Anonymous ID: 73ae1c Feb. 18, 2019, 6:09 a.m. No.5241210   🗄️.is 🔗kun   >>1216 >>1252 >>1253 >>1305 >>1349 >>1358 >>1442 >>1504

google "gelitin" or "gelatin" images

 

READ:

http://www.shakesaspear.com/911whodunnit.html

 

very interesting for numberfags

scroll down the page for all the pics

 

===

https://en.wikipedia.org/wiki/Gelitin

 

gelitin is a group of four artists from Vienna, Austria. The group was formerly known as gelatin and changed their name in 2005. They are known for creating sensational art events in the tradition of Relational Aesthetics, often with a lively sense of humor.

 

Among their projects are a gigantic plush toy: a 55 meter tall = pink rabbit = on Colletto Fava (near Genoa, Italy), intended to remain there until 2025.[1][2] In November 2005, the group had a show at Leo Koenig, Inc. in New York, a project called Tantamounter 24/7. The project was a "gigantic, complex and very clever machine", according to the artists, which functioned as a kind of art-Xerox. The group erected a barrier blocking off one half of the space, locking themselves inside for one week, then asking visitors to insert items that they wanted copied into an opening in the barrier, which copies were then returned through another opening.[3]

 

One of Gelitin's best known art projects began in March 2000, when the group allegedly removed one of the windows on the 91st floor of the former World Trade Center complex and temporarily installed a narrow balcony, while a helicopter flew around the scene, taking photographs to be later documented in their book The B-Thing.[4] The book was published in 2001 and had even by that time taken on an air of urban legend, with new copies selling for $500 on Amazon.com as of 2016.[4][5][6]

Anonymous ID: 73ae1c Feb. 18, 2019, 6:13 a.m. No.5241253   🗄️.is 🔗kun

>>5241210

 

READ:

http://www.shakesaspear.com/911whodunnit.html

 

End Times Art Nouveau: Psychopathic Art

By Timothy Spearman

 

None could speak of villainy better than the best. And so we may attribute to Iago no better description of the villain than him who beholds him in the mirror. The fool Iago is best positioned to view the acts of fools. Who could better speak of his own acts than the fool who has lived them? And so Iago, the man wise to his folly, speaks best when he says, “There’s none so foul and foolish thereunto,/But does foul pranks which fair and wise ones do.” This could well apply to the prankish actions of an art troupe who staged the greatest hoax the art world has ever known in the World Trade Center one year before 9/11. Jack the Ripper said, “I gave birth to the twentieth century.” Jack sent several pieces of prankish art telegraphing his crimes to Scotland Yard. Analogously, the psychopathic and presumed Mossad agents whose prankish art exhibition was staged on the 91st floor of Building 1 of the World Trade Center and included many sketch and photograph mementos of their exhibition in a book, gave birth to the 21st century, “the project for a new American century,” the secret destiny of America, the New Atlantis, a project that would send America into free fall like the Falling Man mannequin that Gelatin had planted in Building 1, which would be sent into freefall later before the camera lens of Associated Press photo journalist Richard Drew.

 

Gelatin: The B Thing is a very disturbing publication. There is no way this can be passed off as just a prankish hoax by some obscure art troupe from Wien, Austria. The fact is that the exhibition, purportedly held over a year prior to the Sept. 11, 2001 attacks on March 6, 2000, shows two interesting numerological signatures pointing to prior knowledge and criminal complicity in 9/11. March 6 carries the Mark of the Beast at the turn of the millennium in a dire Ides of March portent, since the date is the third month and the sixth day, which could suggests 3/6 or three 6s. Secondly, the fact that the exhibition was staged on the 91st floor of Building 1 points to prior knowledge, especially considering that there are 19 floors from floor level 91 to the top floor 110. 119 is the emergency code for the Middle East, while 911is the emergency code for Western countries. The fact that these numerological signatures are implanted in the staging area of the exhibition suggests that the WTC Towers were built with a pre-established agenda in mind. It seems their planners knew what they were being built for before the foundation stone of the building was even laid.

Anonymous ID: 73ae1c Feb. 18, 2019, 6:19 a.m. No.5241305   🗄️.is 🔗kun   >>1323

>>5241210

 

"GELATIN"

is the inside term for plastic explosives

for those in the biz of explosives

 

there are many pictures on google

as well as on the website

that came from the book

 

http://www.shakesaspear.com/911whodunnit.html

Anonymous ID: 73ae1c Feb. 18, 2019, 6:24 a.m. No.5241349   🗄️.is 🔗kun   >>1373

>>5241210

 

Then there is the corroborating coincidence that the “art troupe” just happens to be named after an explosive called gelatin? That is an insulting in your face taunt by foreign terrorists, who like the psychopath John George Haigh are practically making an admission of guilt knowing that there is no hard evidence to convict like Acid Bath Murderer Haigh’s famous no corpus delecti plea. Then there is the fact that the “art troupe” is sponsored by a cultural group whose membership includes an Israeli agent who lived blocks from Mohammed Atta, the terrorist who hated modern art and crashed an aircraft into it. The “art troupe” also happened to live in the same neighbourhood in Wien, Austria that Anders Brevik had stayed in when he was living there. Then there is the likelihood that, if the above sketch showing an aerial view of Tower 1 or the North Tower were found in the hands of a Muslim, they would have a one-way ticket to Guantanimo Bay. And to top it all off the New York Times actually published a full page feature on August 18, 2001, just three weeks before the 9/11 attacks even showing pictures of the artists at work. How audacious is that? And how could the New York Times then overlook the significance of this when the events of 9/11 took place only three weeks afterwards? The fact that the New York Times never published a follow up article suggesting a tie in between the artists and the events of 9/11 or published an editorial from a perceptive reader related to the link speaks volumes about the paper’s management and who they are controlled by. The editorial board of the New York Times in hindsight should be interrogated by Homeland Security if it were the genuine body it claims to be in guarding the homeland. But instead they conduct raids on gun owners trying to protect themselves against the criminal cabal in power in Washington, who have completely shredded the Bill of Rights with the Patriot Act.

Anonymous ID: 73ae1c Feb. 18, 2019, 6:27 a.m. No.5241373   🗄️.is 🔗kun   >>1380

>>5241349

 

If this isn’t enough to show a MOSSAD link to 9/11, there is the corroborating evidence of Israeli involvement with the multiple arrests of Israeli nationals following the attacks in New York on Sept. 11. In an article published in the New York Post two days after the attacks, it initially identified the arrested suspects as illegal immigrants from the Middle East. They were apprehended in a white Chevy van near the Meadowlands based on a tip from witnesses who saw them “cheering” and “jumping up and down” in Liberty State Park following the attack. Port Authority police took the three suspects into custody as they drove along Route 3 in East Rutherford in the white van, which had the words “Urban Moving Systems” painted on it. After interrogating the men and searching the van in vain for explosives, the FBI turned the men over to the Immigration and Naturalization Service for deportation.[5]

 

An article in the New Jersey paper, the Bergen Record, announced on the 12th that, some eight hours after the World Trade Center attacks, police in Bergen County detained five men who were purportedly found carrying maps linking them to the blasts. The five men, who were in a van stopped on Route 3 in East Rutherford around 4:30 p.m., were questioned by police but no charges had been laid. Sources close to the investigation said they found other evidence linking the men to the bombing plot. “There are maps of the city in the car with certain places highlighted,” the source claimed. “It looked like they’re hooked in with this. It looked like they knew what was going to happen when they were at Liberty State Park.” Sources also claimed that bomb-sniffing dogs behaved in a manner consistent with the detection of explosives. The FBI seized the van for further testing, authorities said.[6]