Anonymous ID: bd9882 Jan. 17, 2023, 3:35 p.m. No.18164257   🗄️.is 🔗kun   >>4284 >>4354 >>4383 >>4384 >>4451 >>4504 >>4532 >>4591 >>4644 >>4676

Anon was surprised to stumble upon this recent, March 2022, piece of indep publishing from an entity anon has never about, despite my tinfoil hat. So, what say you, anons? Could this be anything but a limited hangout, perhaps to spin their own sanitized narrative prior to expected public disclosures? Or could it be an actual chink in their digital Iron Curtain of Censorship?

 

With one of [their] own Epstein Island Hollywood A-lister as source, video, etc.??

 

Anon is comfy, surprized, wary and perplexed. Can't be anything but a limited hangout in anticipation of coming disclosures. Amirite, anons?

 

“Hollywood is Full of CIA Agents,” Says Ben Affleck

 

By Jeremy Kuzmarov - March 27, 2022 30

 

"[On Oscar Sunday, CAM brings you a two article special that exposes the CIA’s nefarious influence in Hollywood. See also “Black Ops in Hollywood: From Censorship to Normalization”.—Editors]

 

For decades, the Pentagon and CIA have rewritten scripts and censored Hollywood films—with dire consequences for humanity.

 

In 2012, Argo won the Academy Award for Best Picture. The film starred Ben Affleck as a CIA agent named Tony Mendez who poses as a Hollywood producer scouting locations in Iran.

 

He helps to rescue six Americans who slipped away from the U.S. embassy during the 1979 Iranian hostage crisis—when Islamic revolutionaries stormed the U.S. embassy and took 66 Americans hostage.

 

With the CIA reviewing the script, Argo “took many liberties with the truth,” according to The Atlantic magazine, “all geared to make Langley more heroic.”

 

Left out was any hint that the CIA had created the crisis in Iran by backing a coup in 1953 that overthrew Iran’s democracy.

 

A decade earlier, Affleck had starred in The Sum of All Fears, a film adaptation of a Tom Clancy novel written largely by the CIA’s entertainment liaison, whose main protagonist, Deputy CIA Director Jack Ryan, stops nuclear war from breaking out.

 

During Argo’s filming, the CIA brought the filmmakers to Langley for a tour and offered Affleck access to Agency analysts. Former CIA Agent John Kiriakou recalled bumping into Affleck in Langley along with other Hollywood stars such as Harrison Ford.

 

Affleck admitted that “probably Hollywood is full of CIA agents…we just don’t know it.”

 

Theaters of War

 

How the Pentagon and CIA Took Hollywood is a new documentary produced by the Media Education Foundation exposing the link between the CIA, Pentagon and Hollywood.

 

The film follows the journey of media professor Roger Stahl across America as he interviews people—including industry insiders—who detail how the military and CIA have tried to valorize their activities in hundreds of Hollywood films and television shows, scrubbing scripts of war crimes, corruption, racism, sexual assault, coups, assassinations and torture.

 

The propaganda is extremely effective because it is carried out under the guise of entertainment. Only very subtly are viewers conditioned.

 

Fetishizing the U.S. Military

 

One of the most poignant scenes of Theaters of War has Stahl bringing Oliver Stone a framed copy of a 1984 rejection letter he received by the Pentagon’s entertainment office for Platoon, a film about the disintegration of the armed forces in Vietnam. In 1987, Platoon won the Academy award.

 

Donald E. Baruch, the head of the Pentagon’s Office on Entertainment, wrote to Stone in the rejection letter: ”In our opinion, the script basically creates an unbalanced portrayal by stereotyping black soldiers, showing rampant drug abuse, illiteracy and concentrating action on brutality.”

 

Stone told Stahl that for years he had to shelve Platoon, whose script was written in 1975, along with Born on the Fourth of July, another anti-war film based on the biography of paralyzed veteran Ron Kovic.

 

According to Stone, the Pentagon’s entertainment office was “set up to provide accuracy to film-making about the military, but instead they do the opposite; they promote inaccuracies and lies.”

 

“They only want movies that glorify the American soldier, glorify our patriotism, the homeland and nationalism, this nonsense. They fetishize the military,” he said. “Nobody can say a bad word about [the military], which is wrong. You have to point out evil when it happens.”

 

Oliver Stone called Black Hawk Down, a “nonsense movie” and typical “whitewash of military corruption.”

 

After days of negotiation with Bruckheimer, Secretary of Defense William Cohen donated equipment for the film and the script was changed from the original to create heroes of the U.S. soldiers, even though the intervention was widely considered, as Stone put it, “a mess.”…..

 

……..(much moar)

 

Read the 30 very interesting comments, anons.

 

https://youtu.be/LCq97j4VakQ

 

https://covertactionmagazine.com/2022/03/27/hollywood-is-full-of-cia-agents-says-ben-affleck/

Anonymous ID: bd9882 Jan. 17, 2023, 3:52 p.m. No.18164384   🗄️.is 🔗kun   >>4410

>>18164257

Anon just saw Afflect's interview answer about how pervasive the effect of the cia on Hollywood was. Anon detected a hint of humor in spectacular response, what say you? If so, the author seems to have missed it. Then again, that's what they may want you to think..

Anonymous ID: bd9882 Jan. 17, 2023, 4:01 p.m. No.18164470   🗄️.is 🔗kun   >>4561 >>4591 >>4644 >>4676

>>18164451

But…

 

"Jeremy Kuzmarov is Managing Editor of CovertAction Magazine.

 

He is the author of four books on U.S. foreign policy, including Obama’s Unending Wars (Clarity Press, 2019) and The Russians Are Coming, Again, with John Marciano (Monthly Review Press, 2018)."

Anonymous ID: bd9882 Jan. 17, 2023, 4:14 p.m. No.18164561   🗄️.is 🔗kun   >>4591 >>4644 >>4676

>>18164470

Jeremy Kuzmarov…some serious chops here…an asset?..or just allowed to play around in the gray areas all these years..

 

Jeremy Kuzmarov and Roger Peace

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