Simp Mules leftist behind drop box poop.
https://rumble.com/v1au3zl-c-engelbrecht-mules-tracked-to-ngos-evidence-building-constitutional-sherif.html
Simp Mules leftist behind drop box poop.
https://rumble.com/v1au3zl-c-engelbrecht-mules-tracked-to-ngos-evidence-building-constitutional-sherif.html
Bet theres gonna be a few covid vaxx deaths to be blamed on the Lack of abortion care
Eric Trump
@EricTrump
Happy to see this ridiculous story crumble. Moreover, for anyone who has been in “The Beast” they understand the physics of this would be virtually impossible. All the while Biden’s crooked son, and family, gets away with murder.
https://twitter.com/EricTrump/status/1541981485938479105
Obama skin tags.
>Read between the lines.
>Truth is behind you.
>More to follow.
>We can be heroes just for one day
Feel like that's a new addition to the rotation.
The story behind the song: Heroes by David Bowie
By Bill DeMain ( Classic Rock ) published February 04, 2019
Although David Bowie’s Berlin-period anthem Heroes was initially something of a commercial failure, it became his most life-changing single
One afternoon in July 1977, David Bowie was looking out of the window of Hansa Studio in Berlin when he noticed a couple kissing near the Berlin Wall.
“I always said it was a couple of lovers by the Wall that prompted the idea for Heroes,” Bowie told Classic Rock in 2015, explaining its meaning. “Actually, it was [Bowie producer] Tony Visconti and his girlfriend. Tony was married at the time, so I couldn’t talk about it. But I can now say that the lovers were Tony and a German girl [Antonia Maass] that he’d met while we were in Berlin. I think possibly his marriage was in the last few months. And it was very touching because I could see that Tony was very much in love with this girl, and it was that relationship which sort of motivated the song.”
The basic track had already been started by Bowie and Brian Eno in the weeks before, with Visconti behind the mixing desk. Their working method during Bowie’s so-called ‘Berlin period’ was to build layered tracks that would later inspire lyric and melody, like making the frame before the picture. And using Eno’s ‘oblique strategies’ cards (aphorisms that encouraged lateral thinking), they would often give themselves creative dilemmas within that frame.
“Maybe I’d write out five or six chords,” Bowie told us, “then discipline myself to write something only with those five or six chords involved. So that particular dogma would dictate how the song is going to come out, rather than me and my sense of emotional self.”
Delivered in one of his greatest vocal performances,the us-against-the-world theme of his lyricwas full of odd poetic touches, like the lines about the dolphins. As Bowie said, he often used a William Burroughs-inspired cut-up method of writing, taking random text from a book or magazine and reshuffling it.
https://www.loudersound.com/features/the-story-behind-the-song-heroes-by-david-bowie