering servent, because everything happens twice for israel
>
Suffering Serpent?
Yahweh as Maternal Vampire in Second Isaiah
Second Isaiah (Isaiah 40-55) contains significant maternal and birth imagery, much of it applied to the Hebrew God Yahweh. Because Yahweh is typically associated with masculinity and violence, this imagery is sometimes read as a nonviolent and/or feminizing (or even feminist) alternative. However, Graybill demonstrates that the maternity of Yahweh is in fact appropriative misogyny. Yahweh's role is that of vampire, at once threatening the female body and drawing substance from it. In constructing this reading, the author draws from Luce Irigaray. Irigaray's work on the elements and on fluidity, in particular, also enables a move beyond the violent and appropriative masculinity that Yahweh represents in the text. Thus, Graybill dissociates images of Yahweh as mother from other novel representations of fluidity, generativity, and creation.