let us pray for rickie bobby as he goes up to race against the jootube adtrackers and the gynotologist compd vpn amongst the stalkers of dns. May his TLS ggo unnoticed on the cia captcha server, for https is truly broken by osi layer model math and is controlled by the fake jews of bacon hogg cult. so long and thank for all the fish. do not forget your towel. ramen !
kapernichk is an irish jew and doesn;t know iirc
and since S&B covets geronimo skull and the munsters covet S&B and wendsday made a rock star performance in a recursive manner . you have all been warned before and already.
it is a bummer dude
marlon brando declined the oscar
Rolling Stone contributing editor Rob Sheffield finds "Pocahontas" to be "an agonizingly lonely ballad."[4] The themes of "Pocahontas" include passage of time, travel through space and companionship.[5] Rolling Stone critic Paul Nelson claims that "Young sails through time and space like he owns them."[6] The lyrics of "Pocahontas" primarily describe the massacre of an Indian tribe by European settlers.[2][7] However, by the end of the song the lyrics have jumped to modern times, with a fictional meeting in the Astrodome between the narrator, Pocahontas and Indian rights activist actor Marlon Brando.[2]
"Pocahontas" begins with an image that evokes "a cold breeze whistling by":[8]
Aurora borealis
The ice sky at night
Paddles cut the water
In a long and hurried flight
It then describes the massacre.[7][8] According to music critic Johnny Rogan, Young describes the tragedy with restraint.[7] The narrator appears to be in the middle of the situation with the word "might" in the lines "They killed us in our teepee," but then undercuts that appearance with the lines "They might have left some babies/Cryin' on the ground."[7] Rogan discusses the disorientating effect of these lines. While the tragedy is described in the first person, the word "might" also creates a more disinterested tone.[7] The listener is also unsure whether to be relieved that the soldiers might have shown some small degree of mercy to these babies, or whether to feel even greater anger that the defenseless babies were left to probably die slowly out in the open.[7] According to Rogan, Young's "casual" delivery adds to the horror even more.[7]
The time period fast forwards, moving from the settlers massacring the buffalo to a bank on the corner in a single line, and then to the present day where the narrator sits in his room with an Indian rug and a "pipe to share."[6][7] The following verse then provides a flashback, which Nelson calls "so loony and moving that you don't know whether to laugh or cry," and challenges the listener to try to reduce that verse to a single emotion:[6]
I wish I was a trapper
I would give a thousand pelts
To sleep with Pocahontas
And find out how she felt
In the mornin'on the fields of green
In the homeland we've never seen.
Nelson and others have commented on the effect of the "bawdy pun" on sleeping with Pocahontas to "find out how she felt."[6][9] Finally, in what critic Jim Sullivan calls "a biting surrealistic twist", in the last verse the narrator sits with Pocahontas and Marlon Brando in the Astrodome discussing Hollywood.[6][9]
Young accompanies himself on acoustic guitar. Allmusic critic Matthew Greenwald describes the song as having a "strong folk/country melody.[
Rolling Stone critic Nelson describes "Pocahontas" as being "simply amazing, and nobody but Neil Young could have written it."[6] Music critic Johnny Rogan called the song "one of Young's most accomplished acoustic tracks from the period and a perfect example of his ability to mix pathos and comedy."[7] Author Ken Bielen calls it "a classic piece of music in Young's body of work.[8] Bob Bonn of the Beaver County Times compared it unfavorably to Young's earlier song about European conquest of the Indians, "Cortez the Killer," in that the lyrics do not match the "brilliant, melancholy and haunting" quality of the earlier song, nor is Young's guitar playing as evocative.[10] But music critic Robert Christgau counters that due to the "offhand complexity of the lyrics…'Pocahantas' makes 'Cortez the Killer' seem like a tract."[11] Critic Dave Marsh claimed that Young "found an amusing new way to tackle his romanticized fantasies of the Indians."[12] Jim Sullivan of Bangor Daily News calls "Pocahontas" "the most intriguing song" of Rust Never Sleeps.[9]
marlon brando still declines the oscar
Brando was sincere in declining his Oscar to protest the mistreatment of Native Americans. According to Sherry L. Smith's Hippies, Indians, and the Fight for Red Power, Marlon Brando had been involved in doing advocacy work for Native Americans for about ten years before he refused to accept his Academy Award. Back in 1963, Marlon Brando got involved in the African-American civil rights movement after participating in the August 1963 March on Washington for Jobs and Freedom (best known as the occasion of Martin Luther King, Jr.'s historic I Have a Dream speech). Shortly afterward, the National Indian Youth Council (NIYC) invited Marlon Brando to a 1963 conference at a reservation of the Ute people based at Fort Duchesne, Utah. Younger members of the NIYC admired the militancy of the black civil rights movement and began engaging in fish-ins to protest the refusal to honor fishing rights promised to the Native Americans by government treaties. To attract publicity for their cause, the young Native American activists asked Brando to participate in their "fish-in" protests, and Brando happily agreed. Here's a photo of Brando participating in a "fish-in" protest of the coast of Washington State back in 1964.
and by your religious rights dogma
this back hoe operator is the last of the apache scalpers born here
we can just pull the black box from the wreckage