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Anonymous ID: 70d273 March 8, 2019, 6:31 a.m. No.5573897   🗄️.is 🔗kun   >>3913 >>3915

>>5573810 Prince Stefano Massimo photographer

 

https://www.reddit.com/r/ExterminateTheNWO/comments/atsuj9/massimo_mafia_of_london/

 

https://www.gettyimages.com/photos/prince-stefano-massimo?

 

http://nmpphoto.co.uk/stefano-massimo-bio/

Anonymous ID: 70d273 March 8, 2019, 6:34 a.m. No.5573913   🗄️.is 🔗kun   >>4007

>>5573897

Stefano has a deep concern for social problems around the planet, which has lead to a lifelong passion for reportage photography. In 1988 he first visited Gaza and the occupied West Bank during the time of the first Intifada. His reportage photographs were published in the German magazine Stern and used in a number of British television documentaries. In 2005 he returned to Palestine to take a series of black-and-white photographs for the book “Silent Witnesses, the Lives of Palestine’s Children” (foreword by HRH Prince el Hassan bin Talal) for Al Madad Foundation. Some of the photographs in the book were used by John Berger to illustrate his reading of Ghassan Khanafani’s ‘Letter from Gaza’:

 

In 2006, following the disastrous earthquake In Northern Pakistan, he proposed to the same foundation the Idea of a visual document of the effects of the tragedy on its children, which resulted in the book “Kashmir’s Children, the Silent Witnesses of the Earthquake” (foreword by Imran Khan, cricket star and founder of Shaukat Khanum Memorial Trust Cancer Hospital). In 2009, to mark its 25th Anniversary, Islamic Relief commissioned him to travel to Mandera, in northern Kenya as well as to Yemen and Bosnia Herzegovina for a series of black-and-white photographs documenting the numerous projects undertaken in those areas by this admirable charity.

In 2012 he photographed Delhi’s most under privileged, cared for by Reeta Devi’s Ila Trust Mobile Clinic.

Since 2009 he has established a permanent collaboration with the International Laboratory for Peace at the University of Rome Tor Vergata, offering the contribution of reportage images in events where science, art and social integration merge. The aim of introducing visual art in a scientific context raises the issue of expanding academic avenues, thus innovating university teaching.

 

http://nmpphoto.co.uk/stefano-massimo-bio/