he Truth is that there are multiple levels of activity behind what appears to be a play of incredible magnitude. Who then is writing the lines for the characters and what is the point of the script? Would it be a surprise to inform you that you are writing the lines and until you can figure out a point to the script, there is none? If that is the case, then which of the individuals on the planet can figure one out? Well, indeed there is a focused group that has decided that they would like to put forth their point in the script. There is just one problem with this, they have decided to put forth a focus within the play that is not in harmony with the Creator of the stage and the theatre that this play is to be performed upon. In fact, the plan this group has in mind has a great surprise at the end for the audience and the actors on the stage. They intend to destroy the audience, the actors, the stage and the theatre.
Since the Creator of this theatre likes this particular theatre and thinks of it as a pet project, this idea doesn’t appeal to Him at all. Since He is not in the business of standing in the way of the creative presentations that are produced within its confines, then He is hoping that the audience will decide to make changes of their own. There is a type of presentation that involves participation of the audience other than just sitting and observing. The theatre entrepreneur is wondering that if the play being presented becomes obnoxious enough to the audience, will they simply walk away and withdraw their attention? This would then allow the cast and its directors to destroy themselves, but then the theatre owner does not want his property destroyed along with them. He is hoping that the audience will come up with some other solution. Perhaps there could be audience participation that would perhaps introduce some new characters that would create lines of script of their own. If a new story line could be introduced with characters that could change the ending, then the performance could be a comedy or a mystery or a love story rather than a tragedy. Maybe, audience participation could indeed create a whole new genre of experience. Instead of depicting repetition of experiences already known, could the audience in the intensity of desire change the story line, come up with a creative scenario that would encompass possibilities not yet experienced? Why not? The greater the desire for change, the greater the opportunity for creative new boundary expanding story themes. Within the spontaneity of group focus, without the academic control of leadership with an intended purpose, conception outside of ordinary themes is not only possible, it is probable.