>>2657805 (PB)
Ganymede, the boy child Zeus kidnapped an raped was featured on the original Budweiser label.
Like other catamites of history, rectal degradation made Ganymede's image an icon of the pedovore crowd.
To reply to self is bad form, but here is another cultural icon which is a pedovore emblem. Tadzio from Death In Venice.
There's a whole bizarre story about what happened to Bjorn Andreson, the boy who played Tadzio in the Visconti movie - BS was not gay, his life was ruined by love lorn pedophiles.
Still alive.
https://en.wikipedia.org/wiki/Bj%C3%B6rn_Andr%C3%A9sen
The Bronfman's sold Universal Studios years ago.
Born in 1955, Edgar Jr. ("Efer" to friends)[3] is the son of Edgar Miles Bronfman and the grandson of Samuel Bronfman, patriarch of one of the wealthiest and most influential Jewish families in Canada. His mother was the daughter of John Langeloth Loeb Sr. (a Wall Street investment banker whose company was a predecessor of Shearson Lehman/American Express) and Frances Lehman (a scion of the Lehman Brothers banking firm). They divorced in 1973.[4]
EB’ss Efer Productions company was signed by Universal Studios in 1977 to a three-year movie production contract. He produced the unsuccessful film The Border (1982), which starred Jack Nicholson.[citation needed] In 1982, Bronfman returned to the Seagram Company, spending three months learning the ropes. By 1994, he became the Chief Executive Officer, where he began a move away from the traditional liquor business and into entertainment…disastrous business deals, ultimately losing the family's ownership of Seagram.[3]
The first step in this diversification was the widely criticized sale of Seagram's stake in DuPont. In 1981, Edgar Bronfman Sr. had sold Seagram's stake in Conoco to DuPont, in exchange for almost 25% of the chemical giant.[5] This stake in DuPont, by 1995, represented about 70% of Seagram's total earnings. Bronfman Jr., acting as Seagram CEO, approached DuPont about buying back its shares, a deal that DuPont wasted no time in closing.
With the proceeds of the $9 billion sale, Bronfman Jr. went on an expansion into the entertainment business, in music through the acquisition of Polygram, and in film entertainment through MCA and Universal Pictures. However, the new entertainment conglomerate he created had a brief life, before needing a strategic partner. Bronfman Jr., then led Seagram into a controversial all-stock acquisition by French conglomerate Vivendi in 2000. Bronfman Jr., became chief of the new company, Vivendi Universal, but the Seagram company effectively lost control of its entertainment businesses. Meanwhile, Seagram, for all intents and purposes, ceased to exist.
On February 27, 2004, Bronfman finalized the acquisition of Warner Music Group and served as Chairman and CEO of the music company for the following 7 years. Bronfman helped to transform WMG by rapidly growing the company's digital music sales, redefining the relationships it has with artists and diversifying its revenue streams through its expansion into growing areas of the music business.[8] WMG held an initial public offering of stock in 2005 (NYSE: WMG), and is now the only standalone major music company to be publicly traded. …In 2008, The New York Times reported that WMG's Atlantic Records became the first major record label to generate more than half of its music sales in the U.S. from digital products.[10]
SOLD TO RUSSIAN
In May, 2011, WMG and Bronfman announced the company's sale to Access Industries for US$3.3 billion cash. Access is controlled by Russian-born billionaire Len Blavatnik. The sale, coming after a three-month bidding process, "serves the best interests of stockholders as well as the best interests of music fans, our recording artists and songwriters, and the wonderful people of this company," according to a statement
SHOWBIZ WANNABE
In 1973, Bronfman began a songwriting career under the pseudonyms Junior Miles and Sam Roman. He often collaborated with Bruce Roberts on songs like "Whisper in the Dark", which he gave to Dionne Warwick to record in thanks for introducing him to his first wife, Sherry. Bronfman also co-wrote "To Love You More", which was recorded by Celine Dion, and Barbra Streisand's "If I Didn't Love You".[citation needed]
https://www.billboard.com/articles/business/8022084/edgar-bronfman-jr-former-warner-music-ceo-vc-firm-media
https://variety.com/2017/music/news/warner-music-edgar-bronfman-jr-streaming-1202446143/
Bronfman also sits on the board of Barry Diller and Diane Von Furstenberg's IAC cultist conglomerate
https://www.iac.com/about/leadership/board-directors/edgar-bronfman-jr
https://en.wikipedia.org/wiki/Edgar_Bronfman_Jr.
https://torontolife.com/city/the-son-also-stumbles-edgar-bronfman-jr-not-going-to-jail-after-all-hes-just-been-slapped-with-6-7-million-fine/
Newfags - do NOT respond to shills.
2658331
Would these pedovore players testimony be useful bringing down the big ones - the ones who meet in the Mother's Castle?
James Mills (panic in Needle Park)
Was a good and honest journalist. He wrote a book called the Underground Empire that exposed a lot us elite involvement in drug trafficing around the world - but particularly in the US, in NM, AZ and Utah which was controlled them as now by crime families embedded in USG.
The original hardcover edition of the book was recalled and shredded by the publisher.
So make sure you get a first edition hard cover if you buy it - there are still a few around on ebay etc.
Any anons familiar with the Udall family?
https://en.wikipedia.org/wiki/Mo_Udall
https://articles.latimes.com/1986-10-02/news/mn-3890_1_underground-empire
https://www.amazon.com/Underground-Empire-Where-Governments-Embrace/dp/0440192064
>2658295
Hal Turner is a halfwit paytriot.
n former times they (the Carthaginians) had been accustomed to sacrifice to this god the noblest of their sons, but more recently, secretly buying and nurturing children, they had sent these to the sacrifice.[8]
Tertullian, about 200 CE, states that although the priests who sacrificed children had been crucified by a Roman procurator, "that holy crime persists in secret".[9]
Cleitarchus, Diodorus Siculus and Plutarch all mention burning of children as an offering to Cronus or Saturn, that is to Bal Ammūn, the chief god of Carthage. According to Justin, the Carthaginians accepted the Persian Achaemenid Empire's instructions to stop sacrificing children (and eating dogs).[10]
Some of these sources suggest that babies were roasted to death on a heated bronze statue. According to Diodorus Siculus, "There was in their city a bronze image of Cronus extending its hands, palms up and sloping toward the ground, so that each of the children when placed thereon rolled down and fell into a sort of gaping pit filled with fire."[8] They placed their children alive in the arms of a bronze statue of the lady Tanit:
The hands of the statue extended over a brazier into which the child fell once the flames had caused the limbs to contract and its mouth to open… . The child was alive and conscious when burned… Philo specified that the sacrificed child was best-loved.[11]
According to Stager and Wolff, there is a consensus among scholars that Carthaginian children were sacrificed by their parents, who would make a vow to kill the next child if the gods would grant them a favor: for instance, their shipment of goods were to arrive safely in a foreign port.[12]
However, some historians have disputed that child sacrifice occurred,[13][14] suggesting instead that the tophets were resting places for the cremated remains of children that died naturally.[15] Sergio Ribichini has argued that the Tophet was "a child necropolis designed to receive the remains of infants who had died prematurely of sickness or other natural causes, and who for this reason were "offered" to specific deities and buried in a place different from the one reserved for the ordinary dead".[16] The few Carthaginian texts which have survived make no mention of child sacrifice (very few mention religion at all).[citation needed]
Child sacrifice may also have been overemphasized for effect; after the Romans finally defeated Carthage and totally destroyed the city, they engaged in postwar propaganda to make their archenemies seem cruel and less civilized.[17]