The Dannielynn Hope Marshall Birkhead paternity case, a.k.a. Birkhead v. Marshall, centered on a child born September 7, 2006 to Vickie Lynn Marshall (better known as Anna Nicole Smith). The child was named Dannielynn, and was registered on her birth certificate as the daughter of Vickie Lynn Marshall (Smith) and her live-in partner Howard K. Stern. Larry Birkhead, Smith's former love interest and photographer, steadfastly maintained his contention that he was the baby's father and filed a lawsuit to challenge paternity after Smith had given birth.[1]

Besides Birkhead and Stern, bodyguard/actor Alexander Denk, Mark Hatten and Frédéric Prinz von Anhalt, among others, claimed to be the father of Smith's daughter, Dannielynn. Although Stern was listed on her birth certificate, it was not certain that he was the father. At issue in a California court was who fathered the child, who could potentially inherit millions of dollars from Smith's estate. On September 26, 2006, Stern claimed in an interview from the Bahamas with Larry King on CNN that he was the father of Smith's newborn daughter.

After much media attention, on April 10, 2007, Michael Baird, who analyzed the results of a March 21 DNA test, announced the results that confirmed Birkhead to be the father of the baby.[2][3]

https://en.wikipedia.org/wiki/Dannielynn_Birkhead_paternity_case

>>15870417

Magical girl (Japanese: 魔法少女, Hepburn: mahō shōjo) is a subgenre of Japanese fantasy media (including anime, manga, light novels, and live-action media) centered around young girls who possess magical abilities, which they typically use through an ideal alter ego into which they can transform.[1][2]

The genre emerged in 1962 with Himitsu no Akko-chan, followed by Sally the Witch in 1966[3] produced by Toei Animation. A wave of similar anime produced by the studio in the 1970s led to majokko (魔女っ子, lit. "little witch") being used as a common term for the genre. In the 1980s, the term was largely replaced by "magical girl", reflecting the new popularity of shows produced by other studios, including Magical Princess Minky Momo and Creamy Mami, the Magic Angel.

In the 1990s, Sailor Moon introduced the concept of a "transforming heroine" who fights against forces of evil, a synthesis of elements from tokusatsu hero shows that became a staple for magical girl series that followed. The growth of late-night anime in the early 2000s led to a demographic shift for the genre, where series with more mature themes such as Puella Magi Madoka Magica (2011) were created and marketed towards an older male audience.

https://www.spin.com/2022/01/grimes-shinigami-eyes/