the amount of data must be staggering.
also the access to it must also be limited.
So they probably didn't have the processor power and storage to chunk thoruhg it all without being obvious (glowing, so to speak). And most people would be opposed to them doing it. . . .
it would have been illegal for them to do it so they would have to do it off line.
also they probably just weren't informed enough to understand what all the data is.
One of the links last night from Q had a reference to a 'Gang of Eight'
did we ever figure out who those 8 people are?
I have a spread sheet I use that has similar informatin like what you have in the note12octave page. I take it to sub octaves.
I equate the 'period' of a bar or note of music, as well, to sub octave frequency.
The period of a note, if selected from a list of periods in that same key, from a sub octive, will have a significant bump up in it's effect. So a song, say, written in the key of C might be good to have periods that reflect sub octive C, F or G.
but you can choose it for how it sounds, of course.
also, for delay and echo effects I tend to like to add echos with period of repeats that are also either I, IV , or V of the key.
of course how does it sound is very important.
resonance and ringing .
the beat ought to be a period that is the key of the song. What that also means that the tempo would have to change, in that case, if the song is played in a different key.
Of course, these are just concepts for a particular way to reinforce sound.
Real muscians play what sounds good.