A dig about Hollywood films which have, in whole or part, either the storm or cabal style scheming (programming and control) as part of the plot, with either subtle or overt messaging.
No film is perceived by all people in the same way, so unless the point of the story is very specific (The Great Escape, about WW2 Allied prisoners escaping from a pow camp), any given film can be categorized with multiple subcategories of interpretation and perception. Given the present time and situation we are in (good vs evil), films can generally be viewed as cabal friendly, or Storm/GA. Intended age range of the audience must be factored in.
The Matrix is an excellent vehicle for understanding how an entire existence can be a programmed, mind controlled false reality to mask the actual reality of absolute human slavery in the grip of cabal programming. Purely science fiction, yet directly relative to core aspects of our modern American life under control of the cabal globalists.
As a franchise, however, elements of cabal programming can be found interwoven throughout the Matrix trilogy. A notable example is the last remaining underground human city called Zion, which was portrayed as an idealized "Burning Man/Hippiefest" cult. Add the Babylonian king Nebuchadnezzar as the name of the craft Morpheus (ancient Greek god of dreams) and crew reside in, and you have elements of some fairly blatant cabal programming.
The Wizard of Oz is an excellent vehicle for cabal programming, especially among young viewers. The mere use of witches and wizards as topics of entertainment is suspect. Also the intermingling of evil, horror, magic, ritual killing, music, dancing, laughter and wholesome goodness… It is all very Pagan. Very Tanit and Baal.
Countless movies do an excellent job of laying out moral compromise and corruption on a personal level, and in local and national politics. Film Noir as a genre is based around the theme of moral compromise and corruption, our age old problem. The Godfather franchise is a study of organized crime, with many of the specifics (characters and plot) outlining what we are currently facing with the cabal.
As an example of down home corruption, I recommend a Burt Reynolds vehicle from the 70's - Gator. The criminals and corruption on display is right out of the cabal playbook, complete with child sex trafficking. Reynold's character Gator McClusky is leveraged into cooperating (to keep his Pappy from going to prison for bootlegging liquor) with the Feds to infiltrate a criminal ring, but when he finds out the degree of crimes involved (drug addicted young girls forced to work as prostitutes), he goes rogue to bring them down.
While Gator is very hard hitting film on one level, if you want to dig deep into how Hollywood operates, Gator screenwriter (William W. Norton) was among those in Hollywood questioned by Sen. Joe McCarthy for being involved with communism, yet still managed to weasel his way back into writing for Hwood. Also, a number of characters in the film are Jewish, an attempt by either Norton or a useful idiot producer to insert tribe members in a positive light. Even when a film hits all the right notes in terms of exposing corruption, (((they))) find a way to insert a (70's style) subversive image.
*Eyes Wide Shut - Elitists doing what they do.
*Devils Advocate - Tells the story of evil very well.
*Bourne Identity - Well, some (exaggerated) truth for once.
*James Bond films - A mixed bag of truth and subtle subversive programming. You would have to go film by film to point out the subversive elements. Start with the director of any given Bond film, read their filmography and look for identifiable political orientation.
*Indiana Jones - The whole series, while seemingly about good vs evil in a positive way, is subversive, just like their director.
Some movies are blatant attempts to rewrite history and recast actual historic characters contrary to the facts. The recent First Man is a good example of recasting Neil Armstrong contrary to his known character, behavior, and historic facts.
It can also be argued that every film made about WW2, other than the facts of specific land or sea battles, is a propaganda vehicle. The mere fact of Hollywood making a film about any military themed film is suspect.
Feel free to add your take on the topic.