Anonymous ID: e00f5b April 25, 2023, 5:08 p.m. No.18752868   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun   >>2879 >>2890

 

In ancient Roman religion, Vagitanus or Vaticanus was one of a number of childbirth deities who influenced or guided some aspect of parturition, in this instance the newborn's crying.[1] The name is related to the Latin noun vagitus, "crying, squalling, wailing," particularly by a baby or an animal, and the verb vagio, vagire.[2] Vagitanus has thus been described as the god "who presided over the beginning of human speech,"[3] but a distinction should be made between the first cry and the first instance of articulate speech, in regard to which Fabulinus (fari, "to speak"; cf. fabula) was the deity to invoke.[4] Vagitanus has been connected to a remark by Pliny that only a human being is thrown naked onto the naked earth on his day of birth for immediate wails (vagitus) and weeping.[5]

Wikipedia/Vaticanus

 

In ancient Roman religion, the di nixi

(or dii nixi), also Nixae, were birth deities. They were depicted kneeling or squatting,[1] a more common birthing position in antiquity than in the modern era.[2] The 2nd-century grammarian Festus explains their name as the participle of the Latin verb nitor, niti, nixus, "to support oneself," also "strive, labor," in this sense "be in labor, give birth."[3] Varro (1st century BC) said that enixae was the term for women in labor brought about by the Nixae, who oversee the types of religious practices that pertain to those giving birth.[4] In some editions of Ovid's Metamorphoses, a phrase is taken as referring to the birth goddess Lucina and her counterpart collective, the Nixi.[5]

 

A statuary group of three kneeling nixi or nixae stood in front of the Temple of Minerva on the Capitoline Hill. These had been brought to Rome by Manius Acilius Glabrio among the spoils seized from Antiochus the Great after his defeat at Thermopylae in 191 BC, or perhaps from the sack of Corinth in 146.[6]

 

In the iconography of Greek myth, the kneeling pose is also found in representations of Leto (Roman Latona) giving birth to Apollo and Artemis (Diana), and of Auge giving birth to Telephus, son of Herakles (Hercules).[7] While the ancient Greek gynecologist Soranos had disapproved of giving birth on one's knees as "painful and embarrassing,"[8] he recommends it for the obese and for lordotic women, that is, those with a concave curvature of the lower back that would tilt the uterus out of alignment with the birth canal.[9]

Wikipedia

Anonymous ID: e00f5b April 25, 2023, 5:12 p.m. No.18752890   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun   >>3069

>>18752868

>birth canal

 

Janus (/หˆdส’eษชnษ™s/ JAY-nษ™s; Latin: Ianvs [หˆiaหnสŠs]) is the god of beginnings, gates, transitions, time, duality, doorways,[2] passages, frames, and endings. He is usually depicted as having two faces.

Anonymous ID: e00f5b April 25, 2023, 5:31 p.m. No.18753012   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun   >>3031

1010

04-Apr-2018 1:24:51 PM PDT8ch/qresearch

>>894110

MONEY.

POWER.

CONTROL.

People are simply in the way.

SLAVES.

SHEEP.

PAWNS.

MASS EXT EVENTS DESIGNED TO DECREASE THREAT LEVEL OF POPULATION.

GUN CONTROL.

WARS [FAKE][TOP HAPPY][BACKEND DEAL].

ELECTION RIGGING.

CONTROL.

YOUR VOICE DOES NOT MATTER.

PHARMA [CLAS-D]

WATER

AIR

CHEMICALS PUSHED FOR HOME USE CLEANING [CANCER][BABY ON FLOOR-HANDS IN MOUTH - THE START].

VACCINES [NOT ALL].

TOBACCO.

OPIOIDS.

ULTIMATE WIN [DEATH + MONEY].

THE FED.

ROTHSCHILD.

'CONSPIRACY'

'CONSPIRACY'

'CONSPIRACY'

UK/GER [5 days].

Choice is yours.

REVELATIONS.

ENOUGH IS ENOUGH.

Q

Anonymous ID: e00f5b April 25, 2023, 5:46 p.m. No.18753092   ๐Ÿ—„๏ธ.is ๐Ÿ”—kun   >>3107 >>3124

>>18753033

https://art.state.gov โ€บ personnel โ€บ marina_abramovic

Marina Abramovic - U.S. Department of State

A pioneer and key figure in performance art, Marina Abramovic uses her own body as subject, object, and medium, exploring the physical and mental limits of her being. Abramovic's prolific caree spans over four decades of interventions and sound pieces, video works, installations, photography, solo performances, and collaborative performances.