https://www.nytimes.com/2022/01/04/arts/design/star-trek-exhibition-skirball.html

To Boldly Explore the Jewish Roots of ‘Star Trek’

An exhibition at a Jewish cultural center has plenty of artifacts to delight Trekkies — but it also notes the Jewish origins of the Vulcan salute.

LOS ANGELES — Adam Nimoy gazed across a museum gallery filled with “Star Trek” stage sets, starship replicas, space aliens, fading costumes and props (think phaser, set to stun). The sounds of a beam-me-up transporter wafted across the room. Over his shoulder, a wall was filled with an enormous photograph of his father — Leonard Nimoy, who played Spock on the show — dressed in his Starfleet uniform, his fingers splayed in the familiar Vulcan “live long and prosper” greeting.

But that gesture, Adam Nimoy noted as he led a visitor through this exhibition at the Skirball Cultural Center, was more than a symbol of the television series that defined his father’s long career playing the part-Vulcan, part-human Spock. It is derived from part of a Hebrew blessing that Leonard Nimoy first glimpsed at an Orthodox Jewish synagogue in Boston as a boy and brought to the role.

The prominently displayed photo of that gesture linking Judaism to Star Trek culture helps account for what might seem to be a highly illogical bit of programming: the decision by the Skirball, a Jewish cultural center known mostly for its explorations of Jewish life and history, to bring in an exhibition devoted to one of television’s most celebrated sci-fi shows.

But walking through the artifacts Adam Nimoy recalled how his father, the son of Ukrainian Jews who spoke no English when they arrived, had said he identified with Spock, pointing out that he was “the only alien on the bridge of the Enterprise.”

Jewish values and traditions were often on the minds of the show’s writers as they dealt with issues of human behavior and morality, said David Gerrold, a writer whose credits include “The Trouble with Tribbles,” one of the most acclaimed “Star Trek” episodes, which introduces the crew to a cute, furry, rapidly reproducing alien life form.

“A lot of Jewish tradition — a lot of Jewish wisdom — is part of ‘Star Trek,’ and ‘Star Trek’ drew on a lot of things that were in the Old Testament and the Talmud,” Gerrold said in an interview. “Anyone who is very literate in Jewish tradition is going to recognize a lot of wisdom that ‘Star Trek’ encompassed.”

That connection was not explicit when the show first aired. And a stroll through the exhibition, which covers the original television show as well as some of the spinoffs and films that came to encompass the “Star Trek” industry, mainly turns up items that are of interest to “Star Trek” fans. There is a navigation console from the U.S.S. Enterprise, the first script from the first episode, a Klingon disrupter from “Star Trek: The Next Generation,” and a display of tribbles.

To some extent, the choice of this particular exhibition — “Star Trek: Exploring New Worlds” — to help usher the Skirball back into operation after a Covid shutdown reflects the imperatives museums everywhere are facing as they try to recover from a pandemic that has been so economically damaging. “These days — honestly, especially after the pandemic — museums are looking for ways to get people through the door,” said Brooks Peck, who helped create the show for the Museum of Pop Culture in Seattle. “Museums are struggling to find an audience and are looking for a pop culture hook.”

It seems to have worked. The “Star Trek” exhibition has drawn 12,000 attendees in its first two months here, a robust turnout given that the Skirball is limiting sales to 25 percent of capacity.

“This has been bringing in new people, no question,” said Sheri Bernstein, the museum director. “Attendance is important for the sake of relevance. It’s important for us to bring in a diverse array of people.”

Jessie Kornberg, the president of Skirball, said that the center had been drawn by the parallels between Judaism and the television show. “Nimoy’s Jewish identity contributed to a small moment which became a big theme,” she said. “We actually think the common values in the ‘Star Trek’ universe and Jewish belief are more powerful than that symbolism. That’s this idea of a more liberal, inclusive people, where ‘other’ and ‘difference’ is an embraced strength as opposed to a divisive weakness.”

>>19406707

>Jewish origins of the Vulcan salute

The intersections between the television series and Judaism begin with its two stars, Nimoy and William Shatner, who played Capt. James T. Kirk. “These are two iconic guys in outer space who are Jewish,” said Adam Nimoy. And it extends to the philosophy that infuses the show, created by Gene Roddenberry, who was raised a Southern Baptist but came to consider himself a humanist, according to his authorized biography.

Those underlying connections are unmistakable for people like Nimoy, 65, a television director who is both a devoted “Star Trek” fan and an observant Jew: He and his father often went to services in Los Angeles, and Friday night Sabbath dinners were a regular part of their family life.

Nimoy found no shortage of Jewish resonances and echoes in the exhibition, which opened in October and closes on Feb. 20. He stopped at a costume worn by a Gorn, a deadly reptilian extraterrestrial who was in a fight-to-the-death encounter with Kirk.

“When he gets the Gorn to the ground, he’s about to kill him,” Nimoy recounted. “The Gorn wants to kill Kirk. But something happens. Instead he shows mercy and restraint and refuses to kill the Gorn.”

“Very similar to the story of Joseph,” Nimoy said, referring to the way Joseph, in the biblical book of Genesis, declined to seek retribution against his brothers for selling him into slavery.

Leonard Nimoy died in 2015 at the age of 83. Shatner, who is 90 and recently became the oldest person to go into space, declined to discuss the exhibition. “Unfortunately Mr. Shatner’s overcommitted production schedule precludes him from taking on any additional interviews,” said his assistant, Kathleen Hays.

The Skirball Cultural Center is set on 15 acres, about 20 miles from downtown Los Angeles.

The exhibition ran for about two years in Seattle after opening in 2016 to coincide with the 50th anniversary of the original “Star Trek” TV show’s 1966 debut. (That version was on NBC for three seasons.) The exhibition had been intended to tour, but those plans were cut short when the pandemic began to close museums across the country.

The exhibition was assembled largely from the private collection of Paul Allen, the co-founder of Microsoft and founder of the Museum of Pop Culture, who died in 2018.

Peck said he wanted to commemorate the anniversary of the series with an exhibition that explored the outsize influence the television show had on American culture. “The answer that I am offering is that ‘Star Trek’ has endured and inspired people because of the optimistic future it presents — the good character of many of its characters,” Peck said. “They are characters that people would like to emulate.”

“Skirball faced a bit of a challenge in trying to explain to its audience how ‘Star Trek' fit in with what they do,” he said. “Happily it completely worked out. I had always hoped that Skirball could take it. Skirball’s values as an institution so align with the values of ‘Star Trek’ and the ‘Star Trek’ community.”

Bernstein, the Skirball director, said the exhibition seemed a particularly good way to help bring the museum back to life.

“There was never a better time to present this show than now,” she said. “We very much liked the idea of reopening our full museum offerings with a show that was about inspiring hope. A show that promised enjoyment.”

By spring, ‘Star Trek’ will step aside for a less surprising offering, an exhibition about Jewish delis, but for now, the museum is filled both with devotees of Jewish culture, admiring a Torah case from China, and Trekkies, snapping pictures of the captain’s chair that Kirk sat in aboard the Enterprise.

“There is no such thing as too much ‘Star Trek,’” Scott Mantz, a film critic, said as he began interviewing Adam Nimoy after a recent screening at the museum of “For the Love of Spock,” a 2016 documentary Nimoy had made about his father. A long burst of applause rose from his audience.

Adam Nimoy recalled how his father, the son of Ukrainian Jews who spoke no English when they arrived, had said he identified with Spock, pointing out that he was “the only alien on the bridge of the Enterprise.”

>>19406675

>>19406712

>https://twitter.com/TheInsiderPaper/status/1694061602524536875

https://twittervideodownloader.com/

https://news.un.org/en/story/2023/08/1139682

Building a digital army: UN peacekeepers fight deadly disinformation

With smartphones, editing apps, and innovative approaches, some UN peacekeeping operations across the world are building a “digital army” aimed at combating mis- and disinformation on social media networks and beyond.

Designing ways to fight back against falsehoods that can trigger tensions, violence, or even death, the UN has been monitoring how mis- and disinformation and hate speech can attack health, security, stability as well as progress towards the Sustainable Development Goals (SDGs).

“It has become clear that business as usual is not an option,” UN Secretary-General António Guterres said in a policy brief launched in June on information integrity on digital platforms.

“The ability to disseminate large-scale disinformation to undermine scientifically established facts poses an existential risk to humanity and endangers democratic institutions and fundamental human rights,” he wrote in the brief.

Disinformation can be dangerous in other ways. Several UN missions have reported social media campaigns in recent years targeting their peacekeeping work.

In 2019, the UN mission in the Democratic Republic of the Congo (DRC), known by its French acronym MONUSCO, raised grave concerns about social media disinformation campaigns calling for violence against peacekeepers during an Ebola epidemic and following a deadly attack by an armed group in the restive eastern region.

By 2022, the Security Council had adjusted the mandates of its four largest peacekeeping operations – DRC, Central African Republic (CAR), Mali, and South Sudan – and added the task of preventing disinformation campaigns aimed at undermining a mission’s credibility

“This is a war that is going on through social media, the radio, and traditional news outlets,” said Bintou Keita, who heads MONUSCO. Fighting deadly disinformation has been a “painful curve” to learn of this new battlefield, but the mission has now become proactive on social and other media platforms, to help stop its spread, she added.

To fight back against disinformation, UN peacekeepers are putting new tools into the hands of civilians of all ages, including 15-year-old Blessing Kasasi in DRC.

An activist advocating for the rights of women and children, Ms. Kasasi readily joined a workshop in the capital city of Kinshasa, with 30 young people who learned about detecting “fake news” and countering it with the most effective weapon: the truth.

Guillaume Kingh-Farel, one of the workshop trainers, said disinformation is “used as a weapon of war to undermine MONUSCO’s peace efforts in the DRC”.

As such, the MONUSCO-supported workshop to train “a digital army capable of detecting false information” by producing content with the help of a smartphone and editing software and simultaneously spreading objective, credible information through “relay clubs” that disseminate these messages through their networks.

“From a smartphone, I will produce videos to echo good information,” Ms. Kasasi said after the workshop.

For UN peace operations, some communities they engage are welcoming the new approaches this summer.

In Mali, where a transitional Government has been in power since a coup in 2021, the UN mission, MINUSMA, hosted the first of its kind blogger festival, attracting nearly 400 participants in Mopti in early June.

“With the advance of technology, digital media is increasingly being used to spread misinformation,” said a popular local blogger who attended the event. “A festival to combat misinformation is an innovative approach to overcome this challenge, a useful means for deconstructing hate speech and fake news.”

By the end of June, at the Malian Government’s request, the UN Security Council terminated the mission, which is slated for a complete withdrawal from the country by 1 January 2024.

Other efforts are unfolding elsewhere. In early August, in Abyei, a contested zone straddling Sudan and South Sudan, the UN mission there, UNISFA, launched Voice of Peace, an internet radio station aimed at countering hate speech, and fake news.

Meanwhile, in DR Congo, MONUSCO’s initiatives continue to reach communities plagued by disinformation-triggered tensions. This includes recruiting digital experts, building multimedia products, and reaching out to communities, especially social media savvy youth, mission chief Ms. Keita said.

With these tools, she said MONUSCO has been trying to “beef up our capacity to monitor and to be present on digital platforms in such a way that we are not going to always be in a reactive mode, but in an anticipatory mode”.

>>19406778

Anyone remember where this one was?

>>19406795

>>19406822

>>19406930

>EYE BAGS

https://nypost.com/2023/08/22/jeffrey-epsteins-new-mexico-ranch-sells-after-2-years/

Jeffrey Epstein’s New Mexico ranch lands buyer after 2 years on market

After more than two years on the market and several price cuts, Jeffrey Epstein’s longtime New Mexico ranch — where some of his most ghastly allegations of sexual abuse occurred — has found a buyer, The Post has learned.

“We confirm sale by the Epstein Estate of the New Mexico property known as ‘Zorro Ranch,’ with the proceeds to be used for Estate administration, including payment of creditors,” Daniel Weiner, an attorney representing Epstein’s estate, told The Post. “While details of that sale (including the purchase price and buyer) are confidential, the Estate will disclose the sale in its next quarterly accounting to be filed in the St. Thomas, USVI probate court.”

Although property records have not yet been processed with information of the new owner and price paid, the large property was last listed for sale at $18 million.

The latest asking price is a far cry from its initial ask of $27.5 million back in July of 2021.

Last month, the property entered contract.

https://nypost.com/2023/08/21/epstein-victim-my-friend-was-forced-to-have-sex-with-prince-andrew/

Epstein victim claims pal was forced into sex with Prince Andrew: ‘Traumatic’

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