We Need a Reckoning on the 1619 Project.
The New York Times launched its torpedo at American history on August 18, 2019. I speak, of course, of “The 1619 Project,” which first emerged as a special edition of the newspaper’s Sunday magazine. In the ensuing five years and five months, the 1619 Project outgrew its original 100 pages of newsprint. It became a somber 50 second television commercial on February 9, 2020, that aired during the Academy Awards and featured the singer, songwriter, and actress Janelle Monáe. In 2021, it ballooned into a 590-page hardback book, supertitled “A New Origin Story.” In 2023, Hulu turned it into a six-part “docuseries” with Oprah Winfrey as executive producer.
During those five-plus years, the New York Times ran thousands of print advertisements for the “project.” It substantively revised the magazine text without any public acknowledgment, which means unless you saved the original copy, you can’t know exactly what it said.
Like all revolutionary movements, the destructive Left cannot achieve its goals without convincing enough people that the old order is so evil it can only be destroyed. This is the purpose served by Critical Race Theory and, more specifically, by the New York Times’ 1619 Project, which cast slavery as the foundational principle of the United States. The project’s educational component has been hugely influential but, as Peter Wood points out, the actual numbers on its reach are unclear and even conflicting. Wood argues that a clear accounting of the propaganda’s reach in American schools will be a necessary, if difficult, step in any course correction.
Moar: https://tomklingenstein.com/we-need-a-reckoning-on-the-1619-project/