Anonymous ID: 7218ce March 24, 2019, 12:38 a.m. No.5860030   🗄️.is đź”—kun   >>0056 >>0078 >>0124

Blackout And Sigils

 

The blackout or as it is commonly referred to, the death posture, is the

technique that the late Austin Osman Spare refined for his own magical

use and which has been adopted by chaoists, solo and group, world wide

as its popularity has been increased by the works of the IOT over the

last decade or so.

 

The normal procedure, as many will undoubtedly be familiar with, (and

this is only one of its uses) is that a sigil/glyph of desire is held in

the mind`s eye whilst in what we all refer to as the death posture e.g.,

stood on tiptoe, arms locked behind the head, body stretched to its

limit, deep spasmodic breathing, until total exhaustion and inevitably

one blacks out, the sigil is then lost to the mind of the inner and the

banished of laughter is evoked to prevent the resurfacing of the said

sigil.

 

Anyone who has used this technique for the above said purpose, will have

at sometime or another experienced, even if just slightly, difficulty in

holding the posture long enough for the desired gnosis to take effect

sufficiently for blackout. And due to this difficulty, a well planned

ritual can be a well planned waste of time as the desired result is not

implanted properly.

 

A technique that has been repeatedly employed by myself on such

occasions is based upon the same principles as the death posture but as

I have found, a little easier and without pitfalls that one can

experience with A.O. Spare`s technique.

 

This technique is a strange mixture of inhibitory and excitatory gnosis,

forced overbreathing, dancing or spinning, and of course exhaustion. The

end result is of necessity for this process the blackout, which is as we

know, of the inhibitory gnosis. I will now explain how this technique is

employed by one for the insertion of sigils for whatever purpose one

feels the need.

 

First one has to sigilise the desire in any form that one may wish, but

in all cases and especially this one, it must be very easy to visualise.

Once that has been achieved, one may then begin to design the ritual for

that particular purpose in mind. Banishings and invocations may be

employed, if so wished, this is, however, not a necessity for the

successful outcome of this process. At the culmination of the rite the

individual starts the overbreathing, panting deeply and spasmodically

and at the same time visualising the sigil as vividly as you possible

can, bright, intense and very clear as the overbreathing continues. Then

when you feel that the time is right, start your spinning round and

round, still overbreathing and still holding your visualised sigil in

your mind`s eye. Music can be played for a background to the dancing,

tom toms or any other drum is rather excellent background sound for this

purpose. When the individual has reached a state of sheer exhaustion,

very dizzy, sweating and ready to drop, he or she then, still spinning

and overbreathing and of course holding the visulised sigil in mind,

works their way to the centre of the circle or working area.

 

There a partner, either active or passive to the rite, (in other words,

if a solo worker, try to get someone to help you with this part) stops

you spinning and grabs you in a bear hug lifting you off the ground and

squeezing you about the solar plexus, where a large network of nerves

lie. At this precise moment the music, if any has been employed, is

stopped, and death-like silence is kept. The practitioner holds his or

her breath whilst being squeezed and the sigil is visualised as if

burning with bright, white heat as its image is burnt into your mind.

Within seconds the blackout will occur and the sigil is lost to the

mind. At this point it is important that your partner lets you drop to

the floor, unless that is you wish to return to primal chaos!

 

On coming round, in most cases, you should evoke laughter to banish the

sigil and all thoughts thereof, your laughter breaks that silence and

the rite is finished in whatever manner wished.

 

With fractalic greetings and laughter * Fra.: Apfelmann *

 

  • Origin: ChaosBox: Nothing is true -all is allowed… (2:243/2)

Anonymous ID: 7218ce March 24, 2019, 1:08 a.m. No.5860181   🗄️.is đź”—kun

The Fez itself, is an example of the double meaning behind

most of Freemasonry's facade. Worn and even carried to the

grave with pompous dignity, the history of the Fez is

barbaric and antiChristian. In the early 8th century, Muslim

hordes overran the Moroccan city of Fez, shouting, "There is

no god but Allah and Muhammed is his prophet." There they

butchered almost 50,000 Christians. These men, women and

children were slain because of their faith in Christ, all in

the name of Allah, the same demon god to whome every Shriner

must bow in worship (and proclaim him the god of his fathers)

in the Shrine initiation ceremony.

 

The Shriner's blood oath and confession of Allah as God is

found in the sacred ritual book, THE MYSTIC SHRINE, An

Illustrated Ritual of the Ancient Arabic Order of Nobles of

the Shrine, (1975 Ed., pp. 20-22). Realize that Allah is NOT

just another name for God. Allah is the name of another god

in usual occult fashion, the initate swears that he will be

inseparably obligated to this "most powerful and binding

oath.", in advance and that he may NEVER retract or depart

from it.

 

During the butchering of the people of Fez, the streets

literally ran red with the blood of the martyred Christians.

The Muslim murderers dipped their caps in the blood of their

victims as a testimony to Allah. These blood stained caps

eventually were called Fezes and became the Muslim badge of

honor. The Shriners wear that same red Fez today. The

greatest tragedy is that the Fez is often worn by men who

profess to be Christians themselves. It must cause God to

weep.