Most of us are very familiar with the chapter of United States history known as Prohibition. However, there was a prohibition of something other than alcohol back in the early days of our nation.
Believe it or not, Theater, as well as other forms of expensive entertainment, was banned in certain parts of the colonies during the late 1700's. Pennsylvania, Rhode Island and Massachusetts had formal laws banning the practice for more than ten years. Why? This goes back to a religious debate in post-revolution America.
“…why ain’t cards and dice the devil’s device, and the play-house the shop where the devil hangs out the vanities of the world upon the tenter-hooks of temptation?”
~Excerpt from The Contrast play (1787) by Royall Tyler
https://www.hhhistory.com/2020/03/theater-prohibition.html
The historic Jesuit theater represents two centuries of didactic theater in which the Society of Jesus, following both the organizational instructions and Spiritual Exercises of founder Ignatius of Loyola, used theater to inculcate virtue in both performer and audience member while teaching Latin, dance, poise, rhetoric, oratory, and confidence to the students who performed. Jesuit spirituality is inherently theatrical, and conversely Jesuit theater was intended to also be highly spiritual. The dramaturgy and scenography was spectacular and designed to draw audiences who would delight in them and learn the moral lessons the Jesuits hoped to teach while simultaneously drawing them away from a corrupt public theater. This essay considers Jesuit drama and theater in four key aspects: (1) Jesuit spirituality and performative practice; (2) the historic Jesuit educational theater of early modern Europe; (3) Jesuit drama in the missions outside of Europe; and (4) contemporary Jesuits involved in theater.
https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199935420.001.0001/oxfordhb-9780199935420-e-55