A story collected by Sir Richard Francis Burton the 19'th century explorer in the marketplace of Khartoum, in upper Egypt
The Ruin of Kasch
"Transcendently poor taste" - satanist Post
"Worse the Orange Man" - New York Times
"You have Kuru if you can dance to this" - MSNPC
PEDOVORE BOOGIE
and it's Robert MacNamara's bombs that blow your face away
▶Q !!mG7VJxZNCI 01/11/19 (Fri) 00:19:34 467fd2 (1) No.4707080
BOOM!
BOOM!
BOOM!
BOOM!
Q
We can learn
THE NATURAL HISTORY OF ELEPHANTS
In Tuva they've a one man choir.
Q uva Groove.
It's never too late
TIGHTEN UP
Big Nels and the neck-rophilac.
Only falcons don't fight eagles.
Source: self, falconer
Check out the "snake bridges" if you are digging on Mercedes Benz stadium.
Notable earlier featured and aerial shot of the stadio. Who designs a building with features visible only from above?
Information War, Non-Linear War, or as the Chinese call it Unrestricted War, is a perpetual conflict between nations and sovereign actors which employs every available means; economic, political, technological to defeat an opponent. This form of covert conflict is amplified by technological evolution which has created tightly networked populations who can be targeted with specially prepared information and manipulated as group or individually.
When psychology professor Wilson Bryan Key documented the ubiquitous use of subliminal technologies in advertising and editorial media content back in the 1980s, the advertising and “entertainment” industry made a significant effort to deny, distract and confuse the public about the issue, attacking Key as a dirty minded crank and trotting out a legion of paid experts to dispute and ultimately dismiss the possibility that subliminals were ever widely used or could ever be effective. Any academic researcher who shines light on the area subliminal influence in use today can expect a more sophisticated Information Operation to discredit them and their work.
USP # 5,017,143 (May 21, 1991), Method and Apparatus for Producing Subliminal Images
Abstract: A method and apparatus to produce more effective visual subliminal communications. Graphic and/or text images, presented for durations of less than a video frame, at organized rhythmic intervals, the rhythmic intervals intended to affect user receptivity, moods or behavior.