>>501357

>>501429

>>501427

I made a frame by frame study of this movie in 1996 because I suspected a strong occultic influence. One major clue was the opening sunrise over the city. Another clue is that it was one of a trilogy of Die Hard films.

I already knew that the numbers 3,6, and 9 were important to the Illuminists and was also aware that both Nikola Tesla and his equally brilliant friend John Keely agreed that if the importance of these numbers was truly understood, there would be a revolution in human history.

The numbers are not good or bad, of course. It depends upon how one uses them. Tesla and Keely wanted to use them to advance human civilization. The "evil ones" use them to advance themselves and keep us controlled.

Anyway, being an amateur statistician, I decided to make a record of every number that could be seen or heard in the entire film. I used a common occultic method of reducing sequences of numbers to a single digit. For example, the police badge number 6991 reduces to 7 (6+9+9+1=25, 2+5=7). Interestingly, using Q’s MIRROR clue, this number becomes 1996, the year of the film’s release.

My reasoning in using this approach was that if there was indeed an occultic element in the Die Hard trilogy, then the occult’s obsession with numbers and symbols might be accessible to being quantified with the use of a simple statistical examination of the numbers embedded within them. It should also be noted that it is unnecessary for an entire cast and crew to be involved in the occult “contamination” of a film. A director, producer, and someone in the editing room would probably suffice. I add this caveat because I don’t want Bruce Willis coming after me… as we all know, he always gets his man.

Now, let’s say that we generate a hundred 7-digit numbers with a random number generator and reduce them all to a single digit. The laws of probability are that the numbers 3, 6, and 9 (1/3 of the cardinal numbers 1-9) should equal 33% of the total, +/- a small standard deviation.

Results of my painstaking efforts: 237 numbers in total with 3, 6, and 9 = 118 = 49.8%. Needless to say, this is a statistically significant deviation from what is expected by the laws of probability.

But it doesn’t stop there. There are also a significant number of elements in this film which mock Christianity. The 30 pieces of silver are one. Another is the scene where the female antagonist attacks the outside wall of the bank vault with a jackhammer. There is a painted red cross on the wall and she starts her demolition at a spot roughly equivalent to where we’re told Jesus was pierced by the spear. How nice!

Two more points should be noted:

First, there is a countdown on the binary bomb which is eventually located and disarmed. Interestingly, there is a missing second at the one-minute-to-go mark. The countdown moves from 1:01 to :59, completely bypassing the 1:00 mark. Meaning? Beats me, but clearly that wouldn’t happen if you were a film maker and used a normal timer as a prop. My conclusion: it was edited out for some reason which still baffles me.

Second, there is a long camera pause on the bottom of the aspirin bottle in the phone booth scene at the end of this film. The inscription reads 93 S 104. Rearranging the numbers and looking at them for clues led to a possibility which is worth considering. 41930 could well be John:19-30 which includes Jesus’ final words “it is finished”.

I can hear all of the groans out there. “You’re reaching, anon.” “That’s a stretch, dude!” Maybe, but follow me here. Perhaps for the Illuminists the film DOES end in that phone booth after good guy John McClane has failed to get the bad guys. Triumph of evil over good, right? However, for the dumb masses who demand a proper ending we are given a fairly yawn-evoking few minutes of action where the white hats win the day and our hero emerges triumphant.

There’s much more in this film which proves the case of occult involvement but I’ve said enough to pique some interest by those who wish to watch what was otherwise a pretty entertaining movie again… or for the first time. We all know Hollywood is a cesspool of propaganda and excesses of every description. This anecdote just adds to the archived evidence of what the Illuminists refer to as “revelation of the method”, a sick part of their perverted ethic but a very useful one for those who are awake or awakening.

I would also recommend Michael Hoffman’s book “Secret Societies and Psychological Warfare”. Fascinating read…