dChan
Anonymous ID: 0e7433 Oct. 27, 2018, 3:26 a.m. No.3624806   🗄️.is 🔗kun   >>4938

>>3624574

 

"And world police-state is what we have today, driving global governance in stages towards the fait accompli of one world. Well, evidently, it is easier to maintain police-state with Newspeak under Orwellian cover in which people are brought to love their own servitude than just at the point of the hard bayonet as in vanilla military dictatorships. One can witness the platitudinous wordsmithing in the UN docs, in the EU constitution, etc., which underwrite the nihilist world order all of which are layered upon the premises outlined above. All are connivings to take away real individual rights in practice under the pretense of giving some abstract universal rights to man, while the superman will always retain all the real rights because he defines what those are. The superman exercises those rights through its control of the state and its legal authority to legislate any abhorrence and call that law. The superman increasingly exudes that power through the supra-national world governing bodies who today implement those laws with the acquiescing of all nations in the name of international law. The superman declares wars whenever he wants, makes peace whenever he wants, imprisons whomsoever he wants, makes heroes and villains of whomsoever he wants and labels all that justice. He weaves a web of deceit and calls it truth. And he gets the common mind to accept his brilliant arithmetic of two plus two make five as he inches the world rapidly towards global police-state with incremental body of oppressive laws in the name of national and world security. While all can see the heinous acts of the superman conducted in the name of security, the common herd, like the three wise monkeys, almost always hears no evil, speaks no evil, and sees no evil."

 

http://faith-humanbeingsfirst.blogspot.com/2014/03/waiting-for-allah-by-zahir-ebrahim.html

 

—

 

"Although Man and Superman can be performed as a light comedy of manners, Shaw intended the drama to be something much deeper, as suggested by the title, which comes from Friedrich Nietzsche's philosophical ideas about the "Übermensch" (although Shaw distances himself from Nietzsche by placing the philosopher at the very end of a long list of influences).[5][10][11] As Shaw notes in his "Epistle Dedicatory" (dedication to theatre critic Arthur Bingham Walkley) he wrote the play as "a pretext for a propaganda of our own views of life".[5] The plot centres on John Tanner, author of "The Revolutionist's Handbook and Pocket Companion", which is published with the play as a 58-page appendix. Both in the play and in the "Handbook" Shaw takes Nietzsche's theme that mankind is evolving, through natural selection, towards "superman" and develops the argument to suggest that the prime mover in selection is the woman: Ann Whitefield makes persistent efforts to entice Tanner to marry her yet he remains a bachelor. As Shaw himself puts it: "Don Juan had changed his sex and become Dona Juana, breaking out of the Doll's House and asserting herself as an individual".[5][12] This is an explicit, intended reversal of Da Ponte's Don Giovanni; here Ann, representing Doña Ana, is the predator — "Don Juan is the quarry instead of the huntsman", as Shaw notes.[5][13]

 

Ann is referred to as "the Life Force" and represents Shaw's view that in every culture, it is the women who force the men to marry them rather than the men who take the initiative.[5] Sally Peters Vogt proposes, "Thematically, the fluid Don Juan myth becomes a favorable milieu for Creative Evolution," and that "the legend…becomes in Man and Superman the vehicle through which Shaw communicates his cosmic philosophy" [14] "

 

https://en.wikipedia.org/wiki/Man_and_Superman