>https://twitter.com/KimDotcom/status/1729826383747006507
>https://www.npr.org/2023/08/09/1192953166/prosecutors-search-warrant-trump-twitter-account
Special counsel Jack Smith got a secret search warrant for Trump's Twitter account
Special counsel Jack Smith obtained a search warrant for former President Donald Trump's Twitter account back in January and requested Twitter not disclose this information to Trump, newly unsealed court documents show.
On Jan. 17, 2023, prosecutors applied for, and received, a search warrant directing Twitter, a company now known as X, to produce data and records related to the @realDonaldTrump account, documents from the U.S. Court of Appeals for District of Columbia Circuit show.
This warrant was tied to the special counsel's investigation into Trump and his involvement in attempts to overturn the 2020 election. Trump is now facing four criminal charges related to this investigation. He's pleaded not guilty.
Trump was permanently suspended from Twitter just days after the Jan. 6, 2021 riot at the U.S. Capitol. His account was reinstated on X, but he has not tweeted since Jan. 8, 2021, and instead uses his Truth Social platform.
The warrant was served along with an order that prohibited Twitter from notifying anyone about the existence or contents of the warrant.
Prosecutors shared fears with the court that if Trump knew about the warrant that he would jeopardize the investigation by giving him "an opportunity to destroy evidence, change patterns of behavior [or] notify confederates."
The social media company subsequently fought the Justice Department on this warrant request as well as its demand not to disclose this information to Trump or others, the court filings show.
In a since-rejected appeal, Twitter had argued that the nondisclosure order violated the First Amendment and the Stored Communications Act.
Twitter did eventually comply with the warrant, but failed to produce all of the requested information until three days after a court-ordered deadline, placing the company in contempt and was ordered to pay a $350,000 fine for the delay.
Trump called the revelation of this search warrant a "major 'hit' on my civil rights" on his Truth Social account.
A representative for the Justice Department declined to comment.
According to the Midrash, the two women were mother- and daughter-in-law, both of whom had borne sons and whose husbands had died. The lying daughter-in-law was obliged by the laws of Yibbum to marry her brother-in-law unless released from the arrangement through a formal ceremony. As her brother-in-law was the living child, she was required to marry him when he came of age, or wait the same amount of time to be released and remarry. When Solomon suggested splitting the infant in half, the lying woman, wishing to escape the constraints of Yibbum in the eyes of God, agreed. Thus was Solomon able to know who the real mother was.
One day, while Job’s sons and daughters were eating and drinking wine in their oldest brother’s house, a messenger came and reported to Job: “While the oxen were plowing and the donkeys were grazing nearby, the Sabeans swooped down and took them away. They put the servants to the sword, and I alone have escaped to tell you!”
While he was still speaking, another messenger came and reported: “The fire of God fell from heaven. It burned and consumed the sheep and the servants, and I alone have escaped to tell you!”
While he was still speaking, another messenger came and reported: “The Chaldeans formed three bands, raided the camels, and took them away. They put the servants to the sword, and I alone have escaped to tell you!”
While he was still speaking, another messenger came and reported: “Your sons and daughters were eating and drinking wine in their oldest brother’s house, when suddenly a mighty wind swept in from the desert and struck the four corners of the house. It collapsed on the young people and they are dead, and I alone have escaped to tell you!”
Then Job stood up, tore his robe, and shaved his head. He fell to the ground and worshiped, saying:
“Naked I came from my mother’s womb,
and naked I will return.
The LORD gave, and the LORD has taken away.
Blessed be the name of the LORD.”
In all this, Job did not sin or charge God with wrongdoing.
https://www.justice.gov/usao-sdny/pr/defendant-sentenced-90-months-prison-distribution-child-pornography
From April 2022 to December 2022, ZELONY-MINDELL communicated with two undercover Federal Bureau of Investigation (“FBI”) agents on an encrypted messaging service. In the conversations, ZELONY-MINDELL repeatedly expressed in graphic and unambiguous terms their desire to engage in sexual activity with minor children and sent the undercover agents numerous images and videos containing child pornography.
In conversations with one of the undercover agents who was posing as the father of a nine-year-old boy, ZELONY-MINDELL made clear that they wanted to engage in sexual activity with the purported child. ZELONY-MINDELL and the undercover agent discussed a plan to meet for the purpose of ZELONY-MINDELL engaging in sexual activity with the child. When told by the undercover agent that the child would be “knocked out a little bit” on sleep medication during the planned sexual activity, ZELONY-MINDELL agreed to have sex with the drugged child.
ZELONY-MINDELL and the undercover agent agreed to meet on December 16, 2022, in lower Manhattan with the understanding that they would return to the undercover agent’s apartment afterward, and ZELONY-MINDELL would then engage in sexual activity with the child. ZELONY-MINDELL arrived at the scheduled time and location and was arrested. Subsequently, law enforcement identified thousands of images and videos containing child pornography on the defendant’s phones and computers.
Zelony-Mindell’s curation work includes the exhibition “Re: Art Show 21: This is Not Here” at the Pfizer Pharmaceutical Building in 2018.
https://www.forbes.com/sites/adamlehrer/2018/05/21/curator-efrem-zelony-mindell-brings-together-57-artists-at-phizer-building-for-re-art-show-21/
Curator Efrem Zelony-Mindell Brings Together 57 Artists At Phizer Building For Re: Art Show 21
As a general rule, I am opposed to applying clichéd terms like "polymath" to the creative people that I write about. But when it comes to Efrem Zelony-Mindell, I find myself fighting the use of that particular term more than I normally would. A curator, writer, and artist, Zelony-Mindell has one of the sharpest and most unique eyes in the contemporary New York art underground, not to mention a literary and poetic point of view on aesthetics that he imbues into all of his work. Whether he's creating abstract and geometrical paintings, musing on the technological optimism of artist Sara Cwynar, or identifying images that broaden queer representation without actually depicting sexualized queer bodies (as in the exhibition he curated at the Rubber Factory newflesh: representing queerness beyond the body), Zelony-Mindell has cultivated an eye for the opaque and the bewildering art and images that nonetheless bristle with meaning and contemporary dialog. Allergic to all things obvious and over-explained, Zelony-Mindell reinforces contemporary art as a space where the imagination is allowed to expand and drift. "The imagination has the ability to unlock the potential and reality of the plausible world," says Zelony-Mindell. "I think people need a supportive opportunity to make up their own decisions and to be affirmed in knowing that their own feelings and interpretations of things, art specifically, aren't wrong".
Zelony-Mindell has now curated the latest iteration of the Re: Art Show, curatorial project headed by Erin Davis and Max C Lee that sees portions of the iconic Pfizer Pharmaceutical building in Brooklyn converted into curatorial spaces in which large numbers of impressively diverse artists can see their works interact with the unique nature of the building. For this year's exhibition, entitled, Re: Art Show 21, This is Not Here, Zelony-Mindell posted an open call for submissions that eventually resulted in a sprawling roster of 57 artists working in various mediums. Amongst the more well-known artists with works in the exhibition are photographer Patricia Voulgaris, photographer Ilona Szwarc, and the late Abstract Expressionist photographer Aaron Siskind. But, true to Zelony-Mindell's nature, I have already discovered several fascinating emerging artists who I might have not have ever learned about had Zelony-Mindell not discovered them for me: the evocative geometric images of artist Jaclyn Wright, the queer-leaning portraits of artist Daniel Rampulla, and the metallic sculptures of artist Jessie English have all warped my brain in the best possible ways. Zelony-Mindell and I communicated over email to discuss his curatorial philosophies and how they impacted the behemoth of an exhibition that is Re: Art Show 21.
https://filthydreams.org/2018/10/09/losing-the-form-in-darkness-of-the-unspeakable-a-dark-show/
Losing The Form In Darkness Of “The Unspeakable: A Dark Show”
Posted on October 9, 2018 by Efrem Zelony-Mindell
>MR CUBAN is selling the MAVS, leaving Shark tank, wonder why?
You daft codger, your mask's absurd!