Anonymous ID: f71bc7 Nov. 30, 2023, 3:38 a.m. No.20002142   🗄️.is đź”—kun   >>2153 >>2258

>>20002113

 

 

 

In population genetics, a fixed allele is an allele that is the only variant that exists for that gene in a population. A fixed allele is homozygous for all members of the population. The process by which alleles become fixed is called fixation.

 

A population of a hypothetical species can be conceived to exemplify the concept of fixed alleles. If an allele is fixed in the population, then all organisms can have only that allele for the gene in question. Suppose that genotype corresponds directly to the phenotype of body color, then all organisms of the population would exhibit the same body color.

 

An allele in a population being fixed necessarily entails the phenotypic traits corresponding to that allele to be identical for all organisms in the population (if those genotypes correspond directly to a certain phenotype), as it follows logically from the definition of relevant concepts. However, identical phenotypic traits exhibited in a population does not necessarily entail the allele(s) corresponding to those traits to be fixed, as exemplified by the case of genetic dominance being apposite in a species' population.

 

Low genetic diversity is accompanied by allele fixation, which can potentially lead to lower adaptibility to changing environmental conditions for a population as a whole. For example, often having certain alleles make an organism more susceptible to a disease than having other alleles; if an allele highly susceptible to a disease with a prevalent cause is fixed in a population, most organisms of the population might be affected. Hence, generally, populations exhibiting a significant range of fixed alleles are often at risk for extinction.

 

Fixed alleles were first defined by Motoo Kimura in 1962. Kimura discussed how fixed alleles could arise within populations and was the first to generalize the topic. He credits the works of Haldane in 1927 and Fisher in 1922 as being important in providing foundational information that allowed him to come to his conclusion.

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Anonymous ID: f71bc7 Nov. 30, 2023, 3:50 a.m. No.20002182   🗄️.is đź”—kun   >>2195 >>2234 >>2258

>>20002144

yeah, how well did the governors run the plandemic?

 

 

U.S. States and the China Competition: Secretary Pompeo's Remarks to the NGA

U.S. Department of State

 

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Secretary of State Michael R. Pompeo remarks to the National Governors Association 2020 Winter Meeting at the Walter E. Washington Convention Center in Washington, D.C., on February 8, 2020

 

 

@1:23

so, president newsom, i look forward to working with you and secretary of state feinstein when it comes to be. Sec Pompeo

Anonymous ID: f71bc7 Nov. 30, 2023, 4:07 a.m. No.20002234   🗄️.is đź”—kun   >>2258

>>20002182

>>20002195

 

>12 [a]For we wrestle not against flesh and [b]blood,

 

Marina Abramovic

 

A pioneer and key figure in performance art, Marina Abramovic uses her own body as subject, object, and medium, exploring the physical and mental limits of her being. Abramovic’s prolific caree spans over four decades of interventions and sound pieces, video works, installations, photography, solo performances, and collaborative performances.

 

Characterized by endurance and pain—and by repetitive behavior, actions of long duration, and intense public interactions and energy dialogues—her work has engaged, fascinated, and sometimes repelled live audiences. The universal themes of life and death are recurring motifs, often enhanced by the use of symbolic visual elements or props such as crystals, bones, knives, tables, and pentagrams. While the sources of some works lie in her personal history (the circumstances of her childhood and family life under Communist rule in the former Yugoslavia), others lie in more recent and contemporary events, such as the wars in her homeland and other parts of the world.

 

Born in Belgrade, Serbia, she moved to Amsterdam in 1976 and has lived in New York since 2001. Her pioneering works of performance art have made her the subject of numerous solo and group exhibitions worldwide at institutions including Kunstmuseum and Grosse Halle, Bern, Switzerland and La Gallera, Valencia, Spain (1998); Solomon R. Guggenheim Museum, New York (2005) Museum of Modern Art, New York in (2010); the Garage Centre for Contemporary Culture, Moscow (2011); Kunsthalle, Vienna (2012). Abramovic’s work was also included in Documenta VI, VII and IX (1977, 1982 and 1992); Venice Biennale 1976 and 1997, with the exhibition of Balkan Baroque in the latter earning her the Golden Lion Award for Best Artist. Abramovic lives and works in New York City.

 

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https://art.state.gov/personnel/marina_abramovic/

 

 

https://art.state.gov/