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Christmas returned after the Restoration of 1660, and Father Christmas went on to appear in stage plays and folk drama over the next 200 years. But, as Ronald Hutton says in Stations of the Sun, he remained far removed from our understanding of the man:
‘He was essentially concerned with the adult world, personifying feasting and games, he had no connection with presents, and he was not treated with much respect, being generally a burlesque figure of fun.’
Father Christmas enjoyed a mini-renaissance in the first half of the 19th century. In illustrations he was sometimes shown as a winter sprite with garlands of holly on his head, surrounded by food and drink, and he featured in many folk plays of the era. He also closely resembles the Ghost of Christmas Present from Charles Dickens’ A Christmas Carol.
But Christmas was changing. With the Victorian focus on family life and children, it would no longer be just a time for drinking, feasting and making merry. And this new kind of Christmas needed a new kind of old man to represent it.
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St Nicholas and Sinterklaas
Long before the symbol of Father Christmas emerged in England, the separate legend of Sinterklaas was gaining ground in Europe.
The origins of Sinterklaas can be found in the stories of St Nicholas, a 4th-century Greek bishop from Myra, now in modern-day Turkey.
St Nicholas was credited with a wide variety of miracles. According to one story, he resurrected three youths after they'd been murdered and pickled in a barrel by an innkeeper.
In another tale, he met a poor man who was on the brink of selling his own daughters into slavery. Under the cover of darkness, the saint anonymously threw three bags of gold down the chimney to provide dowries for the girls. The gold landed in their stockings, which were drying by the fire.
St Nicholas's fame spread throughout medieval Europe after his relics were ‘rescued’ from Myra and taken to Italy in 1087. Over time, tales of his gold-giving exploits gave rise to a tradition of leaving gifts for children on the night before 6 December - which was St Nicholas’s Day. In the Netherlands, special markets sprang up to sell toys and treats for the occasion, and St Nicholas, or 'Sinterklaas' impersonators dressed in red bishops’ costumes to delight the crowds. Tradition had it that, in his quest to deliver presents, St Nicholas would enter houses by passing through locked doors or descending down chimneys to leave gifts in shoes and stockings.
Much like the English Father Christmas, Sinterklaas came under attack during and after the Reformation, with Protestants keen to move away from veneration of the saints. The baby Jesus was promoted as a more appropriate giver of gifts – known in Germany as das Christkindl, later Anglicised as ‘Kris Kringle’. St Nicholas markets were banned - as were biscuits baked in the shape of the bishop.
But it’s clear that popular traditions survived. One famous depiction is Jan Steen’s 17th-century painting of The Feast of St Nicholas, which shows a chaotic domestic Dutch scene of gift-giving and feasting.
More evidence of their survival comes from the ways that the Sinterklaas 'universe' expanded to include a host of frightening, violent characters who dished out punishments to naughty children - including Krampus, Pere Fouettard (‘Old Man Whipper’), Ru-Klaus (‘Rough Nicholas’), Pelsnickel (‘Furry Nicholas’) and Knecht Rupert (‘Farmhand Rupert’).
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