>>5314390 (pp)

Fuck "Electric Universe".

Look into Unified Field Theory.

Then consider that gravity is a push, not a pull.

Then consider open and closed systems.

What if you found yourself between two closed systems?

Squeeze.

You need to be positioned in such a way where the forces aren't extremely imbalanced or you'll find yourself as flat as a pancake.

Actions... Reactions... A cruise ship in the ocean...

What is Mass? What is Density?

Why is it so.... "attractive"?

The moon... why is it far less attractive than Jupiter?

Maybe the moon isn't trying to push itself onto you like that other busy body.

>>5314544

Show me on the conical where the perspective shifted you.

>>5314555

with trips to boot… I like!

"13 bizarre cases in the last 10 days at sites located around the world…"

Sounds about right.

>>5314625

kinda like a primordial soup/pond/waters

>>5314643

>>5314700

Just one?

Well… it depends on how you look at it.

>>5314737

>>5314761

Collaging is fun!

Are you going to continue building that one up or have you set some temporal parameters on how you make 'em?

>>5314794

Y'don't say…

Kinda like, and forgive me for being so topical, Smollett and Sandmann.

It's astonishing how so many people can look at the same situation/event/object/subject and see so many different things…

>>5314801

fuuuuuuck yes

Have you considered adding graffiti?

Always fun to draw moustaches on people.

>>5314851

I can dig it!

Some things to possibly play with:

-Large background sections (thick strips, splotches)

-Ways of moving the eye in certain directions via design elements

-Words don't have to immediately correlate with the images they're on. Meaning can be shown through context as time is spent studying the image.

-Sets… so related (whatever you're calling these), and not necessarily back to back. It could be a stylistic thing, for example, if you come up with multiple approaches that each lend something to their subject matter.

-Perhaps if you want to revisit one without messing with its "timestamp", scan it, print it, paste it in the sketchbook, go from there. Or completely recreate it from the bottom up, but that would probably take more time than you're looking to put into each one, individually.

>>5315011

I see a one main one in slices that show up at limits, and then a bunch of little ones branching/telescoping off of those