ewish ~in the Theater and Cinema 109
·we h2'<-e taken good care long ago to discredit the Gentile clergy."
-Prowcol XVII.
-
I · ~ for tb.i s reason that we must undermine faith, eradicate from
the miD.: s of the Gentiles the very principles of God and Soul, and
re;:>…:ce these co nceptions by mathematical calculations and material
d~–ires . - -Protocol IV.
T..-..-o possible views are open to choic::: one, that this caricature of
representatives of religion is simp ly that of natural expressions of a
worid l::-· stare of mind; the other , that it is part of a traditional campaign
of sub~6ion. The former is the natural view among uninformed people.
It …~..·ou..'d be the preferable view, if peace of mind were the object sought.
But there are far too many indications that the second view is justified,
to perm!t cf its being cast aside.
The screen, whether consciously ..or just carelessly, is serving as a
rehearsal stage or scenes of anti-social menace. There are no uprisings or
re…-olurions except those that are planned and rehearsed. Revolutions are
110( spontaneouS uprisings, but carefully planned minority actions. There
have been few popular revolutions. Civilization and liberty have always
been set back by those revolutions which subversive elements have
succeeded in starting . Successful revolution must have a rehearsal. It can
be done bener in the motion picture than anywhere else: this is the
·..,isu2J education" such as even the lowest brow can u!lderstand. Indeed,
there is a distinct d i sadvantage in being "high-brow" in such matters.
~orrrd people shake their heads and pucker their brows and wring their
hands . saying, MWe cannot understand it." Of course, they cannot. But
if they understood the low-bro w, they would understand it, and very
clearly. There are two families in this world, and on one the darkness
dw e lis .
Reformers, of course, heartily agree with this as far as criminal
portrayals are concerned. Police protest against the technique of killing
a poticeman being shown with careful detail on the screen. Business men
object to daily lessons in safe-cracking being given in the pictures .
~oralists object to the art of seduction, being made the stock motif no
matter what the subject. They object because they recognize it as evil
schooling which bears bitter fruits in society. This kind of "visual