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The mob tore off her clothes. For a few minutes she managed to hold on to her security guard’s arm, but then, like everyone else in her crew, he was beaten back. This was when Logan thought she was going to die. Later she would recall for Newsweek how the men raped her with their hands, with sticks, with flagpoles. Onlookers took photos with their cellphones. The assault lasted at least 25 minutes before a group of Egyptian women intervened. They were able to cover Logan until soldiers managed to reach her and get her to her hotel, where she was seen by a doctor.
The next morning, Logan was on a flight home to her husband and two young children in Washington. She would spend four days in the hospital. People from all over the world sent flowers and letters. President Barack Obama called her to share his support. Logan’s eventual decision to talk openly about what happened inspired other women in journalism to share their own stories of being sexually assaulted while on the job. After she spoke out, the Committee to Protect Journalists launched a major effort to survey the problem and stigma of sexual violence in the field.
Over time, the most obvious reminders of Logan’s assault—the hand-shaped bruises all over her body—faded. For years afterward, however, as she told the Toronto Star, Logan would continue to cope with internal injuries—severe pelvic pain, a hysterectomy that failed to heal. And there was the emotional damage. Logan talked about problems of intimacy with her husband, the dark memories that could sweep over her with a single touch.
A little over a year after the assault, Logan, at 41, was diagnosed with Stage 2 breast cancer; she underwent a lumpectomy and six weeks of radiation, then went into remission. It was during this period of her life, Logan would say, that she “wanted to come apart.” She felt herself in a situation where “nobody could see it and nobody could see me and nobody understood.” She began suffering panic attacks. She tried therapy.
Through it all, Logan found refuge in her career. In April 2013, a little more than two years after the assault, The Hollywood Reporter published a glowing feature on executive producer Jeff Fager’s 60 Minutes. The article depicted Logan as a confident correspondent striding into a screening for her next story, settling in beside Fager as he prepared to mark up the script. His verdict: “Terrific.” She could always make it back to terrific.
Until, that is, she couldn’t.
Not long after the Hollywood Reporter article, Simon & Schuster reached out to CBS with a pitch. A conservative imprint within the publishing company had a book coming out in the fall—The Embassy House—about Benghazi: the “real story,” as the prologue promised, of the deadly attack on the American compound and CIA annex in September 2012, as recounted by “the only man in a position to tell the full story.”
The man’s name was Dylan Davies, but he was writing under a pseudonym—for his safety, the book explained, and also because he had “no interest in seeking official recognition.”
Davies, a British-military veteran from Wales, was a security officer whose employer, Blue Mountain, had been hired by the State Department to help protect the Special Mission in Benghazi. In his book, he described how, on the night of the attack, he had scaled the compound’s 12-foot wall to try to save the Americans trapped inside, rifle-butting a terrorist in the process. He also said that he had seen Ambassador J. Christopher Stevens’s body at the hospital.
Logan and her producer, Max McClellan, agreed to consider The Embassy House for a feature on 60 Minutes. The basics of Davies’s biography appeared to check out; email correspondence that Davies shared with Logan seemed to confirm, as he claimed, that he had been interviewed by officials from across the U.S. government, including the FBI, about everything he had seen and heard and done that night. Over the next few months, Logan and McClellan put together a Benghazi segment featuring Davies’s story as well as original reporting on the attack. After the screening of the finished product, CBS and 60 Minutes leadership, including Fager, green-lit the broadcast for air.
Some of Logan’s reporting broke significant ground. No journalist had yet substantiated, for example, the role of Abu Sufian bin Qumu, an Ansar al Sharia leader and former Guantánamo Bay detainee, in the Benghazi attack; the Obama administration did not publicly announce his involvement until the next year. But the segment’s revelations were framed almost as sideshows to the Rambo-esque account of Davies, whose view of the attack comprised the majority of the report’s 15 and a half minutes.
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