>Pushing the idea that a tube shoved up your butt every 5 years is a good idea.
QAnd without a single thought as to what bowel prep does to the microbiome.
>Pushing the idea that a tube shoved up your butt every 5 years is a good idea.
QAnd without a single thought as to what bowel prep does to the microbiome.
The Venus of Brassempouy (French: la Dame de Brassempouy, [la dam də bʁasɛpwi], meaning "Lady of Brassempouy", or Dame à la Capuche, "Lady with the Hood") is a fragmentary ivory figurine from the Upper Palaeolithic, apparently broken from a larger figure at some time unknown. It was discovered in a cave at Brassempouy, France in 1894.[1] About 25,000 years old, it is one of the earliest known realistic representations of a human face.
Discovery
Brassempouy is a small village in the département of Landes in southwest France. Two caves near the village, 100 metres from each other, were among the first Paleolithic sites to be explored in France. 'They are known as the Galerie des Hyènes (Gallery of the Hyenas) and the Grotte du Pape(the "Grotto of the Pope"). The Venus of Brassempouy was discovered in the Grotto of the Pope in 1894,[2] accompanied by at least eight other human figures.
The Venus of Brassempouy was carved from mammoth ivory. According to archaeologist Paul Bahn the head is "unsexed, although it is usually called a 'Venus' or a 'lady'".[4] The head is 3.65 cm high, 2.2 cm deep and 1.9 cm wide. While the forehead, nose and brows are carved in relief, the mouth is absent. A vertical crack on the right side of the face is a consequence of the internal structure of the ivory. On the head is a checkerboard-like pattern formed by two series of shallow incisions at right angles to each other; it has been interpreted as a wig, a hood with geometric decoration,[5] or simply a representation of hair styled in cornrows.[6]
Randall White observed in the Journal of Archaeological Method and Theory (December 2006), "The figurines emerged from the ground into a colonial intellectual and socio-political context nearlyobsessed with matters of race."[7] Although the style of representation is essentially realistic, the proportions of the head do not correspond exactly to any known human population of the present or past. White has claimed that, since the mid-twentieth century, concerns of interpretative questions have changed from race to womanhood and fertility.[7]
In 1894, one of those strata, recognized now as Gravettian, yielded several fragments of statuettes, including the "Lady with the Hood". Piette considered the figures as closely related to the representations of animals of the Magdalenian period.
https://en.wikipedia.org/wiki/Venus_of_Brassempouy
The Magdalenian cultures (also Madelenian; French: Magdalénien) are later cultures of the Upper Paleolithic and Mesolithic in western Europe. They date from around 17,000 to 12,000 years ago.[a] It is named after the type site of La Madeleine, a rock shelter located in the Vézère valley, commune of Tursac, in France's Dordogne department.
The Magdalenian epoch is associated with reindeer hunters, although Magdalenian sites contain extensive evidence for the hunting of red deer, horses, and other large mammals present in Europe toward the end of the last glacial period.
Treatment of the dead
Some skulls were cleaned of soft tissues, then had the facial regions removed, with the remaining brain case retouched, possibly to make the broken edges more regular. This manipulation suggests the shaping of skulls to produceskull cups.[10]
https://en.wikipedia.org/wiki/Magdalenian
25K year old white supremacist vestal virgin cult?